Absurdes Theater - ENTDECKEN/ERWEITERN_(SC) Walter Küng (WaKü),
Theoretische Erarbeitung: Timon Böhm (TiBö)
3 CreditsBTH-BTH-L-0023.23F.020
Akrobatik B_für Fortgeschrittene - TRAINING Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.23F.005_(MTH/BTH)
Artikulation & Geläufigkeit: Grundstufe - TRAINING Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.23F.002_(MTH/BTH)
Bewegung und Emotion_nur BA VSC - TRAINING Lukas Schmocker (LS)
1 CreditBTH-VSC-L-6121.23F.004_nur BA-VSC
Bewegungsarten/Bewegungsqualitäten - TRAINING Efrat Stempler (ESt)
1 CreditFTH-BTH-VSC-L-6121.23F.001_(MTH/BTH)
Choreographische Anfänge - TRAINING Johannes Voges (JoVo)
1 CreditFTH-BTH-BTH-L-636.23F.020_(MTH/BTH)
Concept of Consent - ENTDECKEN/ERWEITERN_(SC) Johannes Schmit (JS), Gastdozentin: Claire Vivian Sobottke
2 CreditsBTH-BTH-L-0021.23F.002
Contemporary Thougths and Practice in Acting - ENTDECKEN/ERWEITERN_(SC) Eva Patkó (EP)
3 CreditsBTH-BTH-L-0023.23F.012
Critical Thinking Basic - TRAINING - (gLV) Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23F.003_(MTH/BTH)
Critical Thinking: Was ist sexuelles Kapital? - TRAINING - (gLV) Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23F.025_(MTH/BTH)
Der dramatische Akzess/Prüfung/Wo7_VTP/VRE/VDR/VBN - AKZESS_(SC) Prof. Anton Rey (AR), externe Expertin: Noemi Berger
3 CreditsBTH-BTH-L-005.23F.001
Der Kulturwissenschaftliche Akzess/Prüfung/Wo22_VTP/VRE/VDR - AKZESS_(SC) Leitung: Maren Rieger (MaRi), Prüfungsexpertin: Pica Cubello (PC)
3 CreditsBTH-BTH-L-007.23F.001
Early Morning Feminism in Aktion! - TRAINING Sylvia Sobottka (SySo)
1 CreditFTH-BTH-BTH-L-636.23F.004_(MTH/BTH)
Getting Things Done and Doing Nothing - TRAINING Sabine Harbeke (SH), Christopher Kriese (CKri)
1 CreditFTH-BTH-BTH-L-636.23F.011_(MTH/BTH)
Gründe eine Band*e: Songwriting_Gruppe A - PROBIEREN_(SC) Wo20/21: Daniela Sarda (DaSa)
Wo22/23: Marena Whitcher (MWhi)
2 CreditsBTH-BTH-L-0021.23F.003
Gründe eine Band*e: Songwriting_Gruppe B - PROBIEREN_(SC) Wo20/21: Daniela Sarda (DaSa)
Wo22/23: Marena Whitcher (MWhi)
2 CreditsBTH-BTH-L-0021.23F.004
Grundprinzipien der Gesangsstimmbildung - TRAINING Johannes-Michael Blume (Blu)
1 CreditFTH-BTH-VTP-L-515.23F.001_(MTH/BTH)_VTP
Holz hacken, schaufeln, putzen - Alltagsbewegungen erfahren - PROBIEREN_(SC) Lukas Schmocker (LS)
3 CreditsBTH-BTH-L-0023.23F.011
Interface Sprache - PROBIEREN_(SC) Oliver Mannel (OM), Lorenz Nufer (LN)
3 CreditsBTH-BTH-L-0023.23F.010
Intimacy Coordination (Wo20/21) - ENTDECKEN/ERWEITERN_(SC) Barbara Rohm (BR)
2 CreditsBTH-BTH-L-0021.23F.010
KASA B_für Fortgeschrittene_nur VSC - TRAINING Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.23F.002_(MTH/BTH)_nur VSC
Levelprüfung_VSC L2: Mündliche Prüfung & Präsentation Kommission:
- Praxisfeldleitung: Prof. Peter Ender (PE)
- Beisitz: P. Becker, P. Gusset
- Dozierende Level 2: S. Yiallouros, M. Fabian O., M. Walter, E. Stempler
- externe:r Expert:in: Hanna Eichel
4 CreditsBTH-BTH-L-0020_Admin.23F.005
LINES MATTER, Planung mit CAD 2 - TRAINING Simeon Meier (SiMe)
1 CreditFTH-BTH-BTH-L-636.23F.016_(MTH/BTH)
Monolog-Coaching für L2 - ENTDECKEN/ERWEITERN_(SC) Sophia Yiallouros (SY),
Matthias Fankhauser (MaFa)
2 CreditsBTH-BTH-L-0021.23F.005
Musik und Szene (Wo22/23) - PROBIEREN_(SC) Leitung: Franz-Xaver Mayr (FXM)
Modulverantwortliche: Sabine Harbeke/VRE
2 CreditsBTH-BTH-L-0021.23F.016_VSC_Koop.
Phrasierung und Improvisierung_nur BA-VSC - TRAINING Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.23F.002_nur BA-VSC
Plastique Improvisation_nur BA-VSC - TRAINING Matthias Fankhauser (MaFa)
1 CreditBTH-VSC-L-6121.23F.030_nur BA-VSC
Proben proben - ENTDECKEN/ERWEITERN_(SC) Philipp Becker (PB), Sylvia Sobottka (SySo)
3 CreditsBTH-VSC-L-6214.23F.001_Koop.
Recherchenbasierte Theaterprojekte: Chancen, Risiken und Nebenwirkungen - TRAINING Tim Zulauf (TiZu)
1 CreditFTH-BTH-BTH-L-636.23F.040_(MTH/BTH)_VRE
Rhizomatisches Forschen probieren_TEXT, KÖRPER, RAUM - TRAINING Luca Rudolf (LR)
1 CreditFTH-BTH-BTH-L-636.23F.031_(MTH/BTH)
Singen_Liedrepertoire VSC L2/EZ/2 Sem. - STIMME/SPRECHEN VERTIEFEN_(SC) Till Löffler (TL)
1 CreditBTH-VSC-L-6010.23F.001
Singen_Stimmbildung VSC L2/EZ/3 Sem. - STIMME/SPRECHEN VERTIEFEN_(SC) Johannes-Michael Blume (Blu)
1 CreditBTH-VSC-L-6120.23F.001
Singen_Stimmbildung VSC L2/EZ/3 Sem. - STIMME/SPRECHEN VERTIEFEN_(SC) Daniela Sarda (DaSa)
1 CreditBTH-VSC-L-6120.23F.002
Soloperformances - PROBIEREN_(SC) Leitung: Crescentia Dünsser (CD)
Modulverantwortliche: Sabine Harbeke/VRE
3 CreditsBTH-VSC-L-6216.23F.002_VSC_Koop.
Sprechen VSC L2/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Matthias Walter (MaWa)
1 CreditBTH-VSC-L-613.23F.001
Sprechen VSC L2/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Julia Stanoeva (JSt)
1 CreditBTH-VSC-L-613.23F.002
Szene Gegenwartsdramatik - ENTDECKEN/ERWEITERN_(SC) Philipp Becker (PB)
3 CreditsBTH-VSC-L-621.23F.001
The Art of Breathing - TRAINING Johannes-Michael Blume (Blu)
1 CreditFTH-BTH-BTH-L-636.23F.003_(MTH/BTH)
The Power behind the Play - ENTDECKEN/ERWEITERN_(SC) Mandy Fabian Osterhage (MFO)
3 CreditsBTH-BTH-L-0023.23F.002
Theater für/mit junge_n Menschen - TRAINING Deborah Imhof (DeIm)
1 CreditFTH-BTH-BTH-L-636.23F.001_(MTH/BTH)
U.T.O.P.I.A. - TRAINING Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-VRE-L-4000.23F.005_(MTH/BTH)
Videoschnitt mit Premiere Pro - TRAINING Christopher Kriese (CKri)
1 CreditFTH-BTH-BTH-L-636.23F.012_(MTH/BTH)
Von Einer zum Anderen für L2.1 - ENTDECKEN/ERWEITERN_(SC) Prof. Peter Ender (PE), Sabine Harbeke (SH)
3 CreditsBTH-BTH-L-0023.23F.009
Object Manipulation - ENTDECKEN/ERWEITERN_(SC) 
Blockstruktur: 2
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| Nummer und Typ | BTH-VSC-L-6244.23F.001 / Moduldurchführung |
|---|---|
| Modul | Themenfeld: Raum für Körper_L3 (6Wo) - ERWEITERN/PROBIEREN_(SC) |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Amir Modai (AM) |
| Anzahl Teilnehmende | 4 - 12 |
| ECTS | 3 Credits |
| Lehrform | Übung/Seminar |
| Zielgruppen | L2 VSC (Platzkontingent/CR: 7 Pers.) Wahlmöglichkeit (CR auf max. 12 Pers.): L2 VTP / L2 VRE / L2 VDR L3 VTP / L3 VRE / L3 VDR |
| Lernziele / Kompetenzen | This module’s aim is access to the art of object manipulation. What can the simplest impulse (such as passing an object to a play partner) withhold in it? We will approach this through research into “traditional” juggling objects (Balls, Rings, Clubs etc.), and through improvisation discover the implications this work has on handling everyday objects. How does my chair become a Throne, an Oven, a spaceship or a flower to give to my true love? Objects on stage have a presence and signification and may also have a life of their own, effecting and intensifying the actor’s work. We will learn the technique of object manipulation and will find ways to relate to all things surrounding us, specifically everyday objects and props present on stage. By learning how to understand and shape the relationship between person and object we also open the gate to a deeper understanding of the scenic space. |
| Inhalte | In two principal phases we will deepen our relationship with inanimate objects to the point they may develop a life of their own, moving us through space and inspiring new movement possibilities. In the first phase we will focus mainly on the technique of Object Manipulation (Juggling). In the second phase, through technique based improvisation, we will look into the impulses created by the relationship between player and object and between different players through the object. A special focus will be given to the relationship created between people relating to the same object in different manners. The passing of an object between two players is one of the purest forms of impulse which can then be taken from the abstraction of itself and put into context. We will also look briefly into the history of juggling and it's connection to dance, music and theatre. |
| Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
| Termine | Raum: 1 grosser Proberaum oder Tanzstudio |
| Dauer | Anzahl Wochen: 6 (FS: Wo:14-19) / Modus: 4x3h/Wo + 1x3h/Wo Selbststudium gem. Stundenplan_Mo/Di/Mi/Do/Fr, jeweils 10.30-13.30h Selbststudiumszeit pro Semester: ca. 18h |
| Bewertungsform | bestanden / nicht bestanden |
