Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.23H.005_(MTH/BTH)
Efrat Stempler (ESt) resp. unfallbedingter Ersatz:
Wo2: Lucia Matzke
Wo3: Martin Stiefermann
2 CreditsBTH-BTH-L-0021.23H.008
Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.23H.001_(MTH/BTH)
Lukas Schmocker (LS)
1 CreditFTH-BTH-VSC-L-6121.23H.040_(MTH/BTH)_nur VSC
Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.23H.001_nur BA-VSC
LOC
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.025_(MTH/BTH)
HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23H.003_(MTH/BTH)
LOC
Prof. Anton Rey (AR)
3 CreditsBTH-BTH-L-005.23H.001
Maren Rieger (MaRi), Prüfungsexpertin: Pica Cubello (PC)
3 CreditsBTH-BTH-L-007.23H.001
Dagmar Walser (DaWa)
1 CreditFTH-BTH-BTH-L-636.23H.030_(MTH/BTH)_VTP
Oliver Mannel (OM), Katharina Cromme (KC)
3 CreditsBTH-BTH-L-0023.23H.030
Sofie Kokaj (SK) [ISAS Brüssel], Julia Stanoeva (JS)
2 CreditsBTH-BTH-L-0021.23H.011
Mandy Fabian Osterhage (MFO)
3 CreditsBTH-BTH-L-0023.23H.001
Johannes Michael Blume (Blu)
1 CreditFTH-BTH-VTP-L-515.23H.001_(MTH/BTH)
Mattes Herre (MH) + Eva Marburg (EMa)
2 CreditsBTH-BTH-L-0021.23H.004
Matthias Fankhauser (MaFa), Monika Gysel (MoGy)
3 CreditsBTH-BTH-L-0023.23H.003
Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.23H.002_(MTH/BTH)_nur VSC
Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.23H.003_(MTH/BTH)_nur VSC
Lukas Schmocker (LS), Sylvia Sobottka (SySo)
3 CreditsBTH-BTH-L-0023.23H.005
Kommission:
PFL BA Schauspiel + NN-L2-Dozierende der FG Szene/Sprechen/Bewegen + 1 ext. Expert:in: Philipp Becker, Matthias Walter, Mandy Fabian Osterhage, ext. Expert:in: Antje Schupp
4 CreditsBTH-BTH-L-0020_Admin.23H.005
Julia Stanoeva (JSt), Carlo Raselli (Tontechnik)
1 CreditBTH-VSC-L-6020.23H.001
Till Löffler (TL), Cora Peter Frost (CPF)
2 CreditsBTH-BTH-L-0021.23H.003
Moritz Sauer (MoSa)
3 CreditsBTH-BTH-L-0023.23H.029
Marisa Godoy (MG) für Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.23H.002_nur BA-VSC
Luca Rudolf (LR)
1 CreditFTH-BTH-BTH-L-636.23H.031_(MTH/BTH)
Christopher Kriese (CKri), Katharina Cromme (KC)
1 CreditFTH-BTH-VRE-L-406.23H.040_(MTH/BTH)
Till Löffler (TL)
1 CreditBTH-VSC-L-6010.23H.001
Johannes-Michael Blume (Blu)
1 CreditBTH-VSC-L-6120.23H.001
Golschan Ahmad Haschemi (GHa)
3 CreditsBTH-BTH-L-0023.23H.006
Sophia Yiallouros (SY)
3 CreditsBTH-BTH-L-0023.23H.002
Oliver Mannel (OM)
1 CreditBTH-VSC-L-613.23H.001
Julia Stanoeva (JS)
1 CreditBTH-VSC-L-613.23H.002
Matthias Walter (MaWa)
1 CreditBTH-VSC-L-613.23H.003
Tobias Keil (TK)
1 CreditBTH-VSC-L-613.23H.004
Iris Gold (IG)
1 CreditBTH-VSC-L-613.23H.005
Mandy Fabian Osterhage (MFO)
3 CreditsBTH-BTH-L-0023.23H.004
Philipp Becker (PB)
3 CreditsBTH-VSC-L-621.23H.001
Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-VRE-L-4000.23H.005_(MTH/BTH)
Sophia Yiallouros (SY), Philipp Becker (PB)
3 CreditsBTH-BTH-L-0023.23H.009
HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.017_(MTH/BTH)
Sabine Harbeke (SH), Gäste
1 CreditFTH-BTH-VRE-L-4000.23H.001_(MTH/BTH)
Akrobatik mit Partner:innen - TRAINING 


Blockstruktur: 2
Wird auch angeboten für
(...)
Bisheriges Studienmodell
Theater
Bachelor Theater
Theaterpädagogik
Level 2 (2./3./4. Semester)
Level 2
(weniger)
Theater
Bachelor Theater
Theaterpädagogik
Level 2 (2./3./4. Semester)
Level 2| Nummer und Typ | FTH-BTH-VSC-L-607.23H.004_(MTH/BTH) / Moduldurchführung |
|---|---|
| Modul | Akrobatik |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Amir Modaï (AM) |
| Anzahl Teilnehmende | 5 - 12 |
| ECTS | 1 Credit |
| Lehrform | Training |
| Zielgruppen | L2 VSC / L2 VTP / L2 VRE / L2 VDR L3 VSC / L3 VTP / L3 VRE / L3 VDR Wahlmöglichkeit: L2 VBN + Master Theater/MTH alle Vertiefungen (total 3 Plätze) |
| Lernziele / Kompetenzen | In this training unit we will explore different possibilities of partner play, through figures of traditional partner acrobatics and Acro-Yoga. This work is aimed at developing awareness to space in challenging situations and providing a solid partner for one's colleagues. Handstand training is also an essential part of the work, developing stability and core strength, all while breathing and staying reactive. |
| Inhalte | Partner work and partner play are paramount for stage work. We will try to find ways to heighten our awareness of our own and our partner's bodies, so that physical impulses can be generated, received and perceived more accurately and clearly. |
| Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
| Termine | Raum: 1 grosser Proberaum 3 oder Tanzstudio |
| Dauer | Anzahl Wochen: 6 (HS: Wo:44-49) / Modus: 2x1,5h/Wo_Di/Fr, jeweils 08.30-10.00h Selbststudiumszeit pro Semester: ca. |
| Bewertungsform | bestanden / nicht bestanden |