Start Bisheriges Studienmodell Theater Master Theater Schauspiel Wahlpflicht
ATD / Artistic Research Projects 
Pavel Stourac, Raul Vargas
6 CreditsMTH-MTH-WPM-06.22F.001
ATD / Composition 
Veselka Kuncheva and Marieta Golomehova
3 CreditsMTH-MTH-WPM-03.22F.001
ATD / Creative Processes in the Arts 
Dr. R. Weihe, Dr. Veronica Provenzale, Prof. Riccardo Blumer, Prof. Salvatore Vitale, Prof. François Chalet, Gabriella Scardi
2 CreditsMTH-MTH-WPM-02.22F.017
ATD / Devised Theatre 
Ofer Ravid, PhD
1 CreditMTH-MTH-WPM-01.22F.007
ATD / Project Management 
Barbara Stocker
2 CreditsMTH-MTH-WPM-02.22F.013
HETSR / Atelier avec Joan Ayrton 
Joan Ayrton
2 CreditsMTH-MTH-WPM-02.22F.014
HETSR / Aventures sérielles 
Michèle Pralong
2 CreditsMTH-MTH-WPM-02.22F.015
HETSR / La vidéo, un outil d’écriture scénique 
Laurent Valdes
2 CreditsMTH-MTH-WPM-02.22F.016
HETSR / Quelque chose de vivant 
Yves-Noël Genod
1 CreditMTH-MTH-WPM-01.22F.006
HKB / Ableton Live Workshop (Level: Beginners) 
Rainer Ammann
2 CreditsMTH-MTH-WPM-02.22F.002
HKB / ACT Performance Festival 
Mentoratspool: Valerian Maly, Doro Schürch, Benjamin Sunarjo, Nils Amadeus Lange, evtl. Annina Machaz
2 CreditsMTH-MTH-WPM-02.22F.005
HKB / Artistic Intelligence 
Stefan Kaegi (Rimini Protokoll)
4 CreditsMTH-MTH-WPM-04.22F.002
HKB / Auswandern ist gesund 
Tine Melzer (Dozentin CAP und Fine Arts HKB)
2 CreditsMTH-MTH-WPM-02.22F.008
HKB / Backstage: Meet the Artists 
Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-WPM-02.22F.006
HKB / Dramaturgical process organization - from the perspective of the independent scene and the municipal theatre 
Katinka Deecke (Leitende Dramaturgin Schauspielhaus Zürich)
2 CreditsMTH-MTH-WPM-02.22F.001
HKB / Forschungs-Mittwoch 
Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.22F.005
HKB / Impulse Akademie: Kunst und Aktivismus 
Künstlerische Leitung: Gin Müller, Natalie Ananda Assmann
2 CreditsMTH-MTH-WPM-02.22F.007
HKB / Keine Angst vor Verhandlungen 
Christoph Haering
1 CreditMTH-MTH-WPM-01.22F.001
HKB / Künstlerbörse Thun 
Florian Reichert
1 CreditMTH-MTH-WPM-01.22F.002
HKB / LAB 
Leitung: Florian Reichert, Sibylle Heim und Mentor*innen
5 CreditsMTH-MTH-WPM-05.22F.001
HKB / Manifesto – Solo 
Lukas Bangerter, Regine Fritschi u.a.
10 CreditsMTH-MTH-WPM-10.22F.001
HKB / New Technologies for Stage Production 
Andrew Sempere
2 CreditsMTH-MTH-WPM-02.22F.003
HKB / Selbstwirksamkeit auf dem Prüfstand: «Musik und Klimakrise» 
Barbara Balba Weber (Leiterin und Dozentin «Music in Context» HKB), Alon Wallach (Kurator «Musik und Klima» bei TRIMUM)
2 CreditsMTH-MTH-WPM-02.22F.009
HKB / Theater als Probe. Ein Reflexionsraum 
Ivna Žic
2 CreditsMTH-MTH-WPM-02.22F.004
HKB / überSetzen. Linguistisches, intermediales und vermittlerisches Tun in den performativen Künsten 
Mathieu Corajod (Komponist, Lehrbeauftragter Musik HKB) Weitere Dozierende: Manuel Bärtsch (Musik), Heike Fiedler (Performance), Arno Renken (Literatur), Andreas Schoenrock (Pop)
2 CreditsMTH-MTH-WPM-02.22F.010
HKB / Voguing & Waacking 
Archie Burnett
1 CreditMTH-MTH-WPM-01.22F.003
HKB / Von Horizont zu Horizont. Nachforschungen über die Jagd- und Fotosafaris von Vivienne von Wattenwyl 
Priska Gisler (Leiterin Institut Praktiken und Theorien der Ku¨nste HKB), Luzia Hürzeler (Künstlerin, Genf), Sarah Csernay (Doktorandin IPTK HKB)
2 CreditsMTH-MTH-WPM-02.22F.011
HKB / Wissenschaftliches Schreiben 
Thomas Strässle
2 CreditsMTH-MTH-WPM-02.22F.012
 

ATD / Devised Theatre 

Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (ATD)

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Nummer und TypMTH-MTH-WPM-01.22F.007 / Moduldurchführung
ModulMaster-Campus-Theater-CH 01 ECTS 
VeranstalterDepartement Darstellende Künste und Film
LeitungOfer Ravid, PhD
Zeit
Anzahl Teilnehmende5 - 15
ECTS1 Credit
Lernziele / KompetenzenThe students will be exposed to various approaches to theatre devising and will practice tools to further develop their devising skills.
Inhalte
  • Why devise?
  • Stages in the process – between what needs to happen and what we wish would happen
  • Honing the creative mindset – playfulness and presentness as baseline
  • Where does it start? Finding/discovering/developing the source
  • From idea to practice and from practice to idea
  • Creating and gathering building blocks for a piece – movement, text, image
  • Narrative and non-narrative-based devising
  • The devising organism – solo, group, with/without facilitator
  • How to finalise the process?
Bibliographie / Literatur
  • Barton, Bruce ed. Collective Creation, Collaboration and Devising. Toronto: Playwrights Canada Press, 2008
  • Bogart, Anne and Tina Landau. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York: Theatre Communications Group, 2005
  • Graham, Scott and Steven Hoggett. The Frantic Assembly book of devising theatre. London and New York: Routledge, 2009
  • Heddon, Deirdre and Jane Milling. Devising Performance: a critical History. New York: Palgrave MacMillan, 2006
  • Mermikides, Alex and Jackie Smart eds. Devising in Process. New York: Palgrave MacMillan, 2010
  • Oddey, Alison. Devising Theatre: a practical and theoretical handbook. London and New York: Routledge, 1994
TermineDi, 22. bis Do, 24.03.2022
Dauer9:30-12:00 Uhr und 13:00-15:30 Uhr
Bewertungsformbestanden / nicht bestanden
SpracheEnglisch
BemerkungOfer Ravid is an international theatre artist, teacher and researcher who worked for over 20 years in Israel, USA, Canada, Argentina and Denmark. His work in the theatre combines movement, improvisation, physical theatre and clowning techniques alongside more traditional ‘Stanislavskian’ theatre approaches. Ofer has a PhD in Theatre and Performance Studies from York University, Toronto, Canada (2014) and is the former artistic and pedagogical director of Nissan Nativ Acting Studio, Jerusalem, Israel (2011-2016).
Termine (3)