

HYB
Kurt Widorski
3 CreditsDMU-WKMA-2102.23H.001


HYB
Kurt Widorski
1 CreditBMU-2KTM-3FTM-60.23H.001


HYB
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.23H.001


Sebastian Köthe, Dominique Raemy
2 Creditsmae-mtr-102.23H.003


Florence Borggrefe, Sebastian Köthe, Dominique Raemy, Vera Schamal
2 Creditsmae-mtr-102.23H.004


Sebastian Köthe, Dominique Raemy
2 Creditsmae-mtr-102.23H.002


Florence Borggrefe, Vera Schamal
2 Creditsmae-mtr-102.23H.006


Martina Schucan
2 CreditsDMU-WKAN-1200.23H.006


Lars Mlekusch
2 CreditsDMU-WKAN-1200.23H.009


Leandro Gianini
2 CreditsMKT-VKO-SEAK-KE08-3.23H.001


Peter Junker
0 CreditsMPE-VIV-KE12.23H.007


André Bellmont
1 CreditBMU-2KTM-3FTM-58.23H.001


LOC
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23H.025_(MTH/BTH)


HYB
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23H.003_(MTH/BTH)


HYB
Prof. Dr. Sophia Prinz
Lisa Hillers
Referate verschiedener Expert*innen
1 CreditBDE-BDE-T-HV-5000.23H.001


Cyril Kennel
2 CreditsBDE-BDE-T-WP-AK-5014.23H.001


Domenico Ferrari
1 CreditDMU-WKMT-6006.23H.001


Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.23H.007


Annette Uhlen, Sandra Trattnigg
2 CreditsDMU-WKFK-8004.23H.006


Annette Uhlen, Caroline Melzer
2 CreditsDMU-WKFK-8004.23H.002


Dr. phil. Franziska Nyffenegger
2 CreditsBDE-BDE-T-WP-BW-3016.23H.001


Moritz Müllenbach
0 CreditsMMP-VSMU-SSII-KK15-1.23H.001


Elisabeth Angst FD Horn
Martin Sonderegger FD Klarinette
Fränzi Frick FD Violine
1.5 CreditsMMP-VIV-SKLA-PK08.23H.001


Jonas Labhart
1 CreditDMU-WKMA-2116.23H.001


Patrick Karpiczenko
Nico Lypitkas
Assistenz: Adrian Graf
2 CreditsBDE-VCA-V-3049.23H.001


Bernadett Settele (kein/sie)
2 Creditsmae-vkp-106.23H.001


Manthey Stefanie
2 Creditsmae-vkp-106.23H.003


Adam Bethlenfalvy (AB)
2 CreditsFTH-BTH-VTP-L-505.23H.002_(MTH/BTH)


Manuel Hendry, Norbert Kottmann, Valentin Karl Huber
2 CreditsBFI-BFI-MEp-02.23H.005


Marcelo Muniz, Chantal Haunreiter, Noa Michael Spindler
2 CreditsBFI-BFI-MEp-02.23H.004


Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditMFI-BFI-VDF-01.23H.002


Stella Speziali and other IAS team members
1 CreditBFI-FIPD-MEp-01.23H.006


Norbert Kottmann, Valentin Huber
1 CreditBFI-FIPD-MEp-01.23H.007


Martina Bovet
1.5 CreditsMMP-VIV-PK05.23H.001


Andreas Zihler
1.5 CreditsMMP-VIV-PK05.23H.002


Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.23H.003


Sigrid Adorf, Soenke Gau
2 Creditsmae-mtr-100.23H.001


Deborah Imhof (DI)
1 CreditBTH-VTP-L-5010.23H.001


Peter Truniger, Mirella Walker
2 Creditsbae-bae-vt302-04.23H.002


Edith Stocker
0 CreditsMMP-VMB-SRH-PK03-1.23H.001


Mischa Senn, Hatun Metin
2 Creditsbae-bae-kp610-05.23H.001


Andreas Zihler
2 CreditsBMU-VSMU-MOKF-04-3.23H.001


Johannes-Michael Blume und Margulies Oliver
1 CreditBMU-VKLA-MOKF-08-3.23H.001


Golschan Ahmad Haschemi (GHa)
1 CreditBTH-BTH-L-0019.23H.010_WF


Isabel Gehweiler
1 CreditDMU-WKFK-8005.23H.002


Sigrid Adorf, Antoine Chessex, Charlotte Friedli, Léonie Süess, Jana Vanecková
2 Creditsmae-vkp-307.23H.002


