Annäherungen an die menschliche Figur Cécile Huber, Dozentin DKV
Erika Fankhauser Schürch, Dozentin DKV
2 CreditsZMO-ZMO-K106.1.22H.001
Axolotls, Frankenstein and Other Beloved Monsters Monster Chetwynd, Künstlerin, Dozentin DFA, BA Fine Arts
Sarah Burger, Künstlerin, Dozentin DDK, BA Bühnenbild
Rahel Kesselring, Bühnenbildnerin, Wissenschaftliche Mitarbeiterin DDK, MA Bühnenbild
4 CreditsZMO-ZMO-P054.2.22H.001
Commoning Curatorial and Artistic Education Dorothee RICHTER, Head of MAS Curating and Professor, Continuing Education | Head of PhD in Practice in Curating (ZHdK)
Ronald KOLB, Co-Head of MAS Curating (ZHdK)
2 CreditsZMO-ZMO-L016.1.22H.001
Commoning Curatorial and Artistic Education Dorothee RICHTER, Head of MAS Curating and Professor, Continuing Education | Head of PhD in Practice in Curating (ZHdK)
Ronald KOLB, Co-Head of MAS Curating (ZHdK)
4 CreditsZMO-ZMO-L016.2.22H.001
Die Fotografie und das Licht: Warm-kalt, diffus-gerichtet. Conradin Frei, Lehrt im BA Fine Arts, Fotograf: https://www.conradinfrei.com/
2 CreditsZMO-ZMO-K146.1.22H.001
Falling in Love Studierendenprojekt: Denise Baltensperger MA Curatorial Studies, Vincent Loup, BA Szenischer Raum, Aleksandra Sucur BA Komposition für Film, Theater und Medien, Mentoriert: Dr. phil. Antonio Scarponi, Dozent im MA Art Education und BA Interaction Design
4 CreditsZMO-ZMO-P061.2.22H.001
Farbe und Licht im Raum Marcus Pericin, DDE, Co-Leiter Farb-Licht-Zentrum
Florian Bachmann, Dozent DKV, Co-Leiter Farb-Licht-Zentrum
4 CreditsZMO-ZMO-P037.2.22H.001
Hacking Global Pop Icons, Zürich Tom Gerber — Director for Feature Films and TV series, Movie Editor and Lecturer (ZHdK)
Claudio Bucher — Author, Music Producer, Cultural Advisor (ZHdK)
6 CreditsZMO-ZMO-L007.3.22H.001
History Reviewed - We Can't Forget How to Move William Davis, Associate Professor (ZHdK)
Chi Wo Warren LEUNG Associate Professor (SCM)
4 CreditsZMO-ZMO-L019.2.22H.001
Immersive Landschaften in Kunst und Film Thomas Isler, Dozent Departement Fine Arts, Miriam Loertscher, Filmforscherin DDK, Jyrgen Ueberschär, Departement Fine Arts, Valentin Huber, DDK, Stella Speziali, i. A. Space, Eric Larrieux, i.A. Space
4 CreditsZMO-ZMO-P044.2.22H.001
LAND AND ENVIRONMENTAL ART (outdoor) Johannes M. Hedinger, DDE (Kunst, Kuration, Transdisziplinarität)
Annemarie Bucher, DFA (Theorie, Architektur, Ethnologie)
Brigitte Dätwyler, DKV (Kunst, Vermittlung, Performance)
4 CreditsZMO-ZMO-P034.2.22H.001
Photoshop Basic Markus Käch, dipl. audiovisueller Gestalter
Departement Design
2 CreditsZMO-ZMO-K149.1.22H.001
Projektmanagement - Schritt für Schritt Danica Zeier, Stv. Studienleiterin MAS Strategic Design, Founder artsnext.ch und Roy Schedler, Leiter Marketing und Partnerschaften am Swiss Science Center Technorama in Winterthur
2 CreditsZMO-ZMO-K110.1.22H.001
Remote Guide to Extractivism Nuria KRÄMER, Programme Manager, Shared Campus
| Deputy Head, Transcultural Collaboration
Andreas KOHLI, Professor, BA Design, Department of Design | Professor, BA Art Education, Department of Cultural Analysis (ZHdK) (TG coordinator)
4 CreditsZMO-ZMO-L018.2.22H.001
Repeat ... Tapeten mit Siebdruck Prof. Nadia Graf, Dozentin Bachelor Fine Arts, DFA
Denise Schwab, Dozentin DKV und Werkstattverantwortliche Siebdruck
4 CreditsZMO-ZMO-K144.2.22H.001
Rhythmus. Timing. Am eigenen Leib. Steffen A. Schmidt (Dr. phil. habil.), Musik-/ Kulturwissenschaftler, Pianist für BA contemporary Dance, Dozent für Filmmusik, Musiktheater & Kulturwissenschaft
Gastdozierende: Stephan Teuwissen, Dramaturg, Anna Huber, Tänzerin, Choreographin u.a.
