DIG Pool 4: Art & PhD (gLV) Laura von Niederhäusern
together with the members of the practice-based PhD group:
Viviana Gonzalez, Bernhard Herbordt & Melanie Mohren, Sasha Huber, Eirini Sourgiadaki
3 CreditsMFA-MFA-Po00.21F.004
HYB Practice 1: Poetry in Action Nils Röller, Lorenza Longhi, Nina Kerschbaumer
21 CreditsMFA-MFA-Pr00.21F.001
HYB Practice 2: Draw a Map to Get Lost Swetlana Heger-Davis, Mitchell Anderson, Pascal Sidler
21 CreditsMFA-MFA-Pr00.21F.002
HYB Practice 3: A World of Many Worlds – Approaching the Planetary (Teil ll) Yvonne Wilhelm, Christian Hübler, Pascal Sidler
21 CreditsMFA-MFA-Pr00.21F.003
HYB Practice 4: The Uncanny in Nature Una Alja Szeemann, Laura Arici, Nina Kerschbaumer
21 CreditsMFA-MFA-Pr00.21F.004
HYB Practice 5: Ghostly Matters: The Archival Edition Uriel Orlow, Christoph Schenker, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.21F.005
HYB Practice 6: Virtual Tendencies and Postdigital Relationalities Marie-France Rafael, Doireann O'Malley, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.21F.006
LOC Technology 2: Introduction Fotocluster Jyrgen Ueberschär, Conradin Frei
1 CreditMFA-MFA-Te.21F.002
DIG Pool 6: Art & Display 
"Networked Displays"
| Nummer und Typ | MFA-MFA-Po00.21F.006 / Moduldurchführung |
|---|---|
| Veranstalter | Departement Fine Arts |
| Leitung | Marie-France Rafael |
| Anzahl Teilnehmende | maximal 9 |
| ECTS | 3 Credits |
| Voraussetzungen | Course language: English |
| Lehrform | Seminar, individual and group tutorials |
| Zielgruppen | MA Fine Arts students only Open for exchange students |
| Lernziele / Kompetenzen | Knowledge on contemporary art theory and discourse Experience and critique of contempory art works Discussion on media-theories and digitally and the reflection in regard to ones own artistic practice |
| Inhalte | Similar to the way we use to walk through display-situations in art spaces, we nowadays navigate through networked displays on our multiple technological devices. One of the leading questions of this seminar is to understand how networked displays are anticipated as a dynamic presentation format by artists, in order to actively participate in a circulative “image power”. In a new pictorial logic of networked displays, in which the dimensions of production, circulation and consumption are intertwined and in which everyone and everything becomes an image, as well as a technological spectacle, the seminar asks, what new modes of antagonisms art can set in motion. Based on selected discursive positions related to questions of the image and its circulation (for example Peter Osborne, David Joselit, Claire Bishop) as well as to questions dealing with the performativity of images within the context of normative, hegemonic identity-constructions (for example Judith Butler; Paul B. Preciado und Legacy Russel among others), the seminar seeks to analyze those contemporary (technological) power structures – especially in relation to body, gender, sexuality, identity and images. Possible guests:
Marie-France Rafael, born in Munich in 1984, holds a PhD in Art History. She studied Art History and Film Studies in Berlin and Paris. From 2011 to 2015 she was a research associate at the Free University of Berlin and until 2019 at the Muthesius University Kiel, Department of Spatial Strategies/Curatorial Spaces. Her monograph, Reisen ins Imaginativ. Künstlerische Displays und Situationen (Cologne: Walther König, 2017), was recently published. Other publications include Ari Benjamin Meyers. Music on Display (Cologne: Walther König, 2016), and Pierre Huyghe. On Site (Cologne: Walther König, 2013). |
| Bibliographie / Literatur | Will be handed out during the course. |
| Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
| Termine | Time: 09:00 - 17:00 o'clock CW 18: 03 / 04 / 05 / 06 / 07 May |
| Bewertungsform | bestanden / nicht bestanden |