Kamera D.o.P.: Pierre Mennel und Andreas Birkle
Editing: Michael Schaerer
Producing: Joel Jent
Regie Spielfilm: Sabine Boss
Alle Anlässe mit Gästen
1 CreditMFI-A1-3p-BFI.01.23H.001


Angelika Moths / Felix Baumann
3 CreditsMKT-VTH-KE06.23H.001


Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.23H.008


Christian Strinning
3 CreditsBMU-PKLA-MOMA-05.23H.001


Vadym Rakochi
3 CreditsBMU-PKLA-MOMA-05.23H.002


Burkhard Kinzler
3 CreditsBMU-PKLA-MOMA-05.23H.009


André Fischer
3 CreditsBMU-PKLA-MOMA-05.23H.004


Lars Heusser
3 CreditsBMU-PKLA-MOMA-05.23H.005


HYB
Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-000-H-TK-W.23H.001


LOC
Björn Franke
1 CreditMDE-MDE-WP-DM-PB-2001.23H.001


Sophia Prinz
1 CreditMDE-MDE-WP-DM-PC-2001.23H.001


Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.23H.004


Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23H.003


Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23H.005
Theorieschwerpunkt: Orchestration, Formal Design, and Performance Practices: The History of the Instrumental Concerto (17th-21st Centuries) (gLV) 


Zuständiges Sekretariat: Ursula.Ramsbacher@zhdk.ch
Wird auch angeboten für
Nummer und Typ | BMU-PKLA-MOMA-05.23H.002 / Moduldurchführung |
---|---|
Modul | Theorieschwerpunkt |
Veranstalter | Departement Musik |
Leitung | Vadym Rakochi |
Minuten pro Woche | 180 |
Zeit | Di 19. September 2023 bis Di 16. Januar 2024 / 9–12 Uhr |
Ort | Seminarraum ZT 6.F09 Toni-Areal, Seminarraum ZT 6.F09, Pfingstweidstrasse 96, 8005 Zürich |
ECTS | 3 Credits |
Voraussetzungen |
|
Lehrform | Gruppenunterricht |
Zielgruppen |
|
Lernziele / Kompetenzen |
|
Inhalte | Consistent and increasing popularity from the late 17th century until today? Who – or what – could possibly make that claim? The answer is intriguing: the instrumental concerto. And do you believe the word concerto translates as a competition, a collaboration, or communication? Through a systematic exploration of this fascinating and relentlessly popular genre from its origins to its contemporary variants, you will increase your knowledge, develop your analytical competence, and enhance your performance practices. In an engaging historical examination of the concerto from the 17th-21st centuries, we will discover the multidimensional relationships the genre has with: the orchestra, the development of musical forms, and the changes in performance practices. From Corelli to Bartók, Mendelssohn to Ligeti, and from piano to trumpet, viola to percussion instruments, we will reveal the role of concertos in composers’ lives and on society. With attention to specific musical forms, the development of the orchestra, and the rivalry between authentic and modern approaches to performances, we will explore an unstopping 350-year process: the evolution of the instrumental concerto. |
Bibliographie / Literatur | Je nach Thema des Kurses |
Leistungsnachweis / Testatanforderung | Regelmässige, vorbereitete Teilnahme am Unterricht (mindestens 80% Anwesenheit). Prüfung, bestehend aus drei Teilen. 1. Analysearbeit 2. Gehörbildung (Dauer: 1 Stunde, in der Gruppe) Analytisches Hören anhand verschiedener Höraufgaben. 3. Kolloquium (Dauer: 45 Minuten inkl. Besprechung, 60 Minuten Vorbereitungszeit) Gespräch anhand von Hörbeispielen und/oder Partiturausschnitten zu verschiedenen Bereichen des Studiengebietes. |
Termine | Dienstag 9-12 Uhr, 6.F09 |
Bewertungsform | bestanden / nicht bestanden |
Bemerkung | 2700-02 |