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Kurt Widorski
3 CreditsDMU-WKMA-2102.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.002
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.002
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Andreas Brenner
2 CreditsDMU-WKAN-1200.21F.005
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Lars Mlekusch
2 CreditsDMU-WKAN-1200.21F.004
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Martina Schucan
2 CreditsDMU-WKAN-1200.21F.002
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Burkhard Kinzler
2 CreditsDMU-WKAN-1200.21F.001
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Diverse Dozierende
2 CreditsMKT-VKO-SEAK-KE08-4.21F.001
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.21F.001
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Christoph Merki
2 CreditsDMU-WKMA-2006.21F.001
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Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.21F.001
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Dieter Ringli
2 CreditsDMU-WKMA-2004.21F.001
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Flurina Gradin,
Referate verschiedener Fachexpert*innen
1 CreditBDE-BDE-T-HV-4000.21F.001
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Dr. Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-4024.21F.001
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Prof. Dr. Nils Röller
2 CreditsBDE-BDE-T-WP-AK-2020.21F.001
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Dr. Paola De Martin
2 CreditsBDE-BDE-T-WP-2019.21F.001
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Corina Zuberbühler,
Stefano Vannotti
1 CreditBDE-BDE-T-HV-2000.21F.001
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Laura von Niederhäusern
together with the members of the practice-based PhD group:
Viviana Gonzalez, Bernhard Herbordt & Melanie Mohren, Sasha Huber, Eirini Sourgiadaki
3 CreditsMFA-MFA-Po00.21F.004
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Leitung: Stefan Bircher*
1 CreditBDE-VCA-V-4104-2.21F.001
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Jörg Scheller
6 CreditsBFA-BFA-Th.21F.005
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Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.21F.001
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Dr. Azadeh Sharifi
3 CreditsMTH-MTH-PM-03.21F.001
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Prof. Michael Simon, Tania El Khoury, Rabih Mroué
4 CreditsMTH-MTH-PM-04.21F.001
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Mela Kocher
1 CreditMDE-MDE-WP-DM-PC-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-3000.21F.001
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Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2-4p.BFI.21F.001
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Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.21F.002
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Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.21F.005
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Christian Iseli, Marcus Maeder, Felix Stalder, Maike Thies, Hannah Walter
1 CreditBFI-FIPD-THp-01.21F.006
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Benjamin Heisenberg
1 CreditBFI-FIPD-THp-01.MFI.21F.004
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Domenico Ferrari
2 CreditsDMU-WKMT-6002.21F.002
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Andrea Zimmermann
2 Creditsbae-bae-vt210-01.21F.001
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Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.21F.008
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Bruno Karrer
1 CreditDMU-WKAN-1207.21F.001
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André Desponds / Christian Jelicic
1 CreditDMU-WKMP-4206.21F.001
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Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.21F.001
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Sabine Harbeke (SH), Erik Altorfer (EA)
3 CreditsBTH-BTH-L-0023.21F.016_VRE
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Prof. Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.21F.001
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Christopher Kriese, Benjamin Burger
4 CreditsMTH-MTH-PM-04.21F.003
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Andreas Bürgisser (ABü)
4 CreditsBTH-VTP-L-5130.21F.001
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Christian Iseli
and crew members of the Immersive Arts Space (www.immersive-arts.ch/info/
1 CreditBFI-FIPD-MEp-01.21F.006
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Leitung: Sabine Gisiger, Dozenten: Christian Iseli, Maurizius Stärkle Drux, Manu Gerber und Gäste
Gäste u.a.: Midge Costin, Andreas Wagenknecht, Jerry Rothwell, Nainita Desai, Roman Hodler, Oscar von Hoogevest
1 CreditDDK-MFI-BFI-01.0.21F.003
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Michael Schaerer und Christian Iseli mit Gästen
0.5 CreditsDDK-MFI-BFI.21F.001
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Moritz Müllenbach Stv. von Natalia Ursina Sidler
2 CreditsMMP-VSMU-SSII-KK15-2.21F.001
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Jonas Labhart
1 CreditDMU-WKMA-2116.21F.001
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Angelika Eva Moths
3 CreditsMKT-VTH-KE06.21F.001
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Sigrid Adorf
2 Creditsmae-vkp-206.21F.001
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Conradin Wolf
2 Creditsmae-vkp-206.21F.002
