DIG-Methodik: Fokus Dok (gLV) Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2-4p.BFI.21F.001
DIG-Theorie: Autorenkino - Hitchcock vu par Truffaut (gLV) Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.21F.002
DIG-Theorie: Filmgeschichte - Adaption/Adaptation (gLV) Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.21F.005
DIG-Theorie: Immersive Arts (gLV) Christian Iseli, Marcus Maeder, Felix Stalder, Maike Thies, Hannah Walter
1 CreditBFI-FIPD-THp-01.21F.006
DIG-Theorie: Schlüsselmomente der Filmgeschichte_2 Bernhard Lehner
1.5 CreditsBFI-FIPD-THp-1.5.21F.001
DIG-Theorie: Streifzüge durch die Filmgeschichte (gLV) Benjamin Heisenberg
1 CreditBFI-FIPD-THp-01.MFI.21F.004
DIG-V-Praxis: Drehbuch - Free Style Stefan Jäger
und Gäste (Sabine Boss und Michael Schaerer)
1 CreditBFI-FIPD-VPp-01.MFI-VFE.21F.005
HYB-Methodik: Immersive Arts Practices (gLV) Christian Iseli
and crew members of the Immersive Arts Space (www.immersive-arts.ch/info/
1 CreditBFI-FIPD-MEp-01.21F.006
LOC-Methodik: Look & Feel Lead: Michael Schaerer, PD: Daniel Chour, Kamera: Meret Madörin
1 CreditBFI-FIPD-MEp-01.21F.008
LOC-Methodik: Natur im Film Silke Fischer, Georg Bringolf, Fabian Schmid
6 CreditsBFI-VPD-MEp-06.21F.001
LOC-Methodik/Technik: Virtual Production Prototyping Valentin Huber, Norbert Kottmann
3 CreditsBFI-FIPD-MEp-03.21F.003
LOC-V-Praxis: Kamera - Licht der Nacht Leitung: Pierre Mennel
Assistenz: Valentino Vigniti, Valentin Karl Huber, Norbert Kottmann
Studiomanager: Marco Quandt
2 CreditsBFI-FIPD-VPp-02.MFI.21F.004
DIG-Theorie: Immersive Arts (gLV) 
Lecture series on definitions, preconditions, creative solutions and audience effects of immersive experiences.
Wird auch angeboten für
| Nummer und Typ | BFI-FIPD-THp-01.21F.006 / Moduldurchführung |
|---|---|
| Modul | Theorie BFI, 1 Credit |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Christian Iseli, Marcus Maeder, Felix Stalder, Maike Thies, Hannah Walter |
| Zeit | 5 lectures, 17.15 – 18.30; March 16th, March 30th, April 13th, May 4th, May 11th at 17:15 in the Toni cinema. |
| Anzahl Teilnehmende | maximal 80 |
| ECTS | 1 Credit |
| Voraussetzungen | none |
| Lehrform | Seminar |
| Zielgruppen | ZHdK / alle Studierende (geöffnete Lehrveranstaltung, gLV) |
| Lernziele / Kompetenzen | Basic understanding of concepts of immersion |
| Inhalte | Concepts of immersion are explored from the different perspectives of fine arts, design, film, music and sound design, with concrete examples and references to historical developments.
|
| Bibliographie / Literatur | Grau, Oliver (2003). Virtual Art – From Illusion to Immersion. MIT Press. / Web site: www.immersive-arts.ch |
| Leistungsnachweis / Testatanforderung | Attendance and active participation |
| Termine | March 16th, March 30th, April 13th, May 4th, May 11th at 17:15 in the Toni cinema. |
| Dauer | 5 lectures, every second week, 17.15 – 18.30 |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | The lectures on Immersive Arts are connected to the workshops on Immersive Arts Practices, which will take place on March 16th, March 30th, April 13th, April 27th and May 11th at 19:00h in the Immersive Arts Space. Registration by email to andrea.schweizer@zhdk.ch with surname, first name, course of study. |
