DIG-Methodik: Fokus Dok (gLV) Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2-4p.BFI.21F.001
HYB-Theorie: ZDOK.21 - Ton im Dokumentarfilm (gLV) Leitung: Sabine Gisiger, Dozenten: Christian Iseli, Maurizius Stärkle Drux, Manu Gerber und Gäste
Gäste u.a.: Midge Costin, Andreas Wagenknecht, Jerry Rothwell, Nainita Desai, Roman Hodler, Oscar von Hoogevest
1 CreditDDK-MFI-BFI-01.0.21F.003
HYB-Theorie: ZFICTION.21 - Virtual Production (gLV) Michael Schaerer und Christian Iseli mit Gästen
0.5 CreditsDDK-MFI-BFI.21F.001
LOC / Bühne A 2.0 - Freiräume Alle Kursbeteiligten / Begleitung: Christopher Kriese
2 CreditsMTH-MTH-WM-02.21F.001
LOC-DDK Master Cluster: Lab Leitung/Koordination: Barbara Weber,
Dozierende: Peter Purtschert, Jochen Roller, Yvonne Schmidt, Anna Wohlgemuth
3 CreditsDDK-MC-MFI.21F.001
LOC-DDK Master Cluster: Work in progress Leitung/Koordination: Barbara Weber, Dozierende: Jasmine Hoch, Réjane Dreifuss, Jochen Roller,
2 CreditsDDK-MC-MFI.21F.002
Switch on the light and listen - Improvisations- & Kreations-Labor (gLV) Charlotte Hug
1 CreditDMU-WKFK-8008.21F.005
LOC Table Dance – Expanded Choreography (glV) 
Table Dance – Expanded Choreography
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| Nummer und Typ | MDA-MDA-1100.21F.001 / Moduldurchführung |
|---|---|
| Modul | Praxismodul - 2 Credits |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Jochen Roller |
| Zeit | Di 23. Februar 2021 bis Fr 26. Februar 2021 / 14–19 Uhr |
| Anzahl Teilnehmende | 2 - 24 |
| ECTS | 2 Credits |
| Lehrform | Practical module (Artistic Working Methods, Elective Practice) |
| Zielgruppen | gLV Master Dance, open for all Master Students ZHdK, Expanded Theatre Bern, |
| Inhalte | The term ‚Expanded Choreography‘ describes a concept of choreography in which the action of choreographing is disconnected from the necessary use of human bodies. The ‚object’ of dance expands into the genre of sculpture, animation or performance art whilst maintaining all aspects of the craft of choreography such as arranging, selecting, and ordering. This means that we generate movement material, develop phrases, compose a structure and arrange light, sound and stage effects - just instead of human dancers we use objects that dance for us on tables. In the course of this process, we will discuss the philosophy of „speculative realism“ (Graham Harman) in which objects can be released from their subordination of how they are usually used by humans. This philosophy gives everyday objects a completely new meaning and turns them into amazing performers of unknown movement qualities. „Objects lie on a table. We live beside them and look at them and then they are on the table then. Objects on a table and the explanation.“ („Objects lie on a table“, a play by Gertrude Stein 1922) |
| Leistungsnachweis / Testatanforderung | Attendance, active participation. |
| Termine | 23. – 26. February, 2-7pm, Inszenatorikraum |
| Dauer | 14:00-19:00 |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
| Bemerkung | Registration for MA Dance students via Clickenroll For students from other departments at the ZHdK: Registration required regarding the number of available places (see email below): bostjan.ivanjsic@zhdk.ch Please make sure to include your first name, surname, semester and main study programme, thank you. |
