Akrobatik 2_für Fortgeschrittene - TRAINING Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.22H.005_(MTH/BTH)
Artikulation & Geläufigkeit_Grundstufe - TRAINING Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.22H.001_(MTH/BTH)
Atelier Thesis: Grundlagen und Vorbereitung Schriftliche Arbeit_1/5 - DIPLOM-MODUL_(SC) Prof. Peter Ender (PE), Monika Gysel (MoGy)
3 CreditsBTH-VSC-L-60300.22H.001
Bewegungsarten/Bewegungsqualitäten_nur BA-VSC - TRAINING Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.22H.001_nur BA-VSC
Choreographische Anfänge - TRAINING Johannes Voges (JoVo)
1 CreditFTH-BTH-BTH-L-636.22H.020_(MTH/BTH)
Critical Thinking - Verletzbare Körper, Vulnerability - TRAINING - (gLV) Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.22H.025_(MTH/BTH)
Critical Thinking Basic - TRAINING - (gLV) Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.22H.003_(MTH/BTH)
Family matters - TRAINING Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-BTH-L-636.22H.005_(MTH/BTH)
Grundprinzipien der Gesangsstimmbildung_VTP - TRAINING Johannes Michael Blume (Blu)
1 CreditFTH-BTH-VTP-L-515.22H.001_(MTH/BTH)
KASA-Training B_für Fortgeschrittene - TRAINING Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.22H.002_(MTH/BTH)
Levelprüfung_6/6_VSC L3: Bachelor-Diplom_Schauspiel (formal) Prof. Peter Ender (PE)
0 CreditsBTH-VSC-L-6050_AdminKE.22H.001
Life isn’t binary - Dualismen dezentrieren - TRAINING Luca Rudolf (LR)
1 CreditFTH-BTH-BTH-L-636.22H.031_(MTH/BTH)
Meditation und Präsenz - TRAINING Christopher Kriese (CKri), Katharina Cromme (KC)
1 CreditFTH-BTH-VRE-L-406.22H.001_(MTH/BTH)
Methoden-BootCamp Chekhov - ERWEITERN/PROBIEREN_(SC) Kristian Nekrasov (KN)
1 CreditBTH-BTH-L-0019.22H.007
Phrasierung und Improvisieren_nur BA-VSC - TRAINING Efrat Stempler (ESt)
1 CreditBTH-VSC-L-6121.22H.002_nur BA-VSC
Projektmodul: The Disney Killer - PRAXIS_(SC) Yael Cramsky (YC), Safia Hachemi (Bühnenbild), Sangita Sing (Regieassistenz)
8 CreditsBTH-BTH-L-0022.22H.002
Recherchenbasierte Theaterprojekte: Chancen, Risiken und Nebenwirkungen - TRAINING Tim Zulauf (TZ)
1 CreditFTH-BTH-BTH-L-636.22H.013_(MTH/BTH)
Singen_Stimmbildung VSC L3/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Johannes-Michael Blume (Blu)
1 CreditBTH-VSC-L-6140.22H.001
Sprechen VSC L3.1/(L3.2)/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Julia Stanoeva (JS)
1 CreditBTH-VSC-L-60400.22H.001
Sprechen VSC L3.1/(L3.2)/EZ - STIMME/SPRECHEN VERTIEFEN_(SC) Iris Gold (IG)
1 CreditBTH-VSC-L-60400.22H.002
Sprechtraining "Resonanz"_Fortgeschrittene - TRAINING Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.22H.012_(MTH/BTH)
TALKING SPACES-Bühnenbildbesprechung - TRAINING Klara Mand (KM)
1 CreditFTH-BTH-BTH-L-636.22H.011_(MTH/BTH)
Theaterprojekt L3 / B - Probe & Inszenierung - PRAXIS_(SC) Sabine Harbeke (SH) und weitere Dozierende/Gäste,
ext. Coaching: NN
8 CreditsBTH-BTH-L-0022.22H.001
Von dramatisch bis postdramatisch - TRAINING Monika Gysel (MoGy)
1 CreditFTH-BTH-VRE-L-412.22H.001_(MTH/BTH)
Wissenschaftliches Schreiben - TRAINING Yvonne Schmidt (YS)
1 CreditFTH-BTH-BTH-L-636.22H.017_(MTH/BTH)
Zeitung lesen mit Gästen - TRAINING Sabine Harbeke (SH), Gäste
1 CreditFTH-BTH-VRE-L-4000.22H.001_(MTH/BTH)
Akrobatik mit Partner:innen - TRAINING 
Blockstruktur: 2
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Bisheriges Studienmodell 
Theater Bachelor Theater Theaterpädagogik Level 2 (2./3./4. Semester) Level 2
(weniger) Theater Bachelor Theater Theaterpädagogik Level 2 (2./3./4. Semester) Level 2| Nummer und Typ | FTH-BTH-VSC-L-607.22H.004_(MTH/BTH) / Moduldurchführung |
|---|---|
| Modul | Akrobatik |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Amir Modaï (AM) |
| Anzahl Teilnehmende | 5 - 12 |
| ECTS | 1 Credit |
| Lehrform | Training |
| Zielgruppen | L2 VSC / L2 VTP / L2 VRE / L2 VDR L3 VSC / L3 VTP / L3 VRE / L3 VDR Wahlmöglichkeit: L2 VBN + Master Theater/MTH alle Vertiefungen (total 3 Plätze) |
| Lernziele / Kompetenzen | In this training unit we will explore different possibilities of partner play, through figures of traditional partner acrobatics and Acro-Yoga. This work is aimed at developing awareness to space in challenging situations and providing a solid partner for one's colleagues. Handstand training is also an essential part of the work, developing stability and core strength, all while breathing and staying reactive. |
| Inhalte | Partner work and partner play are paramount for stage work. We will try to find ways to heighten our awareness of our own and our partner's bodies, so that physical impulses can be generated, received and perceived more accurately and clearly. |
| Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
| Termine | Raum: Tanzstudio |
| Dauer | Anzahl Wochen: 6 (HS: Wo:44-49) / Modus: 2x1,5h/Wo_Mo/Mi, jeweils 08.30-10.00h Selbststudiumszeit pro Semester: ca. |
| Bewertungsform | bestanden / nicht bestanden |
