Technologie: Fotografie: Basic (Doppelmodul)
Conradin Frei, Jyrgen Ueberschär
6 CreditsBFA-BFA-Te.22H.002
Technology: Sound Lab
Deee-constructing the Mix
Nummer und Typ | BFA-BFA-Te.22H.009 / Moduldurchführung |
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Modul | Technologie |
Veranstalter | Departement Fine Arts |
Leitung | William Davis |
Anzahl Teilnehmende | maximal 12 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Zielgruppen | BA Fine Arts students Open for exchange-students |
Lernziele / Kompetenzen |
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Inhalte | The module is a basic, hands-on, practical course on mixing outputs in virtual and natural acoustic spaces and will cover the technologies of the mixing consult, common outboard/plugin devices, microphone/capturing devices, audio generation and output monitors in all manifestations of the stereo space, i.e., mono, stereo and multi-channel. Both analogue and digital tools will be used- Participants will be required to produce a “mix” in 2 of the 3 output forms as a final exercise. William Davis (*1969) is a composer, recording artist, music producer and founder of workhorsesong studio in Berlin. Since 2015, he collaborates with the Richard Thomas Foundation (London/Berlin), developing artists’ projects related to music, sound and performance. Works include compositions and collaborations with: Matt Saunders, „Double Mattie“, Marian Goodman Gallery, Paris/NY (Collection Guggenheim Museum, NY), Swetlana Heger „Out of the Shadow/Into the Fog“ Cabaret Voltaire, Zürich/VI. Moscow International Biennale, „Untitled (The Cohen Residence, Paradise Valley)“, Phoenix Art Museum/The Bass Museum of Art, Miami, Karin Sander „Zeigen“ Galerie für Zeitgenössische Kunst, Leipzig, Raymond Pettibon „The Family“ (Collection MoMA, NY). |
Bibliographie / Literatur | Will be handed out during the course. |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:15 - 17:00 o'clock CW 42: 17 / 18 / 19 / 20 / 21 October |
Bewertungsform | bestanden / nicht bestanden |