Practice 1: What We Do And What Makes Us Do What We Do Yvonne Wilhelm, Uriel Orlow, Francesca Brusa
21 CreditsMFA-MFA-Pr00.23F.001
Practice 2: Pavillionesque Newspaper: The Making Marie-France Rafael, Paulina Matylda Olowska, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.23F.002
Practice 3: Infrastructural Modes Christian Hübler, Lorenza Longhi, Francesca Brusa
21 CreditsMFA-MFA-Pr00.23F.003
Practice 5: Thinking Big, Small & Many Dominique Lämmli, Nils Röller, Sveta Mordovskaya
21 CreditsMFA-MFA-Pr00.23F.005
Practice 2: Pavillionesque Newspaper: The Making 
| Nummer und Typ | MFA-MFA-Pr00.23F.002 / Moduldurchführung |
|---|---|
| Modul | Practice: |
| Veranstalter | Departement Fine Arts |
| Leitung | Marie-France Rafael, Paulina Matylda Olowska, Rabea Ridlhammer |
| ECTS | 21 Credits |
| Voraussetzungen | Course language: English |
| Zielgruppen | MA Fine Arts students Open for exchange students |
| Lernziele / Kompetenzen |
|
| Inhalte | This course is dedicated to the making of the Pavillionesque Newspaper. During the practice seminar students will have the opportunity to propose their own topics and artistic contribution that will be included in the issue and participate in the making and printing of the newspaper. Students will be able to experiment with all forms of contribution(s) constituting a newspaper, be it illustrating texts or proposing their own design of the newspaper. In the first week we invited artist Benedikt Bock to join for a workshop in which students will reflect forms of an artistic articulation for Pavillionesque Newspaper, i.e. we will discuss the format of the newspaper in general in order to find new means for artistic expression in printed matter and its distribution. In the second week we invited curator, writer and publisher of South magazine Marina Fokides from Athens and students will work on their individual contributions to the newspaper, from horoscopes, puzzles, rebuses and advertising. At the end of May 2023 there will be an event in a chosen venue in Zurich with the launch of the magazine. About the lecturers: Marie-France Rafael, holds a PhD in Art History. She studied Art History and Film Studies in Berlin and Paris. From 2011 to 2015 she was a research associate at the Free University of Berlin and until 2019 at the Muthesius University Kiel, Department of Spatial Strategies/Curatorial Spaces. Her monograph, “Reisen ins Imaginativ. Künstlerische Displays und Situationen” (Cologne: Walther König, 2017), was recently published. Other publications include “Brice Dellsperger. On Gender Perfromance” (Berlin: Floating Opery Press), “Ari Benjamin Meyers. Music on Display” (Cologne: Walther König, 2016), and “Pierre Huyghe. On Site” (Cologne: Walther König, 2013). Paulina Olowska (b. 1976, Gdansk, Poland) is a painter, performer, director, curator and collaborator,. She received her BFA from the School of the Art Institute of Chicago, IL, an MFA from The Academy of Fine Arts, Gdansk, and won The Aachen Art Prize in 2014. Olowska now lives and works in Rabka-Zdroj, Poland. Her most recent solo shows include “Gray Scale” at Simon Lee Gallery, Hong Kong, and “Mainly For Women” at SCAD Museum of Art, Savannah, GA. Rabea Ridlhammer (DE, 1990) is an artist and graphic designer based in Zürich. Her work is often research based and collaborative, making use of and dealing with trivialized practices and minor aesthetic categories such as cuteness, comedy, craft or gossip. The bar is a recurrent element or site of her works, being both a space of social encounter and a place with a specific function outside of the art context. |
| Bibliographie / Literatur | Will be handed out during the course. |
| Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation; semester report |
| Termine | Time: 09:00 - 17:00 o'clock CW 14: 03 / 04 / 05 / 06 April CW 17: 24 / 25 / 26 April Critiques: CW 17: 27 / 28 April |
| Bewertungsform | bestanden / nicht bestanden |
