Suchresultate für gLV
223 Lehrveranstaltungen gefunden
Lehrveranstaltungen im Bereich Master Fine Arts
Lehrveranstaltungen ausserhalb des Bereichs Master Fine Arts
HYB
Kurt Widorski
3 CreditsDMU-WKMA-2102.23H.001
HYB
Kurt Widorski
1 CreditBMU-2KTM-3FTM-60.23H.001
HYB
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.23H.001
Sebastian Köthe, Dominique Raemy
2 Creditsmae-mtr-102.23H.003
Florence Borggrefe, Sebastian Köthe, Dominique Raemy, Vera Schamal
2 Creditsmae-mtr-102.23H.004
Sebastian Köthe, Dominique Raemy
2 Creditsmae-mtr-102.23H.002
Florence Borggrefe, Vera Schamal
2 Creditsmae-mtr-102.23H.006
Martina Schucan
2 CreditsDMU-WKAN-1200.23H.006
Lars Mlekusch
2 CreditsDMU-WKAN-1200.23H.009
Leandro Gianini
2 CreditsMKT-VKO-SEAK-KE08-3.23H.001
Peter Junker
0 CreditsMPE-VIV-KE12.23H.007
André Bellmont
1 CreditBMU-2KTM-3FTM-58.23H.001
LOC
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.025_(MTH/BTH)
HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23H.003_(MTH/BTH)
HYB
Prof. Dr. Sophia Prinz
Lisa Hillers
Referate verschiedener Expert*innen
1 CreditBDE-BDE-T-HV-5000.23H.001
Cyril Kennel
2 CreditsBDE-BDE-T-WP-AK-5014.23H.001
Domenico Ferrari
1 CreditDMU-WKMT-6006.23H.001
Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.23H.007
Flurin Fischer
2 CreditsBDE-BDE-T-WP-3022.23H.001
Annette Uhlen, Sandra Trattnigg
2 CreditsDMU-WKFK-8004.23H.006
Annette Uhlen, Caroline Melzer
2 CreditsDMU-WKFK-8004.23H.002
Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.23H.001
Moritz Müllenbach
0 CreditsMMP-VSMU-SSII-KK15-1.23H.001
Elisabeth Angst FD Horn
Martin Sonderegger FD Klarinette
Fränzi Frick FD Violine
1.5 CreditsMMP-VIV-SKLA-PK08.23H.001
Jonas Labhart
1 CreditDMU-WKMA-2116.23H.001
Patrick Karpiczenko
Nico Lypitkas
Assistenz: Adrian Graf
2 CreditsBDE-VCA-V-3049.23H.001
Bernadett Settele (kein/sie)
2 Creditsmae-vkp-106.23H.001
Manthey Stefanie
2 Creditsmae-vkp-106.23H.003
Henryetta Duerschlag und Katja Gläss
2 CreditsMTR-MTR-1040.23H.002
Nicole Frei, Patrick Müller, Irene Vögeli
2 CreditsMTR-MTR-1040.23H.004
Basil Rogger, Njomza Dragusha, Nicole Frei, Caroline Baur
2 CreditsMTR-MTR-1040.23H.005
Marisa Godoy, in collaboration with Eirini Sourgiadaki and the collective The Field
2 CreditsMTR-MTR-1040.23H.007
Adam Bethlenfalvy (AB)
2 CreditsFTH-BTH-VTP-L-505.23H.002_(MTH/BTH)
Marcelo Muniz, Chantal Haunreiter, Noa Michael Spindler
2 CreditsBFI-BFI-MEp-02.23H.004
Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditMFI-BFI-VDF-01.23H.002
Stella Speziali and other IAS team members
1 CreditBFI-FIPD-MEp-01.23H.006
Martina Bovet
1.5 CreditsMMP-VIV-PK05.23H.001
Andreas Zihler
1.5 CreditsMMP-VIV-PK05.23H.002
Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.23H.003
Sigrid Adorf, Soenke Gau
2 Creditsmae-mtr-100.23H.001
Deborah Imhof (DI)
1 CreditBTH-VTP-L-5010.23H.001
Basil Rogger, Njomza Dragusha, Caroline Baur, Nicole Frei
1 CreditMTR-MTR-1009C.23H.001
Marisa Godoy, in collaboration with Eirini Sourgiadaki and the collective The Field
1 CreditMTR-MTR-1009C.23H.002
Eirini Sourgiadaki, Anna Rubi
1 CreditMTR-MTR-1009C.23H.003
Patrick Müller und Stella Speziali
1 CreditMTR-MTR-1009C.23H.004
Peter Truniger, Mirella Walker
2 Creditsbae-bae-vt302-04.23H.002
Edith Stocker
0 CreditsMMP-VMB-SRH-PK03-1.23H.001
Mischa Senn, Hatun Metin
2 Creditsbae-bae-kp610-05.23H.001
Andreas Zihler
2 CreditsBMU-VSMU-MOKF-04-3.23H.001
