Narrative Openings: feminist approaches to design history 
DIG

Narrative Openings: feminist approaches to design history
Kategorie: Sprache / Kommunikation / Wahrnehmung
Keywords: feminism, design history, historiography, messy history, border-thinking, critical fabulation.
Nummer und TypBDE-BDE-T-WP-BW-5022.23H.001 / Moduldurchführung
ModulWahlpflichtmodul Theorie 5. Semester 
VeranstalterDepartement Design
LeitungNina Paim
Zeit
Mo 4. September 2023 bis Fr 8. September 2023 / 8:30–17 Uhr
Anzahl Teilnehmende8 - 22
ECTS2 Credits
VoraussetzungenFor DDE Bachelor students: None
LehrformOnline Seminar via Zoom (Room reserved for students)
ZielgruppenCompulsory elective subject (Wahlpflichtfach) for BA students of the Department Design, 5th semester Wahlpflichtmodul für Studierende des DDE, 5. Semester
Lernziele / KompetenzenThe seminar departs from a few key texts in design history and historiography to provide bachelor students with the necessary critical tools to problematize the canon of design history—a body of knowledge they are likely just encountering for the first time. Furthermore, it engages with key decolonial and critical fabulation approaches that open up new writing and storytelling modes that can help us blur disciplinary boundaries and think design an its history anew.
InhalteDesign history as a field of inquiry has been historically dominated by modernist, Western, hetero-patriarchal, racist and classist biases, producing numerous gaps and countless silences. However, at least since the early 1980s, design historians and interdisciplinary scholars have problematized the field, calling for rethinking its boundaries and methods. Furthermore, critical theorists and decolonial scholars have proposed distinct ways to make productive sense of these gaps and silences in the archive and the telling of history. In this seminar, we will explore some of these debates, critiques, and approaches. We will also conduct a hands-on survey of the design section of the library of the ZHdK, looking for dominant tropes and unexpected counter-narratives, attempting to make some absences and biases visible. Departing from our findings, we will explore alternative modes of storytelling by sketching a short article/essay proposal.
Bibliographie / LiteraturBuckley, Cheryl, “Made in Patriarchy: Toward a Feminist Analysis of Women and Design,” in Design Issues (1986).

Attfield, Judy, “FORM/female FOLLOWS FUNCTION/male: Feminist Critiques of Design,” in Walker, John, Design History and the History of Design, Pluto Press (1989).

Scotford, Martha, “Messy History vs. Neat History: Toward an expanded view o women in graphic design,” in Visible Language (1994)

Le Guin, Ursula, The Carrier Theory Bag of Fiction (1986)

Anzaldúa, Gloria, “Speaking in Tongues: A Letter to 3rd World Women Writers” in This Bridge Called My Back: Writings by Radical Women of Color (1981).

Hartman, Saidiya, “Venus in Two Acts”, in Small Axe: a Carribean Journal of Critcism, (2008).

Prado de Oliveira Martins, Luiza, “Gold,” in Futuress.org (2021)
Leistungsnachweis / TestatanforderungActive and regular attendance (min. 80%), reading and preparing the weekly reading assignments; presentations and/or writing assignments.
TermineBlock week from 4 to 8 September 2023 (online via Zoom)
Bewertungsformbestanden / nicht bestanden
BemerkungThe seminar will be in English, including discussions, literature and hand-on library exercise.
Termine (5)