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Kurt Widorski
3 CreditsDMU-WKMA-2102.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.002
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.002
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Andreas Brenner
2 CreditsDMU-WKAN-1200.21F.005
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Lars Mlekusch
2 CreditsDMU-WKAN-1200.21F.004
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Martina Schucan
2 CreditsDMU-WKAN-1200.21F.002
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Burkhard Kinzler
2 CreditsDMU-WKAN-1200.21F.001
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Diverse Dozierende
2 CreditsMKT-VKO-SEAK-KE08-4.21F.001
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.21F.001
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Christoph Merki
2 CreditsDMU-WKMA-2006.21F.001
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Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.21F.001
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Dieter Ringli
2 CreditsDMU-WKMA-2004.21F.001
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Flurina Gradin,
Referate verschiedener Fachexpert*innen
1 CreditBDE-BDE-T-HV-4000.21F.001
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Dr. Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-4024.21F.001
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Prof. Dr. Nils Röller
2 CreditsBDE-BDE-T-WP-AK-2020.21F.001
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Dr. Paola De Martin
2 CreditsBDE-BDE-T-WP-2019.21F.001
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Corina Zuberbühler,
Stefano Vannotti
1 CreditBDE-BDE-T-HV-2000.21F.001
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Laura von Niederhäusern
together with the members of the practice-based PhD group:
Viviana Gonzalez, Bernhard Herbordt & Melanie Mohren, Sasha Huber, Eirini Sourgiadaki
3 CreditsMFA-MFA-Po00.21F.004
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Leitung: Stefan Bircher*
1 CreditBDE-VCA-V-4104-2.21F.001
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Jörg Scheller
6 CreditsBFA-BFA-Th.21F.005
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Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.21F.001
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Dr. Azadeh Sharifi
3 CreditsMTH-MTH-PM-03.21F.001
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Prof. Michael Simon, Tania El Khoury, Rabih Mroué
4 CreditsMTH-MTH-PM-04.21F.001
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Mela Kocher
1 CreditMDE-MDE-WP-DM-PC-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-3000.21F.001
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Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2-4p.BFI.21F.001
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Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.21F.002
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Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.21F.005
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Christian Iseli, Marcus Maeder, Felix Stalder, Maike Thies, Hannah Walter
1 CreditBFI-FIPD-THp-01.21F.006
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Benjamin Heisenberg
1 CreditBFI-FIPD-THp-01.MFI.21F.004
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Domenico Ferrari
2 CreditsDMU-WKMT-6002.21F.002
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Andrea Zimmermann
2 Creditsbae-bae-vt210-01.21F.001
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Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.21F.008
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Bruno Karrer
1 CreditDMU-WKAN-1207.21F.001
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André Desponds / Christian Jelicic
1 CreditDMU-WKMP-4206.21F.001
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Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.21F.001
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Sabine Harbeke (SH), Erik Altorfer (EA)
3 CreditsBTH-BTH-L-0023.21F.016_VRE
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Prof. Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.21F.001
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Christopher Kriese, Benjamin Burger
4 CreditsMTH-MTH-PM-04.21F.003
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Andreas Bürgisser (ABü)
4 CreditsBTH-VTP-L-5130.21F.001
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Christian Iseli
and crew members of the Immersive Arts Space (www.immersive-arts.ch/info/
1 CreditBFI-FIPD-MEp-01.21F.006
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Leitung: Sabine Gisiger, Dozenten: Christian Iseli, Maurizius Stärkle Drux, Manu Gerber und Gäste
Gäste u.a.: Midge Costin, Andreas Wagenknecht, Jerry Rothwell, Nainita Desai, Roman Hodler, Oscar von Hoogevest
1 CreditDDK-MFI-BFI-01.0.21F.003
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Michael Schaerer und Christian Iseli mit Gästen
0.5 CreditsDDK-MFI-BFI.21F.001
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Moritz Müllenbach Stv. von Natalia Ursina Sidler
2 CreditsMMP-VSMU-SSII-KK15-2.21F.001
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Jonas Labhart
1 CreditDMU-WKMA-2116.21F.001
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Angelika Eva Moths
3 CreditsMKT-VTH-KE06.21F.001
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Sigrid Adorf
2 Creditsmae-vkp-206.21F.001
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Conradin Wolf
2 Creditsmae-vkp-206.21F.002
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Thomas Schärer, Christina Horisberger
1 Creditbae-bae-dt620-12.21F.001
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Andrea Zimmermann
2 Creditsbae-bae-vt630-01.21F.001
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Margaretha Jüngling, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.002
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Soenke Gau, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.004
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Irene Vögeli, Tina Omayemi Reden
2 CreditsMTR-MTR-1040.21F.007
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Patrick Müller, Mélia Roger, Cedric Maridet
2 CreditsMTR-MTR-1040.21F.008
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Thomas Peter
1.5 CreditsDMU-WKMT-6101.21F.001
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Lucie Tuma
2 CreditsMTH-MTH-PM-02.21F.008
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Peter Färber
1 CreditDMU-WKFK-8002.21F.001
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Andreas Zihler
1.5 CreditsMMP-VIV-PK05.21F.002
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Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.21F.003
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.001
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.002
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Renate Lerch, Regula Brassel, Laura Zarotti und Gäste