Johannes-Michael Blume und Margulies Oliver
1 CreditBMU-VKLA-MOKF-08-3.23H.001
Delphine Chapuis Schmitz, Antoine Chessex
2 CreditsMTR-MTR-1002.23H.002
Antoine Chessex, Soenke Gau, Jana Thierfelder
2 CreditsMTR-MTR-1002.23H.003
Delphine Chapuis-Schmitz, Irene Vögeli
2 CreditsMTR-MTR-1002.23H.004
Caroline Baur, Soenke Gau, Basil Rogger
2 CreditsMTR-MTR-1002.23H.005
Katja Gläss, Patrick Müller, Hannah Walter
2 CreditsMTR-MTR-1002.23H.006
Golschan Ahmad Haschemi (GHa)
1 CreditBTH-BTH-L-0019.23H.010_WF
Isabel Gehweiler
1 CreditDMU-WKFK-8005.23H.002
Sigrid Adorf, Antoine Chessex, Charlotte Friedli, Léonie Süess, Jana Vanecková
2 Creditsmae-vkp-307.23H.002
Kamera D.o.P.: Pierre Mennel und Andreas Birkle
Editing: Michael Schaerer
Producing: Joel Jent
Regie Spielfilm: Sabine Boss
Alle Anlässe mit Gästen
1 CreditMFI-A1-3p-BFI.01.23H.001
Angelika Moths / Felix Baumann
3 CreditsMKT-VTH-KE06.23H.001
Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.23H.008
Christian Strinning
3 CreditsBMU-PKLA-MOMA-05.23H.001
Vadym Rakochi
3 CreditsBMU-PKLA-MOMA-05.23H.002
Burkhard Kinzler
3 CreditsBMU-PKLA-MOMA-05.23H.009
André Fischer
3 CreditsBMU-PKLA-MOMA-05.23H.004
Lars Heusser
3 CreditsBMU-PKLA-MOMA-05.23H.005
Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.23H.001
Cyril Kennel,
Dr. Alexander Markin
2 CreditsBDE-BDE-T-WP-3020.23H.001
HYB
Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-000-H-TK-W.23H.001
LOC
Björn Franke
1 CreditMDE-MDE-WP-DM-PB-2001.23H.001
Sophia Prinz
1 CreditMDE-MDE-WP-DM-PC-2001.23H.001
Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.23H.004
Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23H.003
Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23H.005
Projekttage 3: Investigating the Big Blue (excursion) (gLV) 


introduction to the analogue art of cyanotype in conversation with the remote island of Amorgos
Angebot für
| Nummer und Typ | MTR-MTR-1009C.23H.003 / Moduldurchführung |
|---|---|
| Modul | Projekttage |
| Veranstalter | Departement Kulturanalysen und Vermittlung |
| Leitung | Eirini Sourgiadaki, Anna Rubi |
| Zeit | Sa 28. Oktober 2023 bis Sa 4. November 2023 |
| Ort | Exkursion Exact dates to be communicated : they may differ according to boat route plan |
| Anzahl Teilnehmende | 4 - 16 |
| ECTS | 1 Credit |
| Lehrform | Projectweek / Excursion |
| Zielgruppen | (D) Wahlpflicht für Studierende MA Transdisziplinarität. Geöffnete Lehrveranstaltung für Studierende anderer Studiengänge der ZHdK. Einschreibung über ClickEnroll https://intern.zhdk.ch/?clickenroll (E) Compulsory voting for MA Transdisciplinarity students. Course open to students of other ZHdK degree programmes. Enrolment via ClickEnroll https://intern.zhdk.ch/?clickenroll |
| Lernziele / Kompetenzen | A small cyanotype laboratory is to be set up in Aegiali, the northern port of Amorgos island (SE Aegean, Greece), where will be our headquarters. Cyanotype is a technique that originally was used to copy photo negatives and technical drawings before exploding into ways of creative printmaking. It is a light-sensitive chemical mixture that by exposure to sunlight turns into cyan blue. It can imprint basically anything from collected material like leaves, nets, feathers through photo negatives, x-ray scans to lace fabric or all these combined. The prints can be made on various materials like different sizes of textiles, even clothes