Suchresultate für gLV
223 Lehrveranstaltungen gefunden
Lehrveranstaltungen im Bereich Master Fine Arts
Lehrveranstaltungen ausserhalb des Bereichs Master Fine Arts


HYB
Kurt Widorski
3 CreditsDMU-WKMA-2102.23H.001


HYB
Kurt Widorski
1 CreditBMU-2KTM-3FTM-60.23H.001


HYB
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.23H.001


Sebastian Köthe, Dominique Raemy
2 Creditsmae-mtr-102.23H.003


Florence Borggrefe, Sebastian Köthe, Dominique Raemy, Vera Schamal
2 Creditsmae-mtr-102.23H.004


Sebastian Köthe, Dominique Raemy
2 Creditsmae-mtr-102.23H.002


Florence Borggrefe, Vera Schamal
2 Creditsmae-mtr-102.23H.006


Martina Schucan
2 CreditsDMU-WKAN-1200.23H.006


Lars Mlekusch
2 CreditsDMU-WKAN-1200.23H.009


Leandro Gianini
2 CreditsMKT-VKO-SEAK-KE08-3.23H.001


Peter Junker
0 CreditsMPE-VIV-KE12.23H.007


André Bellmont
1 CreditBMU-2KTM-3FTM-58.23H.001


LOC
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.025_(MTH/BTH)


HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23H.003_(MTH/BTH)


HYB
Prof. Dr. Sophia Prinz
Lisa Hillers
Referate verschiedener Expert*innen
1 CreditBDE-BDE-T-HV-5000.23H.001


Cyril Kennel
2 CreditsBDE-BDE-T-WP-AK-5014.23H.001


Domenico Ferrari
1 CreditDMU-WKMT-6006.23H.001


Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.23H.007


Flurin Fischer
2 CreditsBDE-BDE-T-WP-3022.23H.001


Annette Uhlen, Sandra Trattnigg
2 CreditsDMU-WKFK-8004.23H.006


Annette Uhlen, Caroline Melzer
2 CreditsDMU-WKFK-8004.23H.002


Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.23H.001


Moritz Müllenbach
0 CreditsMMP-VSMU-SSII-KK15-1.23H.001


Elisabeth Angst FD Horn
Martin Sonderegger FD Klarinette
Fränzi Frick FD Violine
1.5 CreditsMMP-VIV-SKLA-PK08.23H.001


Jonas Labhart
1 CreditDMU-WKMA-2116.23H.001


Patrick Karpiczenko
Nico Lypitkas
Assistenz: Adrian Graf
2 CreditsBDE-VCA-V-3049.23H.001


Bernadett Settele (kein/sie)
2 Creditsmae-vkp-106.23H.001


Manthey Stefanie
2 Creditsmae-vkp-106.23H.003


Henryetta Duerschlag und Katja Gläss
2 CreditsMTR-MTR-1040.23H.002


Nicole Frei, Patrick Müller, Irene Vögeli
2 CreditsMTR-MTR-1040.23H.004


Basil Rogger, Njomza Dragusha, Nicole Frei, Caroline Baur
2 CreditsMTR-MTR-1040.23H.005


Marisa Godoy, in collaboration with Eirini Sourgiadaki and the collective The Field
2 CreditsMTR-MTR-1040.23H.007


Adam Bethlenfalvy (AB)
2 CreditsFTH-BTH-VTP-L-505.23H.002_(MTH/BTH)


Marcelo Muniz, Chantal Haunreiter, Noa Michael Spindler
2 CreditsBFI-BFI-MEp-02.23H.004


Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditMFI-BFI-VDF-01.23H.002


Stella Speziali and other IAS team members
1 CreditBFI-FIPD-MEp-01.23H.006


Martina Bovet
1.5 CreditsMMP-VIV-PK05.23H.001


Andreas Zihler
1.5 CreditsMMP-VIV-PK05.23H.002


Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.23H.003


Sigrid Adorf, Soenke Gau
2 Creditsmae-mtr-100.23H.001


Deborah Imhof (DI)
1 CreditBTH-VTP-L-5010.23H.001


Basil Rogger, Njomza Dragusha, Caroline Baur, Nicole Frei
1 CreditMTR-MTR-1009C.23H.001


Marisa Godoy, in collaboration with Eirini Sourgiadaki and the collective The Field
1 CreditMTR-MTR-1009C.23H.002


Eirini Sourgiadaki, Anna Rubi
1 CreditMTR-MTR-1009C.23H.003


Patrick Müller und Stella Speziali
1 CreditMTR-MTR-1009C.23H.004


Peter Truniger, Mirella Walker
2 Creditsbae-bae-vt302-04.23H.002


Edith Stocker
0 CreditsMMP-VMB-SRH-PK03-1.23H.001


Mischa Senn, Hatun Metin
2 Creditsbae-bae-kp610-05.23H.001


Andreas Zihler
2 CreditsBMU-VSMU-MOKF-04-3.23H.001


Johannes-Michael Blume und Margulies Oliver
1 CreditBMU-VKLA-MOKF-08-3.23H.001


Delphine Chapuis Schmitz, Antoine Chessex
2 CreditsMTR-MTR-1002.23H.002


Antoine Chessex, Soenke Gau, Jana Thierfelder
2 CreditsMTR-MTR-1002.23H.003


Delphine Chapuis-Schmitz, Irene Vögeli
2 CreditsMTR-MTR-1002.23H.004


Caroline Baur, Soenke Gau, Basil Rogger
2 CreditsMTR-MTR-1002.23H.005


Katja Gläss, Patrick Müller, Hannah Walter
2 CreditsMTR-MTR-1002.23H.006


Golschan Ahmad Haschemi (GHa)
1 CreditBTH-BTH-L-0019.23H.010_WF


Isabel Gehweiler
1 CreditDMU-WKFK-8005.23H.002


Sigrid Adorf, Antoine Chessex, Charlotte Friedli, Léonie Süess, Jana Vanecková
2 Creditsmae-vkp-307.23H.002


