Master-Symposium: When History Is Yet The Present Yvonne Wilhelm, Judith Welter, Francesca Brusa
3 CreditsMFA-MFA-Sy03.22H.001
Pool 4: Venice Biennial (Excursion) Judith Welter, Maria Eichhorn, Nicola Genovese
3 CreditsMFA-MFA-Po00.22H.004
Practice 1: What We Do And What Makes Us Do What We Do Yvonne Wilhelm, Uriel Orlow, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.22H.001
Practice 2: Pavilionesque Newspaper Marie-France Rafael, Paulina Matylda Olowska, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.22H.002
Practice 3: Infrastructural Modes Christian Hübler, Lorenza Longhi, Francesca Brusa
21 CreditsMFA-MFA-Pr00.22H.003
Practice 5: Thinking Big, Small & Many Dominique Lämmli, Nils Röller, Gritli Faulhaber
21 CreditsMFA-MFA-Pr00.22H.005
Pool 1: Art & Construction of Knowledge 
Excessive-Gifting! Witholding-Excessively! Economic Formats with Feels!
| Nummer und Typ | MFA-MFA-Po00.22H.001 / Moduldurchführung |
|---|---|
| Modul | Pool: |
| Veranstalter | Departement Fine Arts |
| Leitung | Ima-Abasi Okon |
| Anzahl Teilnehmende | maximal 14 |
| ECTS | 3 Credits |
| Voraussetzungen | Course language: English |
| Lehrform | Seminar |
| Zielgruppen | MA Fine Arts students only Open for exchange students |
| Lernziele / Kompetenzen |
|
| Inhalte | In this pool seminar a week-long conversation will likely look into concepts and ideas key to Ima-Abasi Okon’s practice, as: syntax, language, knowledge, edible materials, flesh, sound, fermentation, spells, & otherwise How each of these things can be expressed non figuratively and through the making of an exhibition will be an ongoing question. Student’s individual practices will be explored through this framework. The workshop will depart from the artist’s current projects. About the lecturer: Ima-Abasi Okon is an artist living and working between London and Amsterdam. She works with sculpture, sound, and video. She employs exhibition-making as an exercise in syntax, adopting linguistic and grammatical structures as a way of complicating the construction of knowledge. In her recent works, Okon has repurposed industrial and handmade objects to explore the formation of taste, subjectivity, productivity and excess. Okon has exhibited, among others, at BALTIC Centre for Contemporary Art, Gateshead; Astrup Fearnley Museet, Oslo; Van Abbemuseum, Eindhoven (all 2022); Tate Britain, London; New Museum Triennial, New York (both 2021); Chisenhale Gallery, London (2019); 13th Dak’Art Biennale, Dakar, Senegal; The Showroom, London (both 2018); and New Art Exchange, Nottingham (2017). |
| Bibliographie / Literatur | Will be handed out during the course. |
| Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
| Termine | Time: 10:00 - 18:00 o'clock CW 40: 03 / 04 / 05 / 06 / 07 October |
| Bewertungsform | bestanden / nicht bestanden |
