"Matchmaking" Film / Filmmusik Leitung: Thomas Gerber
Dozierende: André Bellmont, Thomas Gerber
0 CreditsBFI-BFI-CSp-00.MFI.23H.004
Filmmusik: Präsentation Leitung: Thomas Gerber
Dozierende: André Bellmont, Thomas Gerber
0 CreditsBFI-BFI-CSp-00.MFI.23H.003
Information Diplomprozess Sabine Boss, Filippo Bonacci, Fabienne Koch, Norbert Kottmann, Rowena Raths, Melina Mylonas
0 CreditsBFI-BFI-WSp-00.23H.002
Methodik: cineDESK Manuel Hendry, Norbert Kottmann, Valentin Karl Huber
2 CreditsBFI-BFI-MEp-02.23H.005
Methodik: Creativity Process: A Sensory - Emotional Journey (gLV) Marcelo Muniz, Chantal Haunreiter, Noa Michael Spindler
2 CreditsBFI-BFI-MEp-02.23H.004
Methodik: Fokus Dok (gLV) Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditMFI-BFI-VDF-01.23H.002
Methodik: Immersive Arts Practices - Doubles, Twins and Avatars (gLV) Stella Speziali and other IAS team members
1 CreditBFI-FIPD-MEp-01.23H.006
Methodik: Regieposition – Filmmaking: Decolonised Perspectives Gayatri Parameswaran
1 CreditBFI-BFI-MEp-01.MFI.23H.005
Methodik/Technik: Virtual Production World Building Norbert Kottmann, Valentin Huber
1 CreditBFI-FIPD-MEp-01.23H.007
Plenum und Screenings (Ticket to Ride) Sabine Boss, Lorenz Suter, Thomas Gerber
1 CreditBFI-2FIPD-CA103.23H.001
Praxis: AIP – ausserordentliches Studienprojekt Leitung: Sabine Boss
Herstellungsleitung: Filippo Bonacci
18 CreditsBFI-BFI-PRp-18.23H.001
Praxis: Conclusion – Projekt "Near Future" Sabine Boss, Silke Fischer, Manuel Hendry
1 CreditBFI-BFI-PRp-01.23H.001
Praxis: Künstlerische Eigenaktivität, Mitarbeit, Praktikum Sabine Boss
0 CreditsBFI-BFI-PRp-00.23H.001
Praxis: Künstlerische Eigenaktivität, Mitarbeit, Praktikum Sabine Boss
10 CreditsBFI-BFI-PRp-10.23H.002
Praxis: Projekt_fikt_kurz "Regie Entscheide" Thomas Gerber, Michael Schaerer
12 CreditsBFI-BFI-PRp-12.23H.002
Theorie: Einführung in die Theoriearbeit I-III Lorenz Suter, Jelena Pavlovic, Miriam Loertscher
0 CreditsBFI-BFI-THp-00.23H.001
Theorie/Methodik: Master Talk (gLV) Kamera D.o.P.: Pierre Mennel und Andreas Birkle
Editing: Michael Schaerer
Producing: Joel Jent
Regie Spielfilm: Sabine Boss
Alle Anlässe mit Gästen
1 CreditMFI-A1-3p-BFI.01.23H.001
V-Praxis: Kamera – Digital Cinema I Andreas Birkle
Assistenz: Fabienne Steiner, NN
1 CreditBFI-BFI-VPp-01.23H.005
V-Praxis: Kamera / Editing – Colorgrading Ralph Wetli, Pierre Reischer
2 CreditsBFI-BFI-VPp-02.MFI.23H.007
V-Praxis: Kamera / Editing – DIT Digital Image Technician Leitung: Andreas Birkle
Dozierende: Andreas Birkle, Norbert Kottmann, Fabienne Koch, NN
2 CreditsBFI-BFI-VPp-02.23H.006
V-Praxis: Producing / Drehbuch – My first Short with a Producer Joel Jent
Dozierende: Joel Jent, NN
2 CreditsBFI-BFI-VPp-02.23H.004
Methodik: Regieposition – Filmmaking: Decolonised Perspectives 
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| Nummer und Typ | BFI-BFI-MEp-01.MFI.23H.005 / Moduldurchführung |
|---|---|
| Modul | Methodik BFI, 1 Credit |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Gayatri Parameswaran |
| Zeit | Di 17. Oktober 2023 bis Do 19. Oktober 2023 / 9:15–16:45 Uhr |
| Anzahl Teilnehmende | 4 - 50 |
| ECTS | 1 Credit |
| Voraussetzungen | Keine |
| Lehrform | Seminar |
| Zielgruppen | Bachelor Film / Studierende ab 3. Semester (Wahl) Master Film / 1. Drehbuch (Wahl), Master Film / 3. Dokumentarfilm, Editing, Kamera (Wahl) |
| Lernziele / Kompetenzen | ● To establish the role of film in furthering colonial as well as post-colonial ambitions. ● To understand film as a tool in the process of decolonisation. ● Learn how decolonised perspectives give birth to new creative forms of storytelling for cinema. ● To reflect on one’s own identity and how it informs the films we make. |
| Inhalte | With the help of in-person and online lectures and panel discussions, you will learn from contemporary filmmakers and academics, who deploy decolonising methodologies in creating their works. They share their creative practices, shine light on the structural shortcomings of the film industry today, and express their views on how to create a more inclusive environment for global cinematic success. We view relevant decolonial films or excerpts and critically analyse them in groups. As part of the seminar there will be a couple of moments when we can workshop ideas to design a decolonised framework for our own films. |
| Bibliographie / Literatur | Wayne, Mike. “Dialectics of Third Cinema.” Political Film: The Dialectics of Third Cinema, Pluto Press, 2001, pp. 108–56. JSTOR, https://doi.org/10.2307/j.ctt18fs84x.8. Accessed 25 Apr. 2023. Garritano, Carmela & Barlet, Olivier & Turner, Chris. (2003). African Cinemas: Decolonizing the Gaze. African Studies Review. 46. 215. 10.2307/1515001. Carlson-Manathara, Elizabeth & Rowe, Gladys & Zegeye-Gebrehiwot, Teddy & Story, Sarah. (2017). Decolonization through collaborative filmmaking: Sharing stories from the heart. |
| Leistungsnachweis / Testatanforderung | Präsenz; aktive Teilnahme. |
| Termine | 17.10. - 19.10.2023, jeweils ganztags |
| Dauer | 3 Tage |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung |
