HKB / ACT Performance Festival
Mentoratspool: Valerian Maly, Doro Schürch, Benjamin Sunarjo, Nils Amadeus Lange, evtl. Annina Machaz
2 CreditsMTH-MTH-WPM-02.22F.005
HKB / Auswandern ist gesund
Tine Melzer (Dozentin CAP und Fine Arts HKB)
2 CreditsMTH-MTH-WPM-02.22F.008
HKB / Backstage: Meet the Artists
Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-WPM-02.22F.006
HKB / Dramaturgical process organization - from the perspective of the independent scene and the municipal theatre
Katinka Deecke (Leitende Dramaturgin Schauspielhaus Zürich)
2 CreditsMTH-MTH-WPM-02.22F.001
HKB / Forschungs-Mittwoch
Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.22F.005
HKB / Impulse Akademie: Kunst und Aktivismus
Künstlerische Leitung: Gin Müller, Natalie Ananda Assmann
2 CreditsMTH-MTH-WPM-02.22F.007
HKB / Selbstwirksamkeit auf dem Prüfstand: «Musik und Klimakrise»
Barbara Balba Weber (Leiterin und Dozentin «Music in Context» HKB), Alon Wallach (Kurator «Musik und Klima» bei TRIMUM)
2 CreditsMTH-MTH-WPM-02.22F.009
HKB / überSetzen. Linguistisches, intermediales und vermittlerisches Tun in den performativen Künsten
Mathieu Corajod (Komponist, Lehrbeauftragter Musik HKB)
Weitere Dozierende: Manuel Bärtsch (Musik), Heike Fiedler (Performance), Arno Renken (Literatur), Andreas Schoenrock (Pop)
2 CreditsMTH-MTH-WPM-02.22F.010
HKB / Von Horizont zu Horizont. Nachforschungen über die Jagd- und Fotosafaris von Vivienne von Wattenwyl
Priska Gisler (Leiterin Institut Praktiken und Theorien der Ku¨nste HKB), Luzia Hürzeler (Künstlerin, Genf), Sarah Csernay (Doktorandin IPTK HKB)
2 CreditsMTH-MTH-WPM-02.22F.011
HKB / Artistic Intelligence
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HKB)
Wird auch angeboten für
Nummer und Typ | MTH-MTH-WPM-04.22F.002 / Moduldurchführung |
---|---|
Modul | Master-Campus-Theater-CH 04 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Stefan Kaegi (Rimini Protokoll) |
Zeit | |
Anzahl Teilnehmende | 5 - 15 |
ECTS | 4 Credits |
Inhalte | Can theatre be an open world like certain VR-games? How do we script decision-trees? What can performances take away from digital challenge? Artificial intelligence often appears in science fiction as something alien – threatening our species. Though it is invented by humans. The use of illusion-technologies in theatre dates back to a time way before the invention of the first computers. Since it’s origins theatre has been trying to anticipate human emotions and prepare tools to manipulate them as algorithms do. What’s new in this relationship is the way in which A.I. tackles spectators in interactive scripts - supposedly wrapped around highly individualized target groups. This workshop tries to understand how low-tech algorithms are scripted and made productive in simple game-structures, audio tours and other forms of immersive performance. We will develop content, turn it into scrips and develop interactive performances, try them out, fix bugs and develop them further. |
Termine | Di, 05.04. bis Fr, 08.04. und Mo, 11.04. bis Do, 14.04.2022 Präsentation: 14.04.2022, 20:00 Uhr |
Dauer | Workshop: 10:30-17:30 Präsentation: bis spät in die Nacht |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Englisch |
Bemerkung | Stefan Kaegi produces documentary plays and works in public spaces in a variety of collaborative partnerships. With two Bulgarian drivers, Kaegi toured across Europe and Asia in a lorry that had been converted into a mobile audience room (“Cargo Sofia”). He adapted “Remote X”, an audiotour for 50 headphones, for dozens of cities from Taipei to Santiago de Chile and toured with the interactive installation “Nachlass”, which portrays people who don’t much time left to live, “Uncanny Valley”, a monologue for a humanoid robot, and “Temple du present. A solo for a live octopus on stage” Rimini Protokoll Under the label “Rimini Protokoll”, Kaegi co-produces works with Helgard Haug and Daniel Wetzel. Using research, public auditions and conceptual processes, they give voice to ‘experts’ who are not trained actors but have something to say. Recent works include the multi-player video piece “Situation Rooms”, “100% São Paulo” with 100 local citizens on stage and “World Climate Conference” – a simulation of a UN conference for 650 spectators at the Schauspielhaus Hamburg. CCCBarcelona recently showed their eco-installation “Win < > win” and is currently producing their immersive installation “Urban Nature“, while “Utopolis“ for 48 portable loudspeakers opened at the Manchester Festival. |