Master-Symposium: When History Is Yet The Present
Yvonne Wilhelm, Judith Welter, Francesca Brusa
3 CreditsMFA-MFA-Sy03.22H.001
Pool 4: Venice Biennial (Excursion)
Judith Welter, Maria Eichhorn, Nicola Genovese
3 CreditsMFA-MFA-Po00.22H.004
Practice 1: What We Do And What Makes Us Do What We Do
Yvonne Wilhelm, Uriel Orlow, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.22H.001
Practice 2: Pavilionesque Newspaper
Marie-France Rafael, Paulina Matylda Olowska, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.22H.002
Practice 3: Infrastructural Modes
Christian Hübler, Lorenza Longhi, Francesca Brusa
21 CreditsMFA-MFA-Pr00.22H.003
Practice 5: Thinking Big, Small & Many
Dominique Lämmli, Nils Röller, Gritli Faulhaber
21 CreditsMFA-MFA-Pr00.22H.005
Pool 9: Art & Textile (gLV)
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Nummer und Typ | MFA-MFA-Po00.22H.009 / Moduldurchführung |
---|---|
Modul | Pool: |
Veranstalter | Departement Fine Arts |
Leitung | Yvonne Wilhelm |
Anzahl Teilnehmende | maximal 20 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Seminar |
Zielgruppen | MA Fine Arts students Open for exchange students Open for students from other departments Interested students of other study programmes can register from 01 to 18 September 2022 by email to: studium.dfa@zhdk.ch. You will be informed until the end of calendar week 39 about a possible participation. Applications before 01 September 2022 will not be accepted. |
Lernziele / Kompetenzen |
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Inhalte | In this pool seminar the artistic aspects of textility will be negotiated on the basis of Tim Ingolf’s “The History of Line”. Knotting, weaving, knitting, embroidery and other techniques are in his understanding "line factories". The back and forth, the twists and loops of the line create spatial materialities and thereby cartographies of social agency. Through the textile-tactile artifacts, themes of labor, predictability, figuration and interconnectedness are negotiated. Beyond the normative narratives of women's textile art and/or folkloric craft, we focus on social-processual practices. We will analyse the inter- and transcultural affinities and divergences of the different outcomes produced by the "line factories" in order to understand their potential for performative resistance. Discussing student projects and experiments with collective practices will also be central elements of the course. About the lecturer: Yvonne Wilhelm is an artist (part of the artist duo knowbotiq) and professor, teaching at the ZHdK MFA, who has been experimenting with forms and medialities of social imaginaries, visual regimes, and epistemic disobedience, with a certain focus on queer-feminist and post-/decolonial aspects. Her practical focus is on post-digital time-based formats, installative-performative settings, and research-led art. |
Bibliographie / Literatur | Will be handed out during the course. |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 10:00 - 18:00 o'clock CW 50: 12 / 13 / 14 / 15 / 16 December |
Bewertungsform | bestanden / nicht bestanden |