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Thomas Schärer, Christina Horisberger
1 Creditbae-bae-dt620-12.21F.001
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Andrea Zimmermann
2 Creditsbae-bae-vt630-01.21F.001
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Margaretha Jüngling, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.002
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Soenke Gau, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.004
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Irene Vögeli, Tina Omayemi Reden
2 CreditsMTR-MTR-1040.21F.007
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Patrick Müller, Mélia Roger, Cedric Maridet
2 CreditsMTR-MTR-1040.21F.008
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Thomas Peter
1.5 CreditsDMU-WKMT-6101.21F.001
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Lucie Tuma
2 CreditsMTH-MTH-PM-02.21F.008
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Peter Färber
1 CreditDMU-WKFK-8002.21F.001
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Andreas Zihler
1.5 CreditsMMP-VIV-PK05.21F.002
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Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.21F.003
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.001
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.002
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Renate Lerch, Regula Brassel, Laura Zarotti und Gäste
1 Creditbae-bae-vt401-03.21F.001
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Esther Mathis, Hannah Walter, Julia Weber, Michael Günzburger, Nadine Städler, Tanja Schwarz
1 CreditMTR-MTR-1019.21F.001
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Katja Gläss, Emmanuel Michaud, Patrick Müller, Eirini Sourgiadaki
1 CreditMTR-MTR-1019.21F.002
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Ulrich Görlich, Jana Thierfelder, Boris Previsic
1 CreditMTR-MTR-1019.21F.003
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Patrick Müller, Katja Gläss, Hannah Walter
2 CreditsMTR-MTR-1002.21F.001
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Katja Gläss, Eva Mackensen, Irene Vögeli, Nina Willimann
2 CreditsMTR-MTR-1002.21F.002
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Antoine Chessex und Soenke Gau
2 CreditsMTR-MTR-1002.21F.004
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Delphine Chapuis Schmitz, Patrick Müller, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.005
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Jules Sturm, Lauren Henderson, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.006
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Charlotte Hug
1 CreditDMU-WKFK-8008.21F.005
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Leitung: Sabine Gisiger, Dozentinnen: Sylke René Meyer
0 CreditsDDK-MFI-BFI-SD-MC.0.21F.004
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Christoph Merki
1.5 CreditsDMU-WKFK-8003.21F.002
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Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.21F.001
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Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.21F.002
DIG Pool 8: Art & Crisis (gLV) ![Favorit entfernen](/app/img/structure/fav-full6.png)
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"Nobody Likes the Art World, or: How I Learned to Stop Worrying and Love Myself"
The workshop will challenge you to accelerate your artistic production by using a range of different strategies, including but not limited to algorithmic decision making, outsourcing, automated processes, and tools for navigating the art world network to better position and contextualise your work.
The workshop will challenge you to accelerate your artistic production by using a range of different strategies, including but not limited to algorithmic decision making, outsourcing, automated processes, and tools for navigating the art world network to better position and contextualise your work.
Wird auch angeboten für
Nummer und Typ | MFA-MFA-Po00.21F.008 / Moduldurchführung |
---|---|
Modul | Pool: |
Veranstalter | Departement Fine Arts |
Leitung | Jonas Lund |
Anzahl Teilnehmende | maximal 13 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Seminar, theoretical and practical workshop, individual and group tutorials |
Zielgruppen | MA Fine Arts students Open for exchange students Interested students of other study programmes can register from 3rd to 21st February 2021 by email to: studium.dfa@zhdk.ch. You will be informed at the end of calendar week 8 about a possible participation. |
Lernziele / Kompetenzen | Learning about strategies for how to incorporate system-based algorithmic decision making in ones artistic practice Acceleration of ones artistic production and output Engagement in a critical dialogue through group tutorials |
Inhalte | Nobody likes the art world; no gallerist, artist, museum director, curator or collector, no one. Don’t get me wrong, we all love art and we all love going to see amazing exhibitions, shows, performances, biennales, and triennials but the Art World (with a capital A) and its extremely hierarchal power mega-structure, you know the one I’m talking about, the one in which a minuscule minority controls the faith of the vast majority. That one, nobody likes. Except perhaps the top 100 most influential and powerful people with all the agency and control. Remember seeing those ‘Top 100 most powerful people in the art world lists?’. Those guys. So what should one do? Give up and lie flat on the ground