

Anna-Brigitte Schlittler, Christina Horisberger
2 Creditsbae-bae-dt100-01.21H.001


Mischa Senn, Cornelia Bichsel
2 Creditsbae-bae-kp610-05.21H-001


Miriam Compagnoni
Gastreferentin: Zoi Dellios
2 Creditsbae-bae-vt100-01.21H.001


Peter Truniger, Andrea Zimmermann, Judith Tonner, Mirella Walker
2 Creditsbae-bae-vt302-04.21H.002


Dr. phil. Sophia Prinz
Mitwirkende aus den Fachrichtungen
1 CreditBDE-BDE-T-HV-1000.21H.001


Flurina Gradin
Referate verschiedener Expertinnen und Experten
1 CreditBDE-BDE-T-HV-5000.21H.001


Peter Purtschert
2 CreditsBDE-BDE-T-WP-3012.21H.001


Dr. phil. Franziska Nyffenegger
2 CreditsBDE-BDE-T-WP-3016.21H.001


Cyril Kennel,
Dr. Alexander Markin
2 CreditsBDE-BDE-T-WP-3020.21H.001


Cyril Kennel
2 CreditsBDE-BDE-T-WP-AK-5014.21H.001


Dr. phil. Sophia Prinz
2 CreditsBDE-BDE-T-WP-BW-3015.21H.001


Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.21H.001


Martin Zimper (Leitung)
Assistenz: Raffael Thielmann
2 CreditsBDE-VCA-V-2030-2.21H.001


Marcel Bleuler, Elke Bippus
3 CreditsBFA-BFA-Th.21H.008


Felix Stalder
3 CreditsBFA-BFA-Th.21H.012


Gerald Raunig
3 CreditsBFA-BFA-Th.21H.013


Christian Iseli, Stella Speziali and team members of the Immersive Arts Space
1 CreditBFI-FIPD-MEp-01.21H.006


Christian Iseli, Anna Lisa Martin-Niedecken, Olav Lervik, Marie-France Rafael, Melody Chua
1 CreditBFI-FIPD-THp-01.21H.007


Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.21H.005


Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.21H.001


Philippe Kocher
3 CreditsBMU-PKLA-MOMA-05.21H.001


Lars Heusser
3 CreditsBMU-PKLA-MOMA-05.21H.002


Anne-Sophie Wegmann
3 CreditsBMU-PKLA-MOMA-05.21H.004


Felix Profos
3 CreditsBMU-PKLA-MOMA-05.21H.006


Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.21H.008


Andreas Brenner
3 CreditsBMU-PKLA-MOMA-05.21H.010


M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21H.001


M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21H.002


Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.21H.001


Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.21H.002


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-1.21H.001


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-1.21H.002


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21H.001


Markus Gerber (MaGe), Christopher Kriese (CKr)
3 CreditsBTH-BTH-L-0023.21H.001


Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.21H.001


Dr. Yvonne Schmidt, DDK/IPF/Leitung Dritter Zyklus am DDK (PEERS & Doktorat),
Anna Wohlgemuth, DDK/IPF/ wissenschaftliche Mitarbeiterin Dritter Zyklus (PEERS & PhD Programm), Bühnenbildnerin
Prof. Patrick Müller, Leiter MA Transdisziplinarität
2 CreditsDDK-MTH-MTH-WM-02.21H.004


Isabel Gehweiler, Fabian Ziegler, Kevin Griffiths
2 CreditsDMU-WKAN-1200.21H.001


Martina Schucan
2 CreditsDMU-WKAN-1200.21H.004


Isabel Mundry
2 CreditsDMU-WKAN-1200.21H.006


0 CreditsDMU-WKAN-1205.21H.001


Bruno Karrer
1 CreditDMU-WKAN-1207.21H.001


Peter Färber
1 CreditDMU-WKFK-8002.21H.001


Yvonne Naef, Annette Uhlen
2 CreditsDMU-WKFK-8004.21H.002


Yvonne Naef, Annette Uhlen
2 CreditsDMU-WKFK-8004.21H.006


Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.21H.001


Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.21H.007


Christoph Merki
2 CreditsDMU-WKMA-2004.21H.002


Kurt Widorski
3 CreditsDMU-WKMA-2102.21H.001


Jonas Labhart
1 CreditDMU-WKMA-2116.21H.001


Jonas Labhart
1 CreditDMU-WKMA-2116.21H.002


Tobias Jundt
2 CreditsDMU-WKMP-4501.21H.002


Domenico Ferrari
1 CreditDMU-WKMT-6006.21H.001


Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.21H.001


Prof. Anton Rey (AR), Miriam Loertscher (ML), NN
1 CreditFTH-BTH-BTH-L-008.21H.001_(MTH/BTH)


Miriam Schmidt-Wetzel
2 Creditsmae-mae-213.21H.001


Sigrid Adorf, Soenke Gau
2 Creditsmae-mtr-100.21H.001


Michael Mayer, Dominique Raemy
2 Creditsmae-mtr-102.21H.002


Ines Kleesattel, Dominique Raemy
2 Creditsmae-mtr-102.21H.003


Sigrid Adorf, Ines Kleesattel, Irene Vögeli und Gäste
2 Creditsmae-mtr-102.21H.004


Ines Kleesattel
2 Creditsmae-mtr-102.21H.005


Camilla Croce
2 Creditsmae-mtr-102.21H.006


Judith Siegmund
1 Creditmae-mtr-103.21H.007


Bernadett Settele
2 Creditsmae-vkp-106.21H.001


Kristina Trolle
2 Creditsmae-vkp-106.21H.002


Yvonne Volkart in Zusammenarbeit mit Naomi Zurcher, Urban Forester
2 Creditsmae-vkp-307.21H.001


