

Sylvia Sobottka (SySo)
1 CreditFTH-BTH-BTH-L-636.21H.004_(MTH/BTH)


Johannes Voges (JoVo)
1 CreditFTH-BTH-BTH-L-636.21H.020_(MTH/BTH)


Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.21H.025_(MTH/BTH)


Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-008.21H.003_(MTH/BTH)


Ferhat Türkoglu (FT)
1 CreditFTH-BTH-BTH-L-008.21H.020_(MTH/BTH)


Sarah Buser (SB)
1 CreditFTH-BTH-BTH-L-636.21H.002_(MTH/BTH)


Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-BTH-L-636.21H.005_(MTH/BTH)


Andreas Bürgisser (ABü), Ursula Jenni (UJ)
3 CreditsFTH-BTH-BTH-L-0023.21H.003_WF_(MTH/BTH)


Claudio Bucher, Christoph Keller, Prof. Dr. Jochen Kiefer
4 CreditsMTH-MTH-PM-04.21H.002


Prof. Dr. Jochen Kiefer & Gäste
4 CreditsMTH-MTH-PM-04.21H.003


Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.21H.002_(MTH/BTH)


Christopher Kriese (CKri), Katharina Cromme (KC)
1 CreditFTH-BTH-VRE-L-406.21H.001_(MTH/BTH)


Peter Meier (PM)
1 CreditFTH-BTH-BTH-L-636.21H.016_(MTH/BTH)


Prof. Anton Rey (AR), Miriam Loertscher (ML), NN
1 CreditFTH-BTH-BTH-L-008.21H.001_(MTH/BTH)


Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.21H.012_(MTH/BTH)


Leitung: Manuel Fabritz
Co-Leitung: Arnd Frank, Carlo Raselli, Michel Weber
2 CreditsMTH-MTH-WM-02.21H.002


Monika Gysel (MoGy), Markus Gerber (MGer)
1 CreditFTH-BTH-VTP-L-50900.21H.001_(MTH/BTH)


Klara Mand (KM)
1 CreditFTH-BTH-BTH-L-636.21H.011_(MTH/BTH)


Matthias Fankhauser (MaFa)
2 CreditsFTH-BTH-BTH-L-000.21H.001_WF_(MTH/BTH)


Sabine Harbeke (SH) und Gäste
1 CreditFTH-BTH-BTH-L-636.21H.026_(MTH/BTH)


Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.21H.001_(MTH/BTH)


Anne Süster Andresen
2 CreditsMTH-MTH-PM-02.21H.008


Anna Paniccia, Danny Exnar
2 CreditsMTH-MTH-PM-02.21H.009


Sabine Harbeke (SH), Gäste
1 CreditFTH-BTH-VRE-L-4000.21H.001_(MTH/BTH)
Workshop 1.2: Authorship - the playing body as author 


Praxisfeld SC: Workshop 1
Praxisfeld BN, DR, RE, TP: Wahl
Praxisfeld BN, DR, RE, TP: Wahl
Wird auch angeboten für
Nummer und Typ | MTH-MTH-PM-02.21H.006 / Moduldurchführung |
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Modul | Praxisfeld 02 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Leon Ospald |
Anzahl Teilnehmende | 4 - 10 |
ECTS | 2 Credits |
Voraussetzungen | Zulassung Master Theater |
Zielgruppen | SC, geöffnet für alle MA Theater |
Lernziele / Kompetenzen | In this seminar we will explore the question of what it means and can mean to generate / produce texts as a player. More and more directors are asking their ensembles to be involved in the rehearsal process as text producers. How can the rehearsal, the play, the improvisation be used to write texts independently? What characterises the authorship of a player? The seminar is intended to open up access to independent writing for the participants. The question arises whether and to what extent the players' private experiences should and can be expressed. What form can be worked out to emerge as a private person behind the role without presenting a purely private text? And which transformations and overformations are necessary for this. |
Inhalte |
|
Bibliographie / Literatur | nach Ansage |
Termine | KW40 - KW41 (04.-15.10.2021) |
Dauer | Mo-Fr (ausser Di) / 14.00h - 18.00h |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Deutsch und Englisch |
Bemerkung | Leon Ospald, born 1989, trained at the Hamburg School of Acting, engagements as an actor at the Hamburg Kammerspiele, assistant director at the Schauspielhaus Hamburg and at the HfMT Hamburg. Studied at the Academy of Performing Arts Ludwigsburg. Graduated from the UdK Berlin in scenic writing. Since 2017 author at Henschel - Schauspiel. |