Arrangement-Instrumentation / Komposition Advanced (gLV)
Kurt Widorski
3 CreditsDMU-WKMA-2102.23F.001
Arrangement-Instrumentation / Komposition Basic - Gruppe B (gLV)
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.23F.002
Arrangement-Instrumentation / Komposition Basic (gLV)
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.23F.001
Arrangement-Instrumentation / Komposition Intermediate (gLV)
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.23F.001
Artistic Working Method – Nanine Linning (gLv)
Nanine Linning, Stella Speziali
2 CreditsMDA-MDA-1100.23F.008
Aufführungspraxis Elektroakustische Musik IV (gLV)
Leandro Gianini
2 CreditsMKT-VKO-SEAK-KE08-4.23F.001
Aus dem Augenblick – Vokale Improvisation im 15. und 16. Jahrhundert (gLV)
Benjamin Jermann
1 CreditDMU-WKFK-8008.23F.012
Buchhaltung und Selbständigkeit für Musik - und Kulturschaffende (gLV)
Peter Junker
0 CreditsMPE-VIV-KE12.23F.007
CH - Netzwerkveranstaltung CH - studentisches Format, HKB Bern
Studierende der HKB Bern
2 Creditsmae-vkp-202.23F.001
Critical Thinking Basic - TRAINING - (gLV)
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.23F.003_(MTH/BTH)
Critical Thinking: Was ist sexuelles Kapital? - TRAINING - (gLV)
Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.23F.025_(MTH/BTH)
Designmethodologie 1: kritisch-spekulativ (Profil B) (gLV)
Dr. phil. Björn Franke
1 CreditMDE-MDE-WP-DM-PB-1001.23F.001
Designmethodologie 1: theoretisch-analytisch (Profil C) (gLV)
Sophia Prinz
1 CreditMDE-MDE-WP-DM-PC-1001.23F.001
Designmethodologie 3: kritisch-spekulativ (Profil B) (gLV)
Dr. phil. Björn Franke
1 CreditMDE-MDE-WP-DM-PB-3000.23F.001
Designmethodologie 3: theoretisch-analytisch (Profil C) (gLV)
Sophia Prinz
1 CreditMDE-MDE-WP-DM-PC-3000.23F.001
Die Künste rassismuskritisch – diskutieren, reflektieren und vermitteln (gLV)
Sophie Vögele, Hew Laura
1 Creditbae-bae-vt401-03.23F.001
Double-Check: Vergleichendes Sehen in Wissenschaft, Kunst und Design (gLV)
Dr. Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-4024.23F.001
Extreme Gegenkulturen und radikale Musik - Teil 2 (gLV)
Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.23F.008
Filmgeschichte: «Best (?) of Switzerland» - Bedeutende Filme aus der Schweiz (gLV)
Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.23F.002
Filmtheorie: Dramaturgie – Anfänge und Enden (gLV)
Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.23F.005
Gebrauchsklavier und Improvisationsmodelle im Unterricht (gLV)
André Desponds
1 CreditDMU-WKMP-4206.23F.001
Gehörbildung: Intonation, Temperatur und Stimmungssysteme (gLV)
Burkhard Kinzler
1 CreditDMU-WKMA-2412.23F.001
Gesang und Darstellung - Kurs April (gLV) AUSGEBUCHT
Yvonne Naef, Annette Uhlen
2 CreditsDMU-WKFK-8004.23F.007
Gesang und Darstellung - Kurs März (gLV) AUSGEBUCHT
Yvonne Naef, Annette Uhlen
2 CreditsDMU-WKFK-8004.23F.006
Herkunft (er)zählt - Designerbiografien im sozialen und wirtschaftlichen Kontext (gLV)
Dr. Paola De Martin
2 CreditsBDE-BDE-T-WP-2019.23F.001
Institutionen überschreiben: Gesprächs- und Dialogformen hinterfragen (gLV)
Prof. Dr. Jochen Kiefer
3 CreditsMTH-MTH-PM-03.23F.009
Inszenierungsanalyse als Dramaturgieanalyse (gLV)
Prof. Dr. Sandra Umathum
3 CreditsMTH-MTH-PM-03.23F.010
Kolloquium / Masterkolleg Geschichte der Musiktheorie (gLV)
Angelika Eva Moths, Felix Baumann
3 CreditsMKT-VTH-KE06.23F.001
Kreativität und Singularität: Andreas Reckwitz-Lesegruppe (gLV)
Irene Vögeli und Judith Siegmund
1 CreditMTR-MTR-2004A.23F.001
Kulturanalysen I: Nebulös… Das Politische der Landschafts«malerei» (gLV)
Sigrid Adorf
2 Creditsmae-vkp-206.23F.001
LAB 2: Thinking with Wood – Denken mit Holz (gLV)
Florian Dombois, Sascha Jösler
2 CreditsMTR-MTR-1040.23F.002
LAB 3: change is emergent relations - curatorial transpositions in practice (gLV)
Katja Gläss und Nicole Frei
2 CreditsMTR-MTR-1040.23F.003
LAB 4: Verschränkungen – Form(ation)s between Arts and Sciences / Entangled – Form(ation)en zwischen Künsten und Wissenschaften (gLV)