Björn Franke
1 CreditMDE-MDE-WP-DM-PB-2001.21H.001


Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-BFI-VDF-0.5.21H.002


Germán Toro-Pérez
3 CreditsMKT-VKO-SEAK-KE06.21H.001


Michael Egger
2 CreditsMKT-VKO-SEAK-KE08-3.21H.001


Martina Bovet
1.5 CreditsMMP-VIV-PK05.21H.001


Andreas Zihler
1.5 CreditsMMP-VIV-PK05.21H.002


Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.21H.003


Elisabeth Angst FD Horn
Martin Sonderegger FD Klarinette
Fränzi Frick FD Violine
1.5 CreditsMMP-VIV-SKLA-PK08.21H.001


Katja Brunner, Philippe Heule
3 CreditsMTH-MTH-PM-03.21H.003


Carina Premer
4 CreditsMTH-MTH-PM-04.21H.001


Prof. Dr. Jochen Kiefer & Gäste
4 CreditsMTH-MTH-PM-04.21H.003


Basil Rogger, Patrick Müller, Hannah Walter
2 CreditsMTR-MTR-1002.21H.001


Patrick Müller, Basil Rogger, Nicole Frei, Tina Reden, Irene Vögeli
2 CreditsMTR-MTR-1002.21H.003


Antoine Chessex, Soenke Gau
2 CreditsMTR-MTR-1002.21H.004


Ty Fritschy, Tina Reden, Irene Vögeli
2 CreditsMTR-MTR-1002.21H.006


Irene Vögeli, Patrick Müller, Basil Rogger, Nicole Frei, Tina Reden
2 CreditsMTR-MTR-1002.21H.007


Eirini Sourgiadaki, Luis Berríos-Negrón
1 CreditMTR-MTR-1009C.21H.002


Patrick Müller, Katja Gläss, Eirini Sourgiadaki, Emmanuel Michaud
1 CreditMTR-MTR-1009C.21H.003


Patrick Müller, Antoine Chessex, Tina Reden
2 CreditsMTR-MTR-1040.21H.002


Willimann/Arai (Nina Willimann, Mayumi Arai)
2 CreditsMTR-MTR-1040.21H.003


Nicole Frei, Katja Gläss, Patrick Müller
2 CreditsMTR-MTR-1040.21H.005


Irene Vögeli, Jana Thierfelder, Mirko Winkel
4 CreditsMTR-MTR-1040D.21H.001


Patrick Müller, Ani Ekin Özdemir
2 CreditsMTR-MTR-2004B.21H.001
Theory: Art Theories: Art & Post-Human Photography (gLV) 


Wird auch angeboten für
Nummer und Typ | BFA-BFA-Th.21H.011 / Moduldurchführung |
---|---|
Veranstalter | Departement Fine Arts |
Leitung | Felix Stalder |
Anzahl Teilnehmende | maximal 16 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Zielgruppen | BA Fine Arts students Open for exchange-students Interested BA students of other study programmes can register from 30th August to 12th September 2021 by ClickEnroll; https://intern.zhdk.ch/?ClickEnroll Interested MA students write an email between 01 to 19 September 2021 to: studium.dfa@zhdk.ch We will inform you by e-mail in week 38 whether participation is possible. Applications before 01 September 2021 will not be accepted. |
Lernziele / Kompetenzen | • Learning about artistic approaches to develop a new type realism. • Understanding theories of post-human photography • Reflecting one’s own practices in relation to questions covered in the module |
Inhalte | Western visual language has long been modeled on the human experience. Images were created to represent the world as it was seen by a single person. Mechanical photography both strengthened this regime by producing vast amounts of images claiming to represent external reality, but it also began to undermined it by separating the capacity to make images from the human eye. In the 1920s, Russian avant-garde director Dsiga Vertov built a visual theory and aesthetics based on this separation and the potential of mechanization. Today, digital image-making has further unsettled the relationship between images and human experience. Ubiquitous pre- and post-processing means that images are to a larger degree generated rather than recorded, often not addressed to humans, but used for automated processes. More over, contemporary realities have become so complex, abstract, and stretched out over time and space that the individual visual experience is less and less capable to make sense of it. After all, how much can documentary photography reveal about data-centers or climate change? In this module, we are investigating visual theory and artistic approaches that, like Vertov 100 years ago, respond to these contemporary challenges by creating a new type “realism”, which the artist Paolo Cirio calls “evidentiary” – visual language able to account for the reality we are living in. We are, among others, focusing on works by Trevor Paglen, Suzanne Treister, Marc Lombardi, and Forensic Architecture. Felix Stalder (*1968) is a professor in the BA Fine Arts. His work focuses on the intersections of cultural, political and technological dynamics, in particular on new modes of common-based production, control society, copyright and transformation of subjectivity. He not only works as an academic, but also as a cultural producer, being a moderator of the mailing list <nettime> and a member of the World Information Institute as well as the Technopolitics Working Group (both in Vienna). Among his recent publications are “The Digital Condition” (Polity Press, 2018), “Aesthetics of the Commons” (co-editor, Diaphanes, 2021), and “Digital Unconscious” (co-editor, Autonomedia, 2021), https://fs.zhdk.ch https://felix.openflows.com |
Bibliographie / Literatur | Will be handed out during the course |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:15 - 17:00 o'clock CW 40: 04 / 05 / 06 / 07 / 08 October |
Bewertungsform | bestanden / nicht bestanden |