4 CreditsZMO-ZMO-K125.2.22H.001
Rivers. Jugular Veins of Empire Martin NEWTH, Programme Director Fine Art, Chelsea College of Arts (UAL)
?Rada LEU, Artist, Musician, Teaching Assistant (ZHdK)
6 CreditsZMO-ZMO-L020.3.22H.001
Show me your Error! Drucktechniken (Risographie und Hochdruck) als Laborversuch Rebecca Morganti-Pfaffhauser
Meike Eckstein
4 CreditsZMO-ZMO-K124.2.22H.001
Sounds and Visions in extremer Umgebung Lucas Niggli , Dozent DMU
Georg Bringolf, Dozent DDK
2 CreditsZMO-ZMO-K130.1.22H.001
Spielseminar Mandy Fabian Osterhage, Schauspielerin / Dozentin Departement Darstellende Künste und Film &
Matthias Fankhauser / Dozent Departement Darstellende Künste und Film
2 CreditsZMO-ZMO-K103.1.22H.001
STADTFLUCHT Valsertal Gilles Aubry, Klangkünstler (MA in Sound Art ) und Forscher (PhD in social anthropology)
Eliane Binggeli-Esposito, Malerin und Videokünstlerin
Dozentin DKV
Stéphanie Marie Couson, Künstlerin, Fotografin, Dozentin DKV
4 CreditsZMO-ZMO-K135.2.22H.01
Teleprovisation - Interdisiplinary Improvisation Benjamin Burger, Designer,Theatre Director
Lucas Niggli Drummer and Lecturer in Improvisation,
4 CreditsZMO-ZMO-L015.2.22H.001
Typografie & Layout Friedrich-Wilhelm Graf, lehrt im BA Art Education und in den Z-Modulen
2 CreditsZMO-ZMO-K150.1.22H.001
Vektorbasiertes Zeichnen mit Adobe Illustrator Guido Köhler, Dozent Scientific Visualization/ DDE
2 CreditsZMO-ZMO-K151.1.22H.001
Video als Medium der künstlerischen Erkundung Istvàn Balogh, Fotograf und Künstler, Dozent DKV
Gast: VideokünstlerIn
2 CreditsZMO-ZMO-K141.1.22H.001
Visualisieren im 3D Raum Jonas Christen, wissenschaftlicher Mitarbeiter, Fachrichtung Knowledge Visualization
David Schürch, lehrt in der Fachrichtung Knowledge Visualization
4 CreditsZMO-ZMO-K153.2.22H.001
Wann, wenn nicht jetzt? Sophia Yiallouros, Dozentin Schauspiel DDK, Schauspielerin
Erwin Glatter, Msc., Achtsamkeitsforscher, systemischer Coach und ehem. buddhistischer Mönch
Irmela Beyer, Dozentin i. R. Stimme, Sprechen DDK, autorisierte Linklater Lehrerin, Feldenkraislehre
4 CreditsZMO-ZMO-K104.2.22H.001
Webdesign Samuel Weidmann
Lehrbeauftragter Digital Publishing, Webdesign & Animation
Visual Communication, Bachelor of Arts in Design
2 CreditsZMO-ZMO-K157.1.22H.001
Wie verstehe ich ein Gemälde?
