Akrobatik 2_für Fortgeschrittene - TRAINING Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.23H.005_(MTH/BTH)
Artikulation & Geläufigkeit_Grundstufe - TRAINING Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.23H.001_(MTH/BTH)
Atelier Thesis: Grundlagen und Vorbereitung Schriftliche Arbeit_1/5 - DIPLOM-MODUL_(SC) Monika Gysel (MoGy)
3 CreditsBTH-VSC-L-60300.23H.001
Aussenraum und Bewegung_nur VSC - TRAINING Lukas Schmocker (LS)
1 CreditFTH-BTH-VSC-L-6121.23H.040_(MTH/BTH)_nur VSC
Bewegungsarten/Bewegungsqualitäten_nur BA-VSC - TRAINING Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.23H.001_nur BA-VSC
Critical Thinking - Care, Interdependency, Revolution? - TRAINING - (gLV) - AUSGEBUCHT LOC
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.025_(MTH/BTH)
Critical Thinking Basic - TRAINING - (gLV) HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23H.003_(MTH/BTH)
Die Rolle der Moderation - TRAINING Dagmar Walser (DaWa)
1 CreditFTH-BTH-BTH-L-636.23H.030_(MTH/BTH)_VTP
Grundprinzipien der Gesangsstimmbildung_VTP - TRAINING Johannes Michael Blume (Blu)
1 CreditFTH-BTH-VTP-L-515.23H.001_(MTH/BTH)
KASA B_für Fortgeschrittene_nur VSC - TRAINING Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.23H.002_(MTH/BTH)_nur VSC
KASA mit Schwerpunkt Artikulation_nur VSC - TRAINING Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.23H.003_(MTH/BTH)_nur VSC
Levelprüfung_5/5_VSC L3: Bachelor-Diplom_Schauspiel (formal) PFL BA Schauspiel/Philipp Becker (PB)
0 CreditsBTH-VSC-L-6050_AdminKE.23H.001
Mikrophon-Training - TRAINING Julia Stanoeva (JSt), Carlo Raselli (Tontechnik)
1 CreditBTH-VSC-L-6020.23H.001
Phrasierung und Improvisieren_nur BA-VSC - TRAINING Marisa Godoy (MG) für Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.23H.002_nur BA-VSC
Politiken der Zuwendung bewegen - TRAINING Luca Rudolf (LR)
1 CreditFTH-BTH-BTH-L-636.23H.031_(MTH/BTH)
Projektmodul: Taubenvergiften oder Die letzten Tage - PRAXIS_(SC) Dora Schneider (DS), Till Löffler (TL)
8 CreditsBTH-BTH-L-0022.23H.002
Revolutionärer Lesekreis - TRAINING Christopher Kriese (CKri), Katharina Cromme (KC)
1 CreditFTH-BTH-VRE-L-406.23H.040_(MTH/BTH)
Singen_Stimmbildung VSC L3/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Johannes-Michael Blume (Blu)
1 CreditBTH-VSC-L-6140.23H.001
Sprechen VSC L3.1/L3.2/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Wanja Kröger (WK)
1 CreditBTH-VSC-L-60400.23H.001
Sprechen VSC L3.1/L3.2/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Matthias Walter (MaWa)
1 CreditBTH-VSC-L-60400.23H.002
Sprechen VSC L3.1/L3.2/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Tobias Keil (TK)
1 CreditBTH-VSC-L-60400.23H.003
Sprechen VSC L3.1/L3.2/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Iris Gold (IG)
1 CreditBTH-VSC-L-60400.23H.004
Theaterprojekt L3 / B - Probe & Inszenierung - PRAXIS_(SC) Modulgesamtleitung: Sabine Harbeke (SH), Coaching: Matthias Fankhauser (MaFa)
8 CreditsBTH-BTH-L-0022.23H.001
U.T.O.P.I.A. - TRAINING Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-VRE-L-4000.23H.005_(MTH/BTH)
Wissenschaftliches Schreiben - TRAINING HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.017_(MTH/BTH)
Zeitung lesen mit Gästen - TRAINING Sabine Harbeke (SH), Gäste
1 CreditFTH-BTH-VRE-L-4000.23H.001_(MTH/BTH)
Physical Group Work - ERWEITERN/PROBIEREN_(SC) 
Blockstruktur: 2
| Nummer und Typ | BTH-BTH-L-0021.23H.002 / Moduldurchführung |
|---|---|
| Modul | Modulvorlage VSC/VTP/VRE/VDR_2 |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Amir Modaï (AM) |
| Anzahl Teilnehmende | 4 - 14 |
| ECTS | 2 Credits |
| Lehrform | Workshop |
| Zielgruppen | L3.1 / L3.2 VSC |
| Lernziele / Kompetenzen | Physical group work stands at the base of theatre. A key to efficient improvisation is the ability to take impulses from our partners into our own play and give such impulses back. The students will go through a journey of discovery of the power of the group and use of it as a creative tool. Through the perfectly imperfect precision of the choir, the group can become an amplification device for a single player and help discover the strength of the individual. During the pandemy we had to recluse and lose most human contact for extended periods of time. This has left a mark on us, the symptoms of which are long lasting. A certain inhibition to work in proximity and get more physically involved is visible in improvisation excersises (and in society) still today. In a post-pandemic world we need to re-learn how to connect to our fellow players and be an enriching partner to them. The work is specifically designed to dive back into some of the themes we could not explore during the lockdowns and deepen our understanding of said themes. |
| Inhalte | In improvisation of movement and voice we will look at how to create and fine tune such a device as the group on stage. Also, we will look at simple tools to increase our capacity of clearly reading fellow players and being more legible to them. The module will take place in two phases: In the first phase we begin by observing how simple moving points in a two dimensional space can awaken the imagination and unveil the omnipresent stories. Then we will explore the different motors of movement in our body through shaking and focusing on different body parts in order to learn the possibilities of different physicalities present in our own system. The body’s relationship to the room (Starting from the basic four possibilities: pushing, pulling, being pushed, being pulled) will also take an important part of this exploration. In the second phase we will look into how to connect the bodies and create a group awareness, moving as a school of fish, in which the individual serves the purpose of the group and the group amplifies the individual's needs, wants and intentions. |
| Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
| Termine | Raum: 1 grosser Probenraum |
| Dauer | Anzahl Wochen: 2 (HS: Wo:44/45) / Modus: Blockunterricht: total 10x3h/Wo_Mo/Di/Mi/Do/Fr, jeweils 10.30-13.30h + 16.30-19.30h Selbststudiumszeit pro Semester: ca. |
| Bewertungsform | bestanden / nicht bestanden |
