Context: Art & Representation / Portfolio (Double module)
Martin Jaeggi, Nadia Graf, Jörg Scheller, Gabrielle Schaad
6 CreditsBFA-BFA-Ko.22H.004
Context: The Image of the Artist (1st Semester)
Mareike Dittmer, Jenifer Anne Catherine Fulton
3 CreditsBFA-BFA-Ko.22H.003
Context: The Image of the Artist (1st Semester)
Nummer und Typ | BFA-BFA-Ko.22H.003 / Moduldurchführung |
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Modul | Kontext |
Veranstalter | Departement Fine Arts |
Leitung | Mareike Dittmer, Jenifer Anne Catherine Fulton |
Anzahl Teilnehmende | maximal 22 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Zielgruppen | Mandatory module BA Fine Arts Not open for exchange students The registration to this module is done automatically. |
Lernziele / Kompetenzen |
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Inhalte | Artists are not self-contained, autonomous individuals. The social conditions and interdependencies produced different types of artists at different times. We will take a closer look at these changing movements, which determine the image of the artist invisibly, as it were. The seminar deals with the image of the artist. The focus is on the verbal expressions of artists. Which image do they create of themselves? How do we weight such statements? And above all: What is the relationship between such statements and the work? Which social ideals and narratives influence these self-expressions? In addition, we discuss how the participants understand themselves as artists. Mareike Dittmer (*1978) studied cultural and communication sciences at the UdK Berlin and was involved with frieze magazine for almost 20 years, as co-founder and co-publisher of frieze d/e and later as associate publisher of frieze. From 2019-20, she was the director of Art Stations Foundation / Muzeum Susch. Since 2020, she’s the Director of Public Engagement for TBA21–Academy. Jeni Fulton (*1981) is the Head of Editorial at Art Basel, leading editorial production – essays, interviews, short films and social media. She is the catalogue editor for the Art Market Report, an industry-leading bi-annual publication published in collaboration with Arts Economics and UBS. She holds a PhD on the topic of Value and Evaluation in Contemporary Art, which examined the relationship between art criticism, art writing, and the art market since the 2000s. |
Bibliographie / Literatur | Will be handed out during the course. |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:15 - 17:00 o'clock CW 39: 26 / 27 / 28 / 29 / 30 September |
Bewertungsform | bestanden / nicht bestanden |