1 Creditbae-bae-vt401-03.21F.001
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Esther Mathis, Hannah Walter, Julia Weber, Michael Günzburger, Nadine Städler, Tanja Schwarz
1 CreditMTR-MTR-1019.21F.001
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Katja Gläss, Emmanuel Michaud, Patrick Müller, Eirini Sourgiadaki
1 CreditMTR-MTR-1019.21F.002
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Ulrich Görlich, Jana Thierfelder, Boris Previsic
1 CreditMTR-MTR-1019.21F.003
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Patrick Müller, Katja Gläss, Hannah Walter
2 CreditsMTR-MTR-1002.21F.001
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Katja Gläss, Eva Mackensen, Irene Vögeli, Nina Willimann
2 CreditsMTR-MTR-1002.21F.002
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Antoine Chessex und Soenke Gau
2 CreditsMTR-MTR-1002.21F.004
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Delphine Chapuis Schmitz, Patrick Müller, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.005
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Jules Sturm, Lauren Henderson, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.006
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Charlotte Hug
1 CreditDMU-WKFK-8008.21F.005
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Leitung: Sabine Gisiger, Dozentinnen: Sylke René Meyer
0 CreditsDDK-MFI-BFI-SD-MC.0.21F.004
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Christoph Merki
1.5 CreditsDMU-WKFK-8003.21F.002
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Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.21F.001
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Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.21F.002
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Praxisfeld SC: Wahlpflicht
Praxisfeld RE, BN, DR, TP: Wahlmodul
Praxisfeld RE, BN, DR, TP: Wahlmodul
Wird auch angeboten für
Nummer und Typ | MTH-MTH-PM-02.21F.010 / Moduldurchführung |
---|---|
Modul | Praxisfeld 02 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Marc Streit |
Anzahl Teilnehmende | 4 - 10 |
ECTS | 2 Credits |
Voraussetzungen | Zulassung MA Theater |
Zielgruppen | MA SC / RE, BN, DR, TP (Wahl) Für Studierende aus anderen Studiengängen der ZHdK: Anmeldung und Anfragen bezüglich Platzzahl an > Caroline Scherr / caroline.scherr@zhdk.ch Bitte unbedingt Vorname, Nachname, Semester und Hauptstudiengang angeben. |
Lernziele / Kompetenzen | Context and production is an interaction and accumulation of different factors. Looking at the different modes of production and thinking beyond traditional ways of realizing contemporary performance and theater projects is the aim of this workshop. |
Inhalte | “When you Mix Something, It’s Good to Know Your Ingredients. If one wants to operate with cultural formats, it is helpful to understand their historical (and present) meaning and function.” – Dorothea von Hantelman Context = Artists do not create contexts; they work within them. Context is the web of complex circumstances in which artists work in relation to their physical environment, historical trends and traditions, social movements, cultural values, intellectual perspectives, personal commitments, and more. Production = The production structures in the performing arts is complicated by a number of factors. Understanding the nature of production and the way in which decisions are made by performing arts institutions is particularly important given that many performing arts organizations are funded by government. Public funding of performing arts organizations is justified where socially desirable objectives are fulfilled. The performing arts can stimulate the civic debate, foster social innovation and cohesion, educate, open minds, show alternative perspectives, and inspire free thinking, which is so vital in the view of the increasing aggressive intolerance for "difference". They are engaged with the issues which have been shaking our societies in the recent years: economic crisis, gender inequality, human displacement, globalization, environmental concerns, among others. They have the potential to reveal the imperfections of current approaches to sustainability, help envisaging a better future, accept and adopt new perceptions as well as determining values and behavioral patterns in our society. We will be investigating how your project ideas can be realized and produced as independent performance and theater makers. I’m not necessarily interested in labeling a certain artistic practice or genre, yet it seems to be indispensable in a landscape of funding structures, institutions, spectators and the mediation of an artistic work. Knowledge production, collaborations, hybridity, process and the reality of funding bodies shape our way of navigating through a cultural landscape. |
Bibliographie / Literatur | nach Ansage |
Termine | KW 15/16 (12.-23.04.2021) |
Dauer | Mo-Fr 14.00h - 18.00h (ausser dienstags) |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Deutsch |
Bemerkung | Marc Streit ist der Gründer und künstlerische Leiter von zürich moves! fesstival for contemporary arts practice in performing arts. Er versteht sich als Gastgeber, Netzwerker, Produzent und Organisator im Bereich der zeitgenössischen Performance und Tanz. Die Distanz zwischen Performer und Publikum will er verringern, um so traditionelle und herkömmliche Ideen des normativen Denkens aufzulösen. Seine Vorhaben sind jeweils an der Schnittstelle zwischen Kunst und Leben. Der Betrachter soll aus seiner passiven Rolle befreit werden und als Mitbewohner des jeweiligen Raumes wahrgenommen werden. Indem er Körper und Räume in Frage stellt, initiiert Streit Erfahrungen, welche die Grenzen jenseits der körperlichen Darstellung durchbrechen. Durch den verwundbaren Körper, die Unsicherheit und Brüchigkeit der darstellenden Kunst, werden Gesellschaftlich relevante Themen erfahrbar gemacht und neue Perspektiven geschaffen. Mit seinen Initiativen möchte er Menschen zusammenbringen und echte Begegnungen fördern. Marc Streit realisiert Projekte lokal, national und international und schafft kollektive Erfahrungen, welche Dinge aus ihrer Unsichtbarkeit befreien, um ihnen Würde und Anerkennung zu verleihen. Von 2011 bis 2019 gehörte er dem Team am Tanzhaus Zürich an, wo er von 2014 bis im September 2019 als stellvertretender künstlerischer Leiter tätig war. Als Ort der künstlerischen Produktion und Recherche, der Vermittlung und Präsentation hat das Tanzhaus Zürich eine zentrale Bedeutung für Choreografie, Tanz und Performance lokal, national und international. Seit Oktober 2019 koordiniert er am Tanzhaus Zürich lediglich den Dramaturgiepool und ist als freischaffender Kurator, Dramaturg, Dozent und künstlerischer Berater tätig. Ab Sommer 2020 wird er als Gastkurator an der Gessnerallee Zürich während den kommenden vier Jahren seine Expertise einbringen. |
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