"Matchmaking" Film / Filmmusik Leitung: Thomas Gerber
Dozierende: André Bellmont, Thomas Gerber
0 CreditsBFI-BFI-CSp-00.MFI.22H.004
Filmmusik: Präsentation Leitung: Thomas Gerber
Dozierende: André Bellmont, Thomas Gerber
0 CreditsBFI-BFI-CSp-00.MFI.22H.003
Information Diplomprozess Sabine Boss, Filippo Bonacci, Fabienne Koch, Norbert Kottmann, Moritz Schneider, NN Sekretariat
0 CreditsBFI-BFI-WSp-00.22H.002
Methodik: Atelier Dok Leitung: Sabine Gisiger
Dozierende: Sabine Gisiger, Barbara Weber
1 CreditMFI-BFI-VDF-01.22H.001
Methodik: Découpage - Szenenanalyse und Regiewerkzeuge Michael Schaerer
1 CreditBFI-BFI-MEp-01.22H.006
Methodik: Drehstruktur auf Spielfilm-Set Filippo Bonacci, Gilles Germann
1 CreditBFI-FIPD-MEp-01.22H.001
Methodik: Fokus Dok (gLV) Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditMFI-BFI-VDF-01.22H.002
Methodik: Immersive Arts Practices - Doubles, Twins and Avatars (gLV) Stella Speziali and team members of the Immersive Arts SpaceArts Space
1 CreditBFI-FIPD-MEp-01.22H.006
Methodik: Regieposition_1 Leitung: Sabine Boss
Gast: Kathrin Resetarits
1 CreditBFI-BFI-MEp-01.MFI.22H.005
Methodik/Technik: Virtual Production Worldbuilding Norbert Kottmann, Valentin Huber
3 CreditsBFI-FIPD-MEp-03.22H.003
Praxis: AIP – ausserordentliches Studienprojekt Leitung: Sabine Boss
Herstellungsleitung: Filippo Bonacci
18 CreditsBFI-BFI-PRp-18.22H.001
Praxis: Conclusion – Projekt "Reality Check” Sabine Gisiger, Barbara Weber, Sabine Boss
1 CreditBFI-BFI-PRp-01.22H.005
Praxis: Künstlerische Eigenaktivität, Mitarbeit, Praktikum Sabine Boss
0 CreditsBFI-BFI-PRp-00.22H.001
Praxis: Künstlerische Eigenaktivität, Mitarbeit, Praktikum Sabine Boss
10 CreditsBFI-BFI-PRp-10.22H.002
Praxis: künstlerische Eigenaktivität, Mitarbeit, Praktikum Sabine Boss
18 CreditsBFI-BFI-PRp18.22H.002
Praxis: Projekt_fikt. lang «SHORT STORY» Thomas Gerber, Jasmine Hoch
18 CreditsBFI-BFI-PRp-18.22H.002
Theorie: Filmgeschichte: Feminist Gaze – Privat & Politisch (gLV) Bernadette Kolonko
1 CreditBFI-FIPD-THp-01.MFI.22H.009
Theorie: Filmtheorie: Neue Berliner Schule (gLV) Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.22H.005
Theorie: Identifikation: We could be heroes just for one day (gLV) Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.22H.008
Theorie: Immersive Arts (gLV) Christopher Salter and additional lectures
1 CreditBFI-FIPD-THp-01.22H.007
Theorie/Methodik: Master Talk Kamera D.o.P.: Pierre Mennel und Andreas Birkle
Editing: Michael Schaerer
Producing: Joel Jent
Regie Spielfilm: Sabine Boss
Alle Anlässe mit Gästen
1 CreditMFI-A1-3p-BFI.01.22H.001
V-Praxis: Drehbuch / Producing – Schweizer Stoffe / Europäische Stoffe Bernadette Kolonko
2 CreditsBFI-FIPD-VPp-02.MFI.22H.001
V-Praxis: Kamera – Digital Cinema I Andreas Birkle
Assistenz: Valentino Vigniti
1 CreditBFI-BFI-VPp-01.22H.005
V-Praxis: Kamera / Editing – DIT Digital Image Technician Leitung: Andreas Birkle
Dozierende: Andreas Birkle, Norbert Kottmann
2 CreditsBFI-BFI-VPp-02.22H.006
V-Praxis: Producing – Production Days Verantwortlich: Karin Koch
Dozentin: Franziska Sonder
2 CreditsBFI-BFI-VPp-02.MFI.22H.003
V-Praxis: Producing / Drehbuch – My first Short with a Producer Joel Jent
Dozierende: Joel Jent, NN
2 CreditsBFI-BFI-VPp-02.22H.004
Methodik: Immersive Arts Practices - Doubles, Twins and Avatars (gLV) 
Practical course focusing on digital self-representations in immersive experiences.
Wird auch angeboten für
| Nummer und Typ | BFI-FIPD-MEp-01.22H.006 / Moduldurchführung |
|---|---|
| Modul | Methodik BFI, 1 Credit |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Stella Speziali and team members of the Immersive Arts SpaceArts Space |
| Zeit | 10 dates, Tuesday, 18:45 – 20:30h (27.09. / 04.10. / 11.10. / 18.10. / 25.10. / 01.11. / 08.11 / 15.11. / 22.11. / 29.11.2022) |
| Anzahl Teilnehmende | 1 - 20 |
| ECTS | 1 Credit |
| Voraussetzungen | none |
| Lehrform | Seminar |
| Zielgruppen | ZHdK / alle Studierende (geöffnete Lehrveranstaltung, gLV) |
| Lernziele / Kompetenzen | Basic understanding of creating 3D-representations of humans and integrating the avatars in digital media environments and immersive experiences, such as virtual and augmented reality (VR, AR) and spatial augmented reality (SAR). |
| Inhalte | The course starts with a general introduction to the current use of avatars in films, games and the arts, as well as in social media. This is followed by an introduction to basic technologies that are available in the Immersive Arts space, such as photogrammetry and 3D scan, volumetric capture, motion capture, augmented reality, virtual reality, projection mapping. In small interdisciplinary groups, the participants then develop their own projects and implement them within the range of their own capacity and the available technology. |
| Bibliographie / Literatur | www.immersive-arts.ch |
| Leistungsnachweis / Testatanforderung | Minimum 80 percent attendance and active participation. Participants need to be aware that they will have to invest additional time between the seminar dates for advancing their practical projects and for learning basic software tools. |
| Termine | 27.09. / 04.10. / 11.10. / 18.10. / 25.10. / 01.11. / 08.11 / 15.11. / 22.11. / 29.11.2022 |
| Dauer | 10 dates, Tuesday 18.45 – 20.30h |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | Doubles, Twins and Avatars is connected to the lecture series Immersive Arts, which will take place every second week on Tuesdays at 17:15h in the Toni cinema. Please contact your own course secretariat first to make sure that you may attend a gLV. Registration by email to kristina.jungic@zhdk.ch with surname, first name, course of study. |
