DIG Pool 10: Art & Radical Love (gLV)
DIG Pool 8: Art & Surveillance
Master-Symposium: Touching Ground
Nils Röller, Judith Welter, Rabea Ridlhammer
Pool 1: Art & Politics: October School 2021
Christoph Schenker, Franz Krähenbühl, Yvonne Wilhelm
Pool 11: Art & Commission
Pool 2: Art and Techno-Ecologies (gLV)
Pool 3: Art & Experimental Writing
Pool 4: Art & Performativity (gLV)
Pool 5: Art & Bad Taste
Pool 6: Art & (Re) Presentation
Pool 7: Art & Painting
Pool 9: Art & Critique
Christian Philipp Müller
Practice 2: Futuristic Vaudeville meets Postdramatic
Marie-France Rafael, Paulina Olowska, Pascal Sidler
Practice 3: Animism
Christian Hübler, Uriel Orlow, Nina Kerschbaumer
Practice 4: Untitled 2021/2022
Judith Welter, Shirana Shahbazi, Pascal Sidler
Practice 5: Thinking Big, Small & Many
Dominique Lämmli, Nils Röller, Rabea Ridlhammer
Praxis 1: „Wokeness“ – im Strudel von Solidarität, Nachhaltigkeit und Diversity (Teil l)
Yvonne Wilhelm, Sören Grammel, Nina Kerschbaumer
Technology 1: Sound-STOP, REWIND, REPLAY. Terrestrial Presence in Recorded Audio
Technology 2: Introduction Photo Cluster
Conradin Frei, Jyrgen Ueberschär
Technology 3: Sketching and Model Making for Exhibitions (2D/3D)
|Nummer und Typ||MFA-MFA-Po00.21H.006 / Moduldurchführung|
|Veranstalter||Departement Fine Arts|
|Anzahl Teilnehmende||maximal 13|
|Voraussetzungen||Course language: English|
|Zielgruppen||MA Fine Arts students|
Not open for exchange students
|Lernziele / Kompetenzen||• Develop individual and powerful communication skills|
• Create and control effective tool of representation such as an artistic dossier
• Understand the professional world and design how to project into it as an artist
• Develop a critical point of view
|Inhalte||This module looks at the mediality, history, and architecture of the portfolio as a powerful tool of (re-)presentation and reflection in artistic practice. Simultaneously it explores other upcoming modes of depiction and dispersion of the work in the field of contemporary art.|
Starting from a theoretical investigation, we discuss and apply strategies, techniques, tools, giving indications to assemble a compelling dossier, for different levels of artistic experience, aims and biographies, by diving into a workshop-like environment.
We will look at how to speak and how to argue about artworks by meeting several guests such as curators, cultural players, designers, artists and gallerists.
Our gatherings will also be occasion to learn about important pieces of art history in connection to the subject of this unit, getting to know the work of some inspiring contemporary artists such as Seth Price, Hito Steyerl, Lutz Bacher, Sturtevant, etc.
About the lecturer:
Gabriele Garavaglia (b. 1981 Vercelli IT. Living and working in Zürich CH) is an artist and visiting lecturer in both the Bachelor Fine Arts and Master Fine Arts programs at the Zurich University of the Arts.
He studied architecture at Bartlett School of Architecture in London and at the Polytechnic University of Milan. He attended the Fine Art Master program at ECAL in Lausanne.
Gabriele has been presenting his work internationally, most recently at Kunsthaus Glarus (CH 2019); ICA Milano (IT 2019); Kunsthalle Zürich (CH 2020); LUMA Westbau (CH 2020); Istituto Svizzero (IT 2020) and Swiss Institute New York (US 2020), Centre d’Art Contemporain Genève (CH 2021).
He received the Swiss Art Awards 2019 and he was among the finalists of the Swiss Art Performance Award 2020.
|Bibliographie / Literatur||Will be handed out during the course.|
|Leistungsnachweis / Testatanforderung||Mandatory attendance (minimum 80%); active participation|
|Termine||Time: 10:00 - 18:00 o'clock|
CW 03: 17 / 18 / 19 / 20 / 21 January
|Bewertungsform||bestanden / nicht bestanden|