Katja Gläss, Patrick Müller, Basil Rogger, Irene Vögeli
2 CreditsMTR-MTR-1040.23F.004
LAB 5: Ich, du, Tier – on humans and animals (gLV)
Peter Kuntner, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1040.23F.005
LAB 8: Listening to the Trouble II: The Witness (gLv)
Julie Beauvais, Caro Baur, Patrick Müller
2 CreditsMTR-MTR-1040.23F.008
Mentales Training für Musikstudierende (gLV) AUSGEBUCHT AUSGEBUCHT
Judith Buchmann
1 CreditDMU-WKFK-8008.23F.007
Methodik: Fokus Dok (gLV)
Sabine Gisiger
Dozierende: Sabine Gisiger, Christian Iseli und Gäste
1 CreditMFI-VDFp.BFI.23F.001
Methodik: Immersive Arts Practices - Shifting Spaces (gLV)
Chris Elvis Leisi
Stella Speziali
Valentin Karl Huber
1 CreditBFI-FIPD-MEp-01.23F.006
Methodik: Kommunikationstraining - Feedback geben und empfangen (gLV)
Suna Yamaner, Chantal Haunreiter
1 CreditBFI-BFI-MEp-01.23F.003
Mobile Albania - Die wandernde Straßenuniversität (gLV)
Verantwortlich: Mira Sack, Katharina Stephan
Dozierende: Mobile Albania // Roland Siegwald, Till Korfhage, Katharina Stephan
4 CreditsMTH-MTH-PM-04.23F.002
Musikdidaktik „Musik - Bewegung - Körper - Kommunikation“ (gLV)
Andreas Zihler
1.5 CreditsMMP-VIV-PK05.23F.002
Musikdidaktik Schwerpunkt Pop, Rock, Blues & Jazz (gLV)
Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.23F.003
Projektmanagement in der Medienproduktion (gLV)
Stefach Bircher,
Assistenz: Naomi Erlich
1 CreditBDE-VCA-V-4104-2.23F.001
Projekttage 1: Listening to the Trouble II: The Witness (gLv)
Patrick Müller, Julie Beauvais, Caro Baur
1 CreditMTR-MTR-1009C.23F.001
Projekttage 2: Bagni popolari (gLv)
Eirini Sourgiadaki, Kathrin Doppler
1 CreditMTR-MTR-1009C.23F.002
Projekttage 3: Wasser auf der Furka (gLV)
Ulrich Görlich, Jana Thierfelder, Irene Vögeli
1 CreditMTR-MTR-1009C.23F.003
Seminar 1: De-signing the Body (gLV)
Irene Vögeli, Basil Rogger, Caro Baur
2 CreditsMTR-MTR-1002.23F.001
Seminar 2: Böse Worte – gute Worte: zum Beispiel «Macht» (gLV)
Basil Rogger, Irene Vögeli, Patrick Müller
2 CreditsMTR-MTR-1002.23F.002
Seminar 3: I hear voices (gLV)
Delphine Chapuis-Schmitz, Antoine Chessex
2 CreditsMTR-MTR-1002.23F.003
Seminar 5: «The Dawn of Everything. A New History of Humanity» (gLV)
Caroline Baur, Katja Gläss, Patrick Müller
2 CreditsMTR-MTR-1002.23F.005
Seminar 7: De-signing the Body 2 (gLV)
Irene Vögeli, Basil Rogger, Caro Baur
2 CreditsMTR-MTR-1002.23F.007
SWITCH ON THE LIGHT & LISTEN Improvisations- & Kreations-Labor (gLV)
Charlotte Hug
1 CreditDMU-WKFK-8008.23F.005
Szenische Bauten und Umbauten_VDR - (gLV)
Prof. Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.23F.001
Theatrale Verfahren und Probensysteme des Gegenwartstheaters_VTP - (gLV)
Seraina Dür (SD)
4 CreditsBTH-VTP-L-5130.23F.001
Theorie und Programmatik Darstellender Künste: Dramaturgien politischer Künste_VDR - (gLV)
Prof. Dr. Jochen Kiefer (JK), Syslvia Sobottka (SySo)
3 CreditsFTH-BTH-VDR-L-30111.23F.001_(MTH/BTH)
Theorie: Masterclasses ZDOK.23 (glV)
Leitung: Sabine Gisiger, Christian Iseli
0 CreditsDDK-MFI-BFI-ZDOK.MC.01.23F.003
Theorie: Streifzüge durch die Filmgeschichte (gLV)
Bernadette Kolonko
1 CreditBFI-FIPD-THp-01.MFI.23F.004
Theorie: ZDOK.23. REALITY, SECOND HAND. Archivmaterial und Found Footage im Dokumentarfilm (glV)
Sabine Gisiger, Dozenten: Christian Iseli, Maurizius Stärkle Drux und Gäste
1 CreditDDK-MFI-BFI-ZDOK.01.23F.003
Theorieschwerpunkt: Das „Geburtsjahr“ 1600 (gLV)
Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.23F.006
Theorieschwerpunkt: Romeo and Juliet Reloaded (gLV)
Daniella Gerszt
3 CreditsBMU-PKLA-MOMA-05.23F.003
Theorieschwerpunkt: Spätromantische Chormusik (1850 bis 1900) (gLV)
Burkhard Kinzler
3 CreditsBMU-PKLA-MOMA-05.23F.008
Theorieschwerpunkt: The History of Instrumental Concerto Through its Orchestration (gLV)
Vadym Rakochi
3 CreditsBMU-PKLA-MOMA-05.23F.010
Theory: Philosophy in the 21st Century: A Tribute to the Thought of Toni Negri (gLV)
Gerald Raunig
3 CreditsBFA-BFA-Th.23F.008
Vorlesungsreihe Kein Kino (gLV)
Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.23F.001
