Technologie: Einführung Bewegtbild – Postproduktion, Bild, Ton (Doppelmodul) Thomas Isler, Gregg Skerman
6 CreditsBFA-BFA-Te.22F.008
Technologie: Einführung Fotografie – Teil 2 (Doppelmodul) Conradin Frei, Jyrgen Ueberschär, Nora Howald
6 CreditsBFA-BFA-Te.22F.003
Technology: Questions About Writing About / In Art Jenifer Anne Catherine Fulton
3 CreditsBFA-BFA-Te.22F.012
Technology: Sound Technology 
Deee-constructing the Mix
| Nummer und Typ | BFA-BFA-Te.22F.010 / Moduldurchführung |
|---|---|
| Modul | Technologie |
| Veranstalter | Departement Fine Arts |
| Leitung | William Davis |
| Anzahl Teilnehmende | maximal 16 |
| ECTS | 3 Credits |
| Voraussetzungen | Course language: English |
| Zielgruppen | BA Fine Arts Studierende - ausgenommen Studierende des 2. Semesters Offen für Austausch-Studierende |
| Lernziele / Kompetenzen |
|
| Inhalte | The aim of the course is to investigate the intersectional spaces created by music purposed for a specific physical environment, and the personal playlist that is purposed for the individual listener. Examinations will focus on the overall cultural and social implications of such phenomena. The course will cover historical formats for music in public spaces such as muzak, canned studio materials, club culture (DJ), sample banks and corporate playlists. Artist samples and discussions include: Vito Acconci, Laurie Anderson, Andrea Fraser, Beck, Jeremy Deller, Art Club 2000, various Vaporwave and Monster Box productions. As a part of the course, there will be a practical assignment, i.e. production and assembly of audio materials that deal with the topic. Participants will be required to actively generate, mix and produce a sequence of audio for a final presentation. The course will also include an excursion into a few selected public spaces located in Zurich. William Davis (*1969) is a composer, recording artist, music producer and founder of workhorsesong studio in Berlin. Since 2015, he collaborates with the Richard Thomas Foundation (London/Berlin), developing artists’ projects related to music, sound and performance.Works include compositions and collaborations with: Matt Saunders, „Double Mattie“, Marian Goodman Gallery, Paris/NY (Collection Guggenheim Museum, NY), Swetlana Heger „Out of the Shadow/Into the Fog“ Cabaret Voltaire, Zürich/VI. Moscow International Biennale, „Untitled (The Cohen Residence, Paradise Valley)“, Phoenix Art Museum/The Bass Museum of Art, Miami, Karin Sander „Zeigen“ Galerie für Zeitgenössische Kunst, Leipzig, Raymond Pettibon „The Family“ (Collection MoMA, NY). |
| Bibliographie / Literatur | Will be handed out during the course |
| Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
| Termine | Time: 09:00 - 17:00 o'clock CW 09: 28 February, 01 / 03 / 04 March Excursion: CW 09: 02 March |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | The Bachelor Fine Arts reimburses 50% of the train or bus ticket costs (2nd class) if the full ticket price per trip exceeds CHF 40.-. The original tickets are necessary for any reimbursement. |
