ATD / Puppetry and Disability Emma Fisher, Pavel Štourac, Emanuel Rosenberg
4 CreditsMTH-MTH-WPM-04.22H.005
ATD / Thinking Theatre Prof. Dr. R. Weihe, Accademia Dimitri; Dr. Veronica Provenzale, ATD; Dr. Riccardo Bernardini, Fondazione Eranos; Gabriella Scardi, Università Cattolica del Sacro Cuore, Milano
2 CreditsMTH-MTH-WPM-02.22H.009
HKB / "Das neue Planetarium” - Performative Zukunftsexperimente im Rahmen der grossen Transformation Regula Schröter, Björn Müller (Tranformatiker)
3 CreditsMTH-MTH-WPM-03.22H.001
HKB / Forschungstoolbox zum Jahresthema: Critical Care, in Practice and Theory Y-Institut
Hanna B. Hölling (DozentinKonservierung und Restaurierung HKB), Johannes M.Hedinger (Künstler, Kurator, Zürich)
2 CreditsMTH-MTH-WPM-02.22H.005
HKB / Forschungstoolbox zum Jahresthema: Die Wildnis im Kasten: Grundlagen Künstlerischer Forschung Y-Institut
Leitung: Regina Dürig (Autorin); Gast: Luzia Hürzeler (Künstlerin)
2 CreditsMTH-MTH-WPM-02.22H.007
HKB / Forschungstoolbox zum Jahresthema: Intergenerationelle Experimente mit Natur-Liedern Y-Institut
Leitung: Barbara Balba Weber (Kulturvermittlerin HKB), Francesco Micieli (Autor)
2 CreditsMTH-MTH-WPM-02.22H.006
HKB / In every sense. With every sense. Alexander Giesche und Regula Schröter
4 CreditsMTH-MTH-WPM-04.22H.001
HKB / Stimmperformance Franziska Baumann, Sängerin, Improvisatorin, Komponistin
2 CreditsMTH-MTH-WPM-02.22H.004
ATD / The carnivalesque body 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (ATD)
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Bisheriges Studienmodell 
Theater Master Theater Partnerschulen ATD, Accademia Teatro Dimitri Verscio
(weniger) Theater Master Theater Partnerschulen ATD, Accademia Teatro Dimitri Verscio| Nummer und Typ | MTH-MTH-WPM-03.22H.002 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 03 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Raul Vargas Torres |
| Zeit | |
| Ort | Avegno, Ticino |
| Anzahl Teilnehmende | 5 - 16 |
| ECTS | 3 Credits |
| Lernziele / Kompetenzen | The aim of the workshop is to propose a methodology and devices for composition and creation, in order to go deeper into enriching our performative body. |
| Inhalte | It is inspired by the historical form of the carnival and its relation to the grotesque. During the carnival period the usual prohibitions and restrictions that regulate social life are lifted, giving way to a kind of counterculture. In the carnival the body takes agency and expands to incorporate all its physiological, emotional and discursive needs. By identifying and extrapolating the elements that constitute the carnivalesque and integrating them into our artistic practice, the workshop stimulates and explores the creative potential of our moving body – enabling us to experience the body in an unfinished, provisional state of constant ‘becoming’, oscillating between de- and reconstruction. We will approach the world of the carnival and the grotesque by way of task-led, thematic exercises focusing on such themes as laughter, the erotic, disharmony, penance, the sacred and the profane, employing objects, texts, and above all movement. Within the frame of the workshop’s transversal activity, the participants are invited to create little events, either improvised or fixed. Any specific expression, demonstration, cultural manifestation, ritual act, installation may qualify as an ‘event’. We give space to arbitrariness, intuition, uncertainty, causality, conservation of energy, metamorphosis. We will reflect on the notion of the carnival as counterculture in the 21st century and try to perceive the carnivalesque in contemporary society. Is there still a social need for subversion? |
| Termine | 5 to 15 December 2022 |
| Dauer | 9:30-12:00 and 13:00-16:00 |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
