Theory: Post-Human Photography and the Question of the “Real" (gLV) Felix Stalder
3 CreditsBFA-BFA-Th.24F.009
Theory: Art & Experimental Writing (gLV) 
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| Nummer und Typ | BFA-BFA-Th.24F.010 / Moduldurchführung |
|---|---|
| Modul | Theorie |
| Veranstalter | Departement Fine Arts |
| Leitung | Gerald Raunig |
| Anzahl Teilnehmende | maximal 12 |
| ECTS | 3 Credits |
| Voraussetzungen | Course language: English |
| Zielgruppen | BA Fine Arts students Open for exchange students Interested BA students of other study programmes can register from 29.01.2024 to 09.02.2024 by ClickEnroll; https://intern.zhdk.ch/?ClickEnroll Interested MA students write an email between 29.01.2024 to 09.02.2024 to: studium.dfa@zhdk.ch We will inform you by e-mail in CW 7 whether participation is possible. Applications before 29.01.2024 will not be accepted. No registrations through our lecturers will be accepted. |
| Lernziele / Kompetenzen |
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| Inhalte | The module will center on experiments in writing that go beyond classical academic and journalistic forms of text production. On the basis of discussing diverse ways of writing in art, theory, and literature, it will focus on the participants' existing and developing writing practices, including writing exercises (in English or German) and in-depth-feedback. While scholarly writing gets striated in the academic publication apparatus, which in all its standardizations and hierarchizing becomes its own gravedigger, and, at the same time, writing in corporate social media serves its bubbles in an errant, short-winded, and querulous manner, the seminar will discuss writing as a complex and constant experimentation with the forms of the text, its modes of enunciation, and its assemblages of publication. Gerald Raunig (*1963) is a professor in the BA Fine Arts. Books in English: "Art and Revolution. Transversal Activism in the Long Twentieth Century", New York/Los Angeles: Semiotext(e)/MIT Press 2007; "Art and Contemporary Critical Practice. Reinventing Institutional Critique", London: mayflybooks 2009; "A Thousand Machines", New York/Los Angeles: Semiotext(e)/MIT Press 2010; "Critique of Creativity", London: mayflybooks 2011; "Factories of Knowledge, Industries of Creativity", New York/Los Angeles: Semiotext(e)/MIT Press 2013; "DIVIDUUM". Machinic Capitalism and Molecular Revolution, Vol.1, New York/Los Angeles: Semiotext(e)/MIT Press 2016. |
| Bibliographie / Literatur | Will be handed out during the course |
| Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
| Termine | Time: 09:15 - 17:00 o'clock CW 21: 21 / 22 / 23 / 24 May |
| Bewertungsform | bestanden / nicht bestanden |
