ATD / Physicalising emotions for storytelling on stage Mirabelle Gremaud
4 CreditsMTH-MTH-WPM-04.23H.003
ATD / The physicality of an actor – the physicality of a puppet Pavel Stourac
4 CreditsMTH-MTH-WPM-04.23H.005
HKB / Autorschaft – Autorität? Verantwortlich: Y-Institut
Leitung: Mathieu Corajod (Musiktheater HKB) und Gäste
2 CreditsMTH-MTH-WPM-02.23H.008
HKB / Back to the Future, or the Future of Seeing Differently
Forschungstoolbox zum Jahresthema Verantwortlich: Y-Institut
Dozierende: Hanna B. Hölling (Dozentin Konservierung und Restaurierung HKB), Johannes M. Hedinger (Künstler, Kurator, Zürich)
2 CreditsMTH-MTH-WPM-02.23H.009
HKB / EcoArtLab – Relational Encounters I: Zukunftsbilder Verantwortlich: Y-Institut
Koordination und Unterricht: Yvonne Schmidt (Leitung EcoArtLab, Forschung HKB)
Gäste: Johanna Paschen (Humangeografin EcoArtLab), Riikka Tauriainen (Künstler:in EcoArtLab) in Zusammenarbeit mit ProClim, Severin Marty
2 CreditsMTH-MTH-WPM-02.23H.011
HKB / Edge of Chaos – Strukturen des Erzählens (Dramaturgie) Julia Reichert (Co-Direktorin Theater Neumarkt, Dramaturgin)
2 CreditsMTH-MTH-WPM-02.23H.006
HKB / EXPANDED VOICE AND DEEP LISTENING
The universe of sound and creation from the body and its subjectivity Juanita Delgado Jaramillo
2 CreditsMTH-MTH-WPM-02.23H.003
HKB / Forschungs-Mittwoch Verantwortlich: Y-Institut
Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.23H.001
HKB / Fragezeichen: Was ist eine gute Frage? Verantwortlich: Y-Institut
Leitung: Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-WPM-02.23H.012
HKB / M2ACT x Burning Issues – Performing Arts and Action
Konferenz, Marktplatz, Workshops, Party und Kunst Wolfram Heberle
2 CreditsMTH-MTH-WPM-02.23H.001
HKB / Was brennt: Die Generation YZ in den Künsten Verantwortlich: Y-Institut
Leitung: Barbara Balba Weber (Kulturvermittlerin HKB), Jasper Luithlen (Sozialanthropologe und Filmproduzent)
2 CreditsMTH-MTH-WPM-02.23H.010
ATD / Towards a carnivalesque body 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (ATD)
Wird auch angeboten für
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Bisheriges Studienmodell 
Theater Master Theater Partnerschulen ATD, Accademia Teatro Dimitri Verscio
(weniger) Theater Master Theater Partnerschulen ATD, Accademia Teatro Dimitri Verscio| Nummer und Typ | MTH-MTH-WPM-04.23H.006 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 04 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Raul Vargas Torres |
| Zeit | |
| Ort | Avegno, Tessin |
| Anzahl Teilnehmende | maximal 15 |
| ECTS | 4 Credits |
| Voraussetzungen | Workshop |
| Lernziele / Kompetenzen | The aim of the workshop is to propose a methodology, tools and devices for composition and creation, by offering different ways to explore, deal, shape and transforms text, objects, energy-movement and space-time. |
| Inhalte | Is it possible that the body becomes an author, or it is just the mind constantly giving meaning or pathologising every single desire, affect or action of the body? This course is inspired by the historical form of the carnival and its relation to the grotesque. During the carnival period, the usual prohibitions and restrictions that regulate social life are lifted, giving way to a kind of counterculture. During carnival, the body takes agency and expands to incorporate all its physiological, emotional and discursive needs. By identifying and extrapolating the elements and concepts that constitute the carnivalesque and integrating them into our artistic practice, this workshop will stimulate, examine and explore the creative potential of our moving body – enabling us to experience the body in an unfinished, provisional state of constant ‘becoming’, oscillating between de- and reconstruction. We will approach the world of carnival and the grotesque by way of task-led, thematic exercises focusing on such themes as laughter, the erotic, disharmony, penance, the sacred and the profane, employing objects, texts, and above all movement. Within the frame of the workshop’s transversal activity, participants are invited to create little events, either improvised or fixed. Any specific expression, demonstration, cultural manifestation, ritual act or installation may qualify as an ‘event’. We will reflect on the notion of carnival as counterculture in the 21st century and try to perceive the carnivalesque in contemporary society. Is there still a social need for subversion? |
| Bibliographie / Literatur |
|
| Termine | 04.-15.12.2023 |
| Dauer | 9:30-12:00 Uhr und 13:00-16:00 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
