

Conradin Frei, Jyrgen Ueberschär
6 CreditsBFA-BFA-Te.21F.006


Conradin Frei, Jyrgen Ueberschär
3 CreditsBFA-BFA-Te.21F.007


Nicola Imwinkelried
6 CreditsBFA-BFA-Te.21F.011


Thomas Isler
3 CreditsBFA-BFA-Te.21F.010


Thomas Isler, Gregg Skerman
6 CreditsBFA-BFA-Te.21F.009
LOC Technology: Sound Lab 


Deee-constructing the Mix
Nummer und Typ | BFA-BFA-Te.21F.012 / Moduldurchführung |
---|---|
Modul | Technologie |
Veranstalter | Departement Fine Arts |
Leitung | William Davis |
Anzahl Teilnehmende | maximal 11 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Zielgruppen | BA Fine Arts students Not open for exchange-students |
Lernziele / Kompetenzen |
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Inhalte | The module is a basic, hands-on, practical course on mixing outputs in virtual and natural acoustic spaces and will cover the technologies of the mixing consult, common outboard/plugin devices, microphone/capturing devices, audio generation and output monitors in all manifestations of the stereo space, i.e., mono, stereo and multi-channel. Both analogue and digital tools will be used- Participants will be required to produce a “mix” in 2 of the 3 output forms as a final exercise. William Davis (*1969) is a composer, recording artist, music producer and founder of workhorsesong studio in Berlin. Since 2015, he regularly collaborates with the Richard Thomas Foundation (London/Berlin), developing artistic projects related to music, sound, performance and moving image. Works include compositions and collaborations with artists such as Matt Saunders/USA, Karin Sander/D, Raymond Pettibon/USA, Aski Dahl/SE, Mischa Kuball/D etc. and companies (Alice Temperley London, Nike, Hermann Miller, vitra, Tod's, St. John London, Frye etc.). |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:15 - 17:00 o'clock CW 20: 17 / 18 / 19 / 20 / 21 May |
Bewertungsform | bestanden / nicht bestanden |