"Matchmaking" Film / Filmmusik
Leitung: Thomas Gerber
Dozierende: André Bellmont, Thomas Gerber
0 CreditsBFI-BFI-CSp-00.MFI.23H.004
Filmmusik: Präsentation
Leitung: Thomas Gerber
Dozierende: André Bellmont, Thomas Gerber
0 CreditsBFI-BFI-CSp-00.MFI.23H.003
Information Diplomprozess
Sabine Boss, Filippo Bonacci, Fabienne Koch, Norbert Kottmann, Rowena Raths, Melina Mylonas
0 CreditsBFI-BFI-WSp-00.23H.002
Methodik: cineDESK
Manuel Hendry, Norbert Kottmann, Valentin Karl Huber
2 CreditsBFI-BFI-MEp-02.23H.005
Methodik: Creativity Process: A Sensory - Emotional Journey (gLV)
Marcelo Muniz, Chantal Haunreiter, Noa Michael Spindler
2 CreditsBFI-BFI-MEp-02.23H.004
Methodik: Fokus Dok (gLV)
Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditMFI-BFI-VDF-01.23H.002
Methodik: Immersive Arts Practices - Doubles, Twins and Avatars (gLV)
Stella Speziali and other IAS team members
1 CreditBFI-FIPD-MEp-01.23H.006
Methodik: Regieposition – Filmmaking: Decolonised Perspectives
Gayatri Parameswaran
1 CreditBFI-BFI-MEp-01.MFI.23H.005
Methodik/Technik: Virtual Production World Building
Norbert Kottmann, Valentin Huber
1 CreditBFI-FIPD-MEp-01.23H.007
Plenum und Screenings (Ticket to Ride)
Sabine Boss, Lorenz Suter, Thomas Gerber
1 CreditBFI-2FIPD-CA103.23H.001
Praxis: AIP – ausserordentliches Studienprojekt
Leitung: Sabine Boss
Herstellungsleitung: Filippo Bonacci
18 CreditsBFI-BFI-PRp-18.23H.001
Praxis: Conclusion – Projekt "Near Future"
Sabine Boss, Silke Fischer, Manuel Hendry
1 CreditBFI-BFI-PRp-01.23H.001
Praxis: Künstlerische Eigenaktivität, Mitarbeit, Praktikum
Sabine Boss
0 CreditsBFI-BFI-PRp-00.23H.001
Praxis: Künstlerische Eigenaktivität, Mitarbeit, Praktikum
Sabine Boss
10 CreditsBFI-BFI-PRp-10.23H.002
Praxis: Projekt_fikt_kurz "Regie Entscheide"
Thomas Gerber, Michael Schaerer
12 CreditsBFI-BFI-PRp-12.23H.002
Theorie: Einführung in die Theoriearbeit I-III
Lorenz Suter, Jelena Pavlovic, Miriam Loertscher
0 CreditsBFI-BFI-THp-00.23H.001
Theorie/Methodik: Master Talk (gLV)
Kamera D.o.P.: Pierre Mennel und Andreas Birkle
Editing: Michael Schaerer
Producing: Joel Jent
Regie Spielfilm: Sabine Boss
Alle Anlässe mit Gästen
1 CreditMFI-A1-3p-BFI.01.23H.001
V-Praxis: Kamera – Digital Cinema I
Andreas Birkle
Assistenz: Fabienne Steiner, NN
1 CreditBFI-BFI-VPp-01.23H.005
V-Praxis: Kamera / Editing – Colorgrading
Ralph Wetli, Pierre Reischer
2 CreditsBFI-BFI-VPp-02.MFI.23H.007
V-Praxis: Kamera / Editing – DIT Digital Image Technician
Leitung: Andreas Birkle
Dozierende: Andreas Birkle, Norbert Kottmann, Fabienne Koch, NN
2 CreditsBFI-BFI-VPp-02.23H.006
V-Praxis: Producing / Drehbuch – My first Short with a Producer
Joel Jent
Dozierende: Joel Jent, NN
2 CreditsBFI-BFI-VPp-02.23H.004
Methodik: Immersive Arts Practices - Doubles, Twins and Avatars (gLV)
Practical course focusing on creating immersive experiences in Virtual Reality, Augmented Reality and their combination by using the technology of the Immersive Arts Space.
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Nummer und Typ | BFI-FIPD-MEp-01.23H.006 / Moduldurchführung |
---|---|
Modul | Methodik BFI, 1 Credit |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Stella Speziali and other IAS team members |
Zeit | 26.09. / 03.10. / 10.10. / 17.10. / 24.10. / 31.10. / 14.11. / 21.11. / 28.11. / 05.12.2023 10 dates, 18.45 - 20.30 |
Anzahl Teilnehmende | 1 - 22 |
ECTS | 1 Credit |
Voraussetzungen | none |
Lehrform | Seminar |
Zielgruppen | ZHdK / alle Studierende (geöffnete Lehrveranstaltung, gLV) |
Lernziele / Kompetenzen | Basic understanding of creating 3D-representations of humans and integrating avatars in digital media environments and immersive experiences, such as virtual and augmented reality (VR, AR) and spatial augmented reality (SAR). |
Inhalte | The course starts with a general introduction to the current use of avatars in films, games and the arts, as well as in social media. This is followed by an introduction to basic technologies that are available in the Immersive Arts space, such as photogrammetry and 3D scan, volumetric capture, motion capture, augmented reality, virtual reality, projection mapping. In small interdisciplinary groups, the participants then develop their own projects and implement them within the range of their own capacity and the available technology. |
Bibliographie / Literatur | Website: www.immersive-arts.ch |
Leistungsnachweis / Testatanforderung | Minimum 80 percent attendance and active participation. Participants need to be aware that they will have to invest additional time between the seminar dates for advancing their practical projects and for learning basic software tools. |
Termine | 26.09. / 03.10. / 10.10. / 17.10. / 24.10. / 31.10. / 14.11. / 21.11. / 28.11. / 05.12.2023 |
Dauer | 10 dates, 18.45 - 20.30 |
Bewertungsform | bestanden / nicht bestanden |
Bemerkung | Doubles, Twins and Avatars is connected to the lecture series Immersive Arts, which will take place every second week on Tuesdays at 17:15h in the Toni cinema. Please contact your own course secretariat first to make sure that you may attend a gLV. Registration by email to kristina.jungic@zhdk.ch with surname, first name, course of study. |