or paper sheets, cardboard etc. Printmaking has its poetic attributes that makes it a great tool for storytelling, working on personal projects involving nostalgia, melancholy, memory and dreams. Therefore the participants are encouraged to bring personal or collected material that they’d like to use during the workshop, such as x-ray scans, photo negatives, and personal items. The seminar will also provide examples and texts on these kinds of processes, to inspire. The module is planned to be sequential, first part in the autumn semester and the second part in spring. Since the island entirely changes through these two periods, we’d like to invite participants to play with the circular perception: The weather, local rituals and celebrations, the strengths of light that we are using for the prints, etc. are significantly different. Therefore we encourage the participants to approach the final exhibition through the idea of two-phase documenting, archiving or journaling. Also, to dwell in working with seriality and process-focused projects. The modules will end with an exhibition of artworks created in Amorgos. Also an online gallery will be created to display the process and the final works. |
| Inhalte | Colour perception varies, so do the semantics of colour terminology, for both sighted and blind individuals. The questions around colour perception from an ophthalmology or neurobiology perspective to cognitive and artistic ones, are endless: Is there a universal human experience of the blue sky, the green grass and the brown soil? How is colour perceived in the brain, how is it translated into a communicable concept and how does it affect our perceived world, our mental and physical state? What is the role of colour in synesthesia? And most importantly, does colour have to do just with vision? In this module we will work with the generation of blue colour on print, using the major light source available, the Sun. The Island of Amorgos is often referred to as “Le grand bleu” after the famous french film was shot at location. Its ancient name is “Melania”. “Melani”, the Greek word for ink, (“Melano” for dark blue, cyan) as it is said that in ancient times the place was full of dark trees, most likely cedars. Our investigation begins exactly with this deep tint. We’ll pay a visit to local monasteries and the water oracle, walk the trails to observe the sensual -not only vision-based- shades of blue. In the spring term, we would like to participate in local activities such as beach clean-up initiatives of the remote beaches by local fishermen and their boats. We will visit bee-hives and herb-distilleries, we’ll work with the most basic bits and pieces of the island to capture its essence. All visits, outdoor activities and excursions will be communicated in the beginning of each seminar part, depending on what the weather allows. |
| Leistungsnachweis / Testatanforderung | 80% active participation incl. documentation/exhibition |
| Termine | Sat 28 October 2023 to Sat 4 November 2023 Exact dates to be communicated : they may differ according to boat route plan. |
| Dauer | 5 days excursion + 2 days travel |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
| Bemerkung | We encourage slow travel for the workshop participants whether it’s possible for them. Students contribute to the costs by 50% (approx. 350 CHF) |