

Walter Küng (WaKü),
Theoretische Erarbeitung: Timon Böhm (TiBö)
3 CreditsBTH-BTH-L-0023.23F.020


Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.23F.005_(MTH/BTH)


Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.23F.002_(MTH/BTH)


Lukas Schmocker (LS)
1 CreditBTH-VSC-L-6121.23F.004_nur BA-VSC


Efrat Stempler (ESt)
1 CreditFTH-BTH-VSC-L-6121.23F.001_(MTH/BTH)


Johannes Voges (JoVo)
1 CreditFTH-BTH-BTH-L-636.23F.020_(MTH/BTH)


Johannes Schmit (JS), Gastdozentin: Claire Vivian Sobottke
2 CreditsBTH-BTH-L-0021.23F.002


Eva Patkó (EP)
3 CreditsBTH-BTH-L-0023.23F.012


Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23F.003_(MTH/BTH)


Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23F.025_(MTH/BTH)


Prof. Anton Rey (AR), externe Expertin: Noemi Berger
3 CreditsBTH-BTH-L-005.23F.001


Leitung: Maren Rieger (MaRi), Prüfungsexpertin: Pica Cubello (PC)
3 CreditsBTH-BTH-L-007.23F.001


Sylvia Sobottka (SySo)
1 CreditFTH-BTH-BTH-L-636.23F.004_(MTH/BTH)


Sabine Harbeke (SH), Christopher Kriese (CKri)
1 CreditFTH-BTH-BTH-L-636.23F.011_(MTH/BTH)


Wo20/21: Daniela Sarda (DaSa)
Wo22/23: Marena Whitcher (MWhi)
2 CreditsBTH-BTH-L-0021.23F.003


Wo20/21: Daniela Sarda (DaSa)
Wo22/23: Marena Whitcher (MWhi)
2 CreditsBTH-BTH-L-0021.23F.004


Johannes-Michael Blume (Blu)
1 CreditFTH-BTH-VTP-L-515.23F.001_(MTH/BTH)_VTP


Lukas Schmocker (LS)
3 CreditsBTH-BTH-L-0023.23F.011


Oliver Mannel (OM), Lorenz Nufer (LN)
3 CreditsBTH-BTH-L-0023.23F.010


Barbara Rohm (BR)
2 CreditsBTH-BTH-L-0021.23F.010


Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.23F.002_(MTH/BTH)_nur VSC


Kommission:
- Praxisfeldleitung: Prof. Peter Ender (PE)
- Beisitz: P. Becker, P. Gusset
- Dozierende Level 2: S. Yiallouros, M. Fabian O., M. Walter, E. Stempler
- externe:r Expert:in: Hanna Eichel
4 CreditsBTH-BTH-L-0020_Admin.23F.005


Simeon Meier (SiMe)
1 CreditFTH-BTH-BTH-L-636.23F.016_(MTH/BTH)


Sophia Yiallouros (SY),
Matthias Fankhauser (MaFa)
2 CreditsBTH-BTH-L-0021.23F.005


Leitung: Franz-Xaver Mayr (FXM)
Modulverantwortliche: Sabine Harbeke/VRE
2 CreditsBTH-BTH-L-0021.23F.016_VSC_Koop.


Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.23F.002_nur BA-VSC


Matthias Fankhauser (MaFa)
1 CreditBTH-VSC-L-6121.23F.030_nur BA-VSC


Philipp Becker (PB), Sylvia Sobottka (SySo)
3 CreditsBTH-VSC-L-6214.23F.001_Koop.


Tim Zulauf (TiZu)
1 CreditFTH-BTH-BTH-L-636.23F.040_(MTH/BTH)_VRE


Luca Rudolf (LR)
1 CreditFTH-BTH-BTH-L-636.23F.031_(MTH/BTH)


Till Löffler (TL)
1 CreditBTH-VSC-L-6010.23F.001


Johannes-Michael Blume (Blu)
1 CreditBTH-VSC-L-6120.23F.001


Daniela Sarda (DaSa)
1 CreditBTH-VSC-L-6120.23F.002


Leitung: Crescentia Dünsser (CD)
Modulverantwortliche: Sabine Harbeke/VRE
3 CreditsBTH-VSC-L-6216.23F.002_VSC_Koop.


Matthias Walter (MaWa)
1 CreditBTH-VSC-L-613.23F.001


Julia Stanoeva (JSt)
1 CreditBTH-VSC-L-613.23F.002


Philipp Becker (PB)
3 CreditsBTH-VSC-L-621.23F.001


Johannes-Michael Blume (Blu)
1 CreditFTH-BTH-BTH-L-636.23F.003_(MTH/BTH)


Mandy Fabian Osterhage (MFO)
3 CreditsBTH-BTH-L-0023.23F.002


Deborah Imhof (DeIm)
1 CreditFTH-BTH-BTH-L-636.23F.001_(MTH/BTH)


Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-VRE-L-4000.23F.005_(MTH/BTH)


Christopher Kriese (CKri)
1 CreditFTH-BTH-BTH-L-636.23F.012_(MTH/BTH)


Prof. Peter Ender (PE), Sabine Harbeke (SH)
3 CreditsBTH-BTH-L-0023.23F.009
Object Manipulation - ENTDECKEN/ERWEITERN_(SC) 


Blockstruktur: 2
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Nummer und Typ | BTH-VSC-L-6244.23F.001 / Moduldurchführung |
---|---|
Modul | Themenfeld: Raum für Körper_L3 (6Wo) - ERWEITERN/PROBIEREN_(SC) |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Amir Modai (AM) |
Anzahl Teilnehmende | 4 - 12 |
ECTS | 3 Credits |
Lehrform | Übung/Seminar |
Zielgruppen | L2 VSC (Platzkontingent/CR: 7 Pers.) Wahlmöglichkeit (CR auf max. 12 Pers.): L2 VTP / L2 VRE / L2 VDR L3 VTP / L3 VRE / L3 VDR |
Lernziele / Kompetenzen | This module’s aim is access to the art of object manipulation. What can the simplest impulse (such as passing an object to a play partner) withhold in it? We will approach this through research into “traditional” juggling objects (Balls, Rings, Clubs etc.), and through improvisation discover the implications this work has on handling everyday objects. How does my chair become a Throne, an Oven, a spaceship or a flower to give to my true love? Objects on stage have a presence and signification and may also have a life of their own, effecting and intensifying the actor’s work. We will learn the technique of object manipulation and will find ways to relate to all things surrounding us, specifically everyday objects and props present on stage. By learning how to understand and shape the relationship between person and object we also open the gate to a deeper understanding of the scenic space. |
Inhalte | In two principal phases we will deepen our relationship with inanimate objects to the point they may develop a life of their own, moving us through space and inspiring new movement possibilities. In the first phase we will focus mainly on the technique of Object Manipulation (Juggling). In the second phase, through technique based improvisation, we will look into the impulses created by the relationship between player and object and between different players through the object. A special focus will be given to the relationship created between people relating to the same object in different manners. The passing of an object between two players is one of the purest forms of impulse which can then be taken from the abstraction of itself and put into context. We will also look briefly into the history of juggling and it's connection to dance, music and theatre. |
Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
Termine | Raum: 1 grosser Proberaum oder Tanzstudio |
Dauer | Anzahl Wochen: 6 (FS: Wo:14-19) / Modus: 4x3h/Wo + 1x3h/Wo Selbststudium gem. Stundenplan_Mo/Di/Mi/Do/Fr, jeweils 10.30-13.30h Selbststudiumszeit pro Semester: ca. 18h |
Bewertungsform | bestanden / nicht bestanden |