DIG Context: Art & Representation / Portfolio (Doppelmodul)
Gabrielle Schaad, Gabriele Garavaglia
6 CreditsBFA-BFA-Ko.21F.014
DIG Kontext: Einführung: Das Kunstfeld (2. Semester)
Martin Jaeggi, Elsa Himmer
3 CreditsBFA-BFA-Ko.21F.002
DIG Context: Art & Music
Nummer und Typ | BFA-BFA-Ko.21F.012 / Moduldurchführung |
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Modul | Kontext |
Veranstalter | Departement Fine Arts |
Leitung | William Davis |
Anzahl Teilnehmende | maximal 15 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Zielgruppen | BA Fine Arts students Not open for exchange students |
Lernziele / Kompetenzen |
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Inhalte | The course is an introductory survey of electronic music and the emerging lines and inventions between art and music in the 20th century. Employing samples from Schoenberg, Russolo, and Varèse to Oliveros, Derbyshire, Stockhausen and Kraftwerk, the course will not only be a listening journey of electroacoustic music as a reconfiguration of classic musical fields in its immediate form, but as well an in depth examination of its new impervious relationships to other artistic practices, i.e., visual arts, dance, cinema and literature. The course will also plot the development of 19th and 20th century musical technology to convey a sense of how rapid the pace of development corresponds to the joining and diversions of new artistic forms. William Davis (*1969) is a composer, recording artist, music producer and founder of workhorsesong studio in Berlin. Since 2015, he regularly collaborates with the Richard Thomas Foundation (London/Berlin), developing artistic projects related to music, sound, performance and moving image. Works include compositions and collaborations with artists such as Matt Saunders/USA, Karin Sander/D, Raymond Pettibon/USA, Aski Dahl/SE, Mischa Kuball/D etc. and companies (Alice Temperley London, Nike, Hermann Miller, vitra, Tod's, St. John London, Frye etc.). |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 09:15 - 17:00 o'clock CW 21: 25 / 26 / 27 / 28 May |
Bewertungsform | bestanden / nicht bestanden |