Wie afropäisch ist die Schweiz (class matters) (gLV)
Dr. Paola de Martin
2 CreditsBDE-BDE-T-WP-2016.23F.001
Wissenschaftliches Proseminar: Die 80er, ein widersprüchliches Jahrzehnt (gLV)
Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.23F.001
Wissenschaftliches Proseminar: Jazz- und Popmusik in den 1960ern: Aufbrüche und utopischer Geist (gLV)
Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.23F.002
Pool 6: Art & Research (gLV)
Wird auch angeboten für
Nummer und Typ | MFA-MFA-Po00.23F.006 / Moduldurchführung |
---|---|
Modul | Pool: |
Veranstalter | Departement Fine Arts |
Leitung | Laura von Niederhäusern |
Zeit | |
Anzahl Teilnehmende | maximal 19 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Seminar |
Zielgruppen | MA Fine Arts students Open for exchange students Open for students from other departments Interested students of other study programmes can register from 01 to 19 February 2023 by email to: studium.dfa@zhdk.ch. You will be informed until the end of calendar week 8 about a possible participation. Applications before 01 February 2023 will not be accepted. No registrations through our lecturers will be accepted. |
Lernziele / Kompetenzen |
|
Inhalte | To research, to inquire, to explore – from where? Into what? And how? A research project is taking shape through the definition of one’s fields of investigation. This pool seminar creates a dynamic platform of exchange on research related practices and experiences. With selected historic and current examples, we will question the institutional development of artistic research and discuss different concrete approaches to “fields” of research. On the one hand, the seminar takes a closer look at positions and understandings of artistic research. Several artists and researchers from the Institute of Contemporary Art Research (IFCAR) and PhD-candidates from the Transforming Environments PhD-Programme will present their projects and give insights to different models and conceptions of research environments. The discussion will touch on the commonalities and differences between art and artistic research, between scientific and artistic approaches and will ask for possible societal needs and responses for artistic means of research. On the other hand, the course engages with the concrete research desires of the participants. In a workshop format we will share research methods and develop a set of experiments to challenge and support possible ways of conceiving your potential project. We will explore the possible framework of your project by identifying your research fields: What are the concrete fields of investigation? What are the conceptual fields your project engages in? How to define a research field? And what practices or methods to start with in your fieldwork? About the lecturer: Laura von Niederhäusern is an artist-researcher situating her practice in the fields of essayistic filmmaking, installations and writing. Since 2016, she is developing a practice-based PhD-project with the title “Face No Dial of a Clock. Investigating asynchronic experiences of present times by means of art”. Her research explores the heterogeneosity of simultaneous temporalities in order to observe and question forms of time-related governmentality and internalized imperatives. Laura studied critical theory, cultural studies, and fine arts at HEAD Geneva. Since 2016, she has been a research associate in the Department of Fine Arts at Zurich University of the Arts (ZHdK). She is part of the Institute for Contemporary Art Research (IFCAR) and currently coordinates the pre/doc Programme Transforming Environments together with Marcel Bleuler as well as the interdepartemental Programme Transdisciplinary Artistic PhD at ZHdK.“ |
Bibliographie / Literatur | Will be handed out during the course |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:00 - 17:00 o'clock CW 15: 11 / 12 / 13 / 14 April CW 16: 18 April |
Bewertungsform | bestanden / nicht bestanden |