Dr. Ulrike Meyer Stump, Kunsthistorikerin, Museologin, Dozentin DDE > BA Design - Scientific Visualization > Fachrichtung Knowledge Visualization
2 CreditsZMO-ZMO-K109.1.22H.001
Zeichnen als Arbeits- und Reflexionsinstrument Marisa Sbarbati,
Dozentin Departement Kulturanalysen und Vermittlung
Christina Horisberger,
Kunsthistorikerin, Dozentin für Designtheorie, Journalistin, Departement Kulturanalysen und Vermittlung
2 CreditsZMO-ZMO-K116.1.22H.001
Remote Guide to Extractivism 
Im Rahmen der „Shared Campus Summer Schools 2022“
| Nummer und Typ | ZMO-ZMO-L018.2.22H.001 / Moduldurchführung |
|---|---|
| Modul | Remote Guide to Extractivism |
| Veranstalter | Z-Module |
| Leitung | Nuria KRÄMER, Programme Manager, Shared Campus | Deputy Head, Transcultural Collaboration Andreas KOHLI, Professor, BA Design, Department of Design | Professor, BA Art Education, Department of Cultural Analysis (ZHdK) (TG coordinator) |
| Zeit | Di 5. Juli 2022 bis Sa 16. Juli 2022 |
| Anzahl Teilnehmende | 8 - 12 |
| ECTS | 4 Credits |
| Voraussetzungen | Proficient in English |
| Lehrform | Seminar / Workshop |
| Zielgruppen | Level: BA, MA, MPhil, PhD Disciplines: all arts and design disciplines |
| Lernziele / Kompetenzen | Learn about commons and commoning by doing and experiencing. Apply common forms of knowledge production (from theory and practice) to one’s own artistic and curatorial practice and in teaching and learning environment. Learn to critically evaluate different forms of commons. Implement shared moments in one’s own practice. Develop conceptual and theoretical knowledge of commons and commoning. |
| Inhalte | Extractivism describes an economy that has an enormous impact on environmental and social systems and rarely delivers the benefits it promises. The Summer School “Remote Guide to Extractivism” will place students in multiple sites of extractivism across the world over the course of 2 weeks to investigate and map processes occurring simultaneously in the past, present, and future. A network of companion studios operating in Melbourne, Taipei and Athens will investigate similar extractive sites in their local context. Students in Melbourne, Australia will travel to the wide, arid landscapes of the remote Wimmera region and work with local communities in place. Students in Taipei will exchange with indigenous people in Hualien, the east of tropical Taiwan, where mountainous terrains encounter the wideopen sea. Students joining the European studio will explore Elefsina, the site of the ancient Eleusinian Mysteries and now an industrial town north of Athens, Greece. Participants will test various methods and develop tools for dealing with complexity of what defines extractivism beyond its material effects. They will also register its invisible manifestations and broader ramifications on the land and the cultures it disrupts. Collaborative mapping of supply chains (local ⁄ national ⁄ planetary), geologies (temporality ⁄ deep time ⁄ entropy), futures (projection ⁄ speculations ⁄ prediction), and effects (cultural and ecological implications, scales) of extractive processes in each one of these specific sites will be translated into artistic practice. The two-week intensive programme will conclude with a symposium and an online exhibition ⁄ festival.. |
| Leistungsnachweis / Testatanforderung | 80% Anwesenheit |
| Termine | 05 – 16 July 2022 // HS2022 |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | No course fee for students from Shared Campus partner institutions. ZHdK will cover its students’ accommodation expenses up to a certain amount. Participants may obtain Z-Modul credits for the summer schools in consultation with the head of their study programme. |