Kamera D.o.P.: Pierre Mennel und Andreas Birkle
Editing: Michael Schaerer
Producing: Joel Jent
Regie Spielfilm: Sabine Boss
Alle Anlässe mit Gästen
1 CreditMFI-A1-3p-BFI.01.23H.001


Angelika Moths / Felix Baumann
3 CreditsMKT-VTH-KE06.23H.001


Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.23H.008


Christian Strinning
3 CreditsBMU-PKLA-MOMA-05.23H.001


Vadym Rakochi
3 CreditsBMU-PKLA-MOMA-05.23H.002


Burkhard Kinzler
3 CreditsBMU-PKLA-MOMA-05.23H.009


André Fischer
3 CreditsBMU-PKLA-MOMA-05.23H.004


Lars Heusser
3 CreditsBMU-PKLA-MOMA-05.23H.005


Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.23H.001


Cyril Kennel,
Dr. Alexander Markin
2 CreditsBDE-BDE-T-WP-3020.23H.001


HYB
Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-000-H-TK-W.23H.001


LOC
Björn Franke
1 CreditMDE-MDE-WP-DM-PB-2001.23H.001


Sophia Prinz
1 CreditMDE-MDE-WP-DM-PC-2001.23H.001


Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.23H.004


Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23H.003


Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23H.005
Theory: Art & Horrors (gLV) 


This seminar looks at art created in reaction to traumatic events in the 20th and 21st century, as well as the influence of Horror – as a genre born in literature and effectively adapted by popular culture – on contemporary visual art.
Angebot für
Nummer und Typ | BFA-BFA-Th.23H.008 / Moduldurchführung |
---|---|
Modul | Theorie |
Veranstalter | Departement Fine Arts |
Leitung | Anke Kempkes |
Anzahl Teilnehmende | maximal 11 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Zielgruppen | BA Fine Arts students Open for exchange-students Interested BA students of other study programmes can register from 28 August - 08 September 2023 by ClickEnroll; https://intern.zhdk.ch/?ClickEnroll Interested MA students write an email between 28 August - 11 September 2023 2023 to: studium.dfa@zhdk.ch We will inform you by e-mail in CW 39 whether participation is possible. Applications before 28 August 2023 will not be accepted. No registrations through our lecturers will be accepted. |
Lernziele / Kompetenzen |
|
Inhalte | Both world wars had a tremendous effect on artists expressions: In the styles of Neue Sachlichkeit, Expressionism, Surrealism, and in socially engaged Realism. European Fascism and WWII inflicted the atrocities of the Holocaust, reflected in the work of many postwar artists like Alina Szapocznikow and Andrzej Wroblewski, and also caused a deep philosophical debate of how culture could be newly conceived after the collapse of humanity. This debate initiated the documenta in Kassel. The Japanese Gutai group reacted to the atomic bombing of Hiroshima and Nagasaki in the 1950s in their radical body-art performances, and Alain Resnais directed the exceptional nouvelle-vague movie “Hiroshima Mon Amour”, based on the novel by Marguerite Duras. The Vietnam War caused a wave of protest art such as Yoko Ono and John Lennon’s 1969 “bed-in” happening “Make Love, not War”, or Ed Kienholz’ „Portable War Memorial“ (1968). In the 1980s, Horror became a favourite genre in popular culture, newly invested with identity politics, e.g. in the movie “Alien” giving a dark feminist sci-fi turn to the genre, or in Michael Jackson’s Pop video “Thriller”. The anti-heroes of classical Horror movies and novels –monsters of all kinds – became figures of identification for their outsider status, signifying social fears and everything declared as ‘abject’ or ‘degenerate’. In the beginning of the 21st century events like 9/11 caused further trauma and paranoia-induced cultural-political shifts, whereas since the Covid epidemy imagery of looming anxiety have shaped many works of contemporary art. Anke Kempkes (*1968) is a curator, art historian and critic specialised in female avant-Garde, 20th-century abstract movements, surrealism, minimal dance and Avant-Garde, Queer Modernism and Performativity. In 2003/2004, she held the position of Chief Curator at Kunsthalle Basel, CH. From 2005–2017, she ran anresearch institute and gallery focused on the re-introduction of female (neo) avant-garde artists from the US, Europe and Latin America, (USA). In 2021-22, she held the position of Director of Instituto Susch and Curator at Large at Art Stations Foundation / Muzeum Susch, CH. Her writing includes essays on Alina Szapocznikow, Mária Bartuszová, Wanda Czełkowska, Teresa Murak, Stanislava Kovalcikova, Evelyne Axell, Rosemarie Castoro, Lydia Okumura, Verena Loewensberg, Mary Vieira, Heidi Bucher, Sonja Sekula, and Teruko Yokoi. |
Bibliographie / Literatur | Will be handed out during the course |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:15 - 17:00 o'clock CW 45: 06 / 07 / 08 / 09 / 10 November |
Bewertungsform | bestanden / nicht bestanden |