ATD / The physicality of an actor – the physicality of a puppet Pavel Stourac
4 CreditsMTH-MTH-WPM-04.23H.005
HKB / Autorschaft – Autorität? Verantwortlich: Y-Institut
Leitung: Mathieu Corajod (Musiktheater HKB) und Gäste
2 CreditsMTH-MTH-WPM-02.23H.008
HKB / Back to the Future, or the Future of Seeing Differently
Forschungstoolbox zum Jahresthema Verantwortlich: Y-Institut
Dozierende: Hanna B. Hölling (Dozentin Konservierung und Restaurierung HKB), Johannes M. Hedinger (Künstler, Kurator, Zürich)
2 CreditsMTH-MTH-WPM-02.23H.009
HKB / EcoArtLab – Relational Encounters I: Zukunftsbilder Verantwortlich: Y-Institut
Koordination und Unterricht: Yvonne Schmidt (Leitung EcoArtLab, Forschung HKB)
Gäste: Johanna Paschen (Humangeografin EcoArtLab), Riikka Tauriainen (Künstler:in EcoArtLab) in Zusammenarbeit mit ProClim, Severin Marty
2 CreditsMTH-MTH-WPM-02.23H.011
HKB / Edge of Chaos – Strukturen des Erzählens (Dramaturgie) Julia Reichert (Co-Direktorin Theater Neumarkt, Dramaturgin)
2 CreditsMTH-MTH-WPM-02.23H.006
HKB / EXPANDED VOICE AND DEEP LISTENING
The universe of sound and creation from the body and its subjectivity Juanita Delgado Jaramillo
2 CreditsMTH-MTH-WPM-02.23H.003
HKB / Forschungs-Mittwoch Verantwortlich: Y-Institut
Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.23H.001
HKB / Fragezeichen: Was ist eine gute Frage? Verantwortlich: Y-Institut
Leitung: Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-WPM-02.23H.012
HKB / M2ACT x Burning Issues – Performing Arts and Action
Konferenz, Marktplatz, Workshops, Party und Kunst Wolfram Heberle
2 CreditsMTH-MTH-WPM-02.23H.001
HKB / Was brennt: Die Generation YZ in den Künsten Verantwortlich: Y-Institut
Leitung: Barbara Balba Weber (Kulturvermittlerin HKB), Jasper Luithlen (Sozialanthropologe und Filmproduzent)
2 CreditsMTH-MTH-WPM-02.23H.010
HKB / TIME IS OVER: A workshop on time in performance 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HKB)
Wird auch angeboten für
| Nummer und Typ | MTH-MTH-WPM-04.23H.002 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 04 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Lola Arias |
| Ort | Zikadenweg 35, Bern |
| Anzahl Teilnehmende | maximal 12 |
| ECTS | 4 Credits |
| Voraussetzungen | Workshop |
| Inhalte | We are used to seeing plays that last between one and four hours, have a beginning and an end and are repeated over and over again in the same way. We find it reassuring to know how long things last and to be able to calculate the time we will spend there and the time we have left. But what happens when a performance lasts ten minutes or six hours or a day or a week and has no beginning and no end? Is it possible to reformulate time to create another kind of narration? How can we think outside the temporal formats we already know? In this workshop, we will explore durational performances: looping performances, marathons that last for days and miniature performances that are unrepeatable. And we will reflect how the relationship between spectator and performer changes when time expands or condenses. Taking as inspiration the work of other artists, we analyse strategies and procedures that pit the duration and the chronological narrative against each other. And based on a series of tasks, the participants will explore different ways of making their own durational performances. |
| Termine | Mo, 04. bis Sa, 09.12.2023 + Mo, 11. bis Do, 14.12.2023 |
| Dauer | 10:30-17:30 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
| Bemerkung | Lola Arias (Argentina) is a writer, theatre and film director. She is a multifaceted artist whose work brings together people from different backgrounds (war veterans, former communists, migrant children, etc.) in theatre, film, literature, music and visual art projects. Arias studied Literature at the Universidad de Buenos Aires, and Dramaturgy at the Escuela de Artes Dramáticas (Buenos Aires), the Royal Court Theatre (London) and Casa de América (Madrid). In 2014 she completed the Film Laboratory Programme at the Universidad Di Tella (Buenos Aires). Arias’ productions play with the overlap between reality and fiction. “Sitting in the theatre, wandering a site-specific location or watching a film, we are inculcated into others’ narratives, wound into their complexities, joys and disappointments. At the same time, we are also invited and at times confronted, in an extraordinary and acute way, to reflect on the contingencies and fragilities of our own stories, individual and collective, as well as on our shifting, unresolved relation to the precarious and dangerous machinery that is social and political history.” (Etchells, in Re-enacting Life, 2019). |
