Akrobatik B_für Fortgeschrittene - TRAINING Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.23F.005_(MTH/BTH)
Artikulation & Geläufigkeit: Grundstufe - TRAINING Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.23F.002_(MTH/BTH)
Bewegungsarten/Bewegungsqualitäten - TRAINING Efrat Stempler (ESt)
1 CreditFTH-BTH-VSC-L-6121.23F.001_(MTH/BTH)
Choreographische Anfänge - TRAINING Johannes Voges (JoVo)
1 CreditFTH-BTH-BTH-L-636.23F.020_(MTH/BTH)
Critical Thinking Basic - TRAINING - (gLV) Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23F.003_(MTH/BTH)
Critical Thinking: Was ist sexuelles Kapital? - TRAINING - (gLV) Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23F.025_(MTH/BTH)
Der Kulturwissenschaftliche Akzess/Prüfung/Wo22_VTP/VRE/VDR - AKZESS_(SC) Leitung: Maren Rieger (MaRi), Prüfungsexpertin: Pica Cubello (PC)
3 CreditsBTH-BTH-L-007.23F.001
Die Vermessung des Puddings_VTP Prof. Dr. Mira Sack (MS), Nina Glockner (NG)
2 CreditsBTH-BTH-L-0021.23F.011
Early Morning Feminism in Aktion! - TRAINING Sylvia Sobottka (SySo)
1 CreditFTH-BTH-BTH-L-636.23F.004_(MTH/BTH)
Getting Things Done and Doing Nothing - TRAINING Sabine Harbeke (SH), Christopher Kriese (CKri)
1 CreditFTH-BTH-BTH-L-636.23F.011_(MTH/BTH)
Grundprinzipien der Gesangsstimmbildung - TRAINING Johannes-Michael Blume (Blu)
1 CreditFTH-BTH-VTP-L-515.23F.001_(MTH/BTH)_VTP
Kontext: Exkursion & (Szenisches) Schreiben I_VRE Exkursion: Sabine Harbeke (SH), Prof. Dr. Stefanie Lorey (StLo),
Szenisches Schreiben: Sabine Harbeke (SH)
4 CreditsBTH-VRE-L-414.23F.001
Kooperation Ouagadougou: Von Mensch zu Mensch in Benin Marcel Wattenhofer (MWat)
3 CreditsBTH-VTP-L-5120.23F.001_WF_VTP
Recherchenbasierte Theaterprojekte: Chancen, Risiken und Nebenwirkungen - TRAINING Tim Zulauf (TiZu)
1 CreditFTH-BTH-BTH-L-636.23F.040_(MTH/BTH)_VRE
Rhizomatisches Forschen probieren_TEXT, KÖRPER, RAUM - TRAINING Luca Rudolf (LR)
1 CreditFTH-BTH-BTH-L-636.23F.031_(MTH/BTH)
Szenische Bauten und Umbauten_VDR - (gLV) Prof. Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.23F.001
The Art of Breathing - TRAINING Johannes-Michael Blume (Blu)
1 CreditFTH-BTH-BTH-L-636.23F.003_(MTH/BTH)
Theater für/mit junge_n Menschen - TRAINING Deborah Imhof (DeIm)
1 CreditFTH-BTH-BTH-L-636.23F.001_(MTH/BTH)
Theaterpraktische Übung: Proben proben Philipp Becker (PB), Sylvia Sobottka (SySo)
4 CreditsBTH-BTH-L-0020.23F.002_WF_VDR_Koop.
Theatrale Verfahren und Probensysteme des Gegenwartstheaters_VTP - (gLV) Seraina Dür (SD)
4 CreditsBTH-VTP-L-5130.23F.001
Theorie und Programmatik Darstellender Künste: Dramaturgien politischer Künste_VDR - (gLV) Prof. Dr. Jochen Kiefer (JK), Syslvia Sobottka (SySo)
3 CreditsFTH-BTH-VDR-L-30111.23F.001_(MTH/BTH)
U.T.O.P.I.A. - TRAINING Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-VRE-L-4000.23F.005_(MTH/BTH)
Videoschnitt mit Premiere Pro - TRAINING Christopher Kriese (CKri)
1 CreditFTH-BTH-BTH-L-636.23F.012_(MTH/BTH)
Von der Recherche zu narrativen Spielräumen_VTP Luca Rudolf (LR), Lukas Sander
6 CreditsBTH-VTP-L-5090.23F.001
Akrobatik mit Partner:innen - TRAINING 
Blockstruktur: 2
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Bisheriges Studienmodell 
Theater Bachelor Theater Theaterpädagogik Level 2 (2./3./4. Semester) Level 2
(weniger) Theater Bachelor Theater Theaterpädagogik Level 2 (2./3./4. Semester) Level 2| Nummer und Typ | FTH-BTH-VSC-L-607.23F.004_(MTH/BTH) / Moduldurchführung |
|---|---|
| Modul | Akrobatik |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Amir Modaï (AM) |
| Zeit | |
| Anzahl Teilnehmende | 5 - 12 |
| ECTS | 1 Credit |
| Lehrform | Training |
| Zielgruppen | L2 VSC / L2 VTP / L2 VRE / L2 VDR L3 VSC / L3 VTP / L3 VRE / L3 VDR Wahlmöglichkeit: L2 VBN + Master Theater/MTH alle Vertiefungen (total 3 Plätze) |
| Lernziele / Kompetenzen | In this training unit we will explore different possibilities of partner play, through figures of traditional partner acrobatics and Acro-Yoga. This work is aimed at developing awareness to space in challenging situations and providing a solid partner for one's colleagues. Handstand training is also an essential part of the work, developing stability and core strength, all while breathing and staying reactive. |
| Inhalte | Partner work and partner play are paramount for stage work. We will try to find ways to heighten our awareness of our own and our partner's bodies, so that physical impulses can be generated, received and perceived more accurately and clearly. |
| Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
| Termine | Raum: Tanzstudio |
| Dauer | Anzahl Wochen: 6 (FS: Wo:14-19) / Modus: 2x1,5h/Wo_Di/Do, 08.30-10.00h Selbststudiumszeit pro Semester: ca. |
| Bewertungsform | bestanden / nicht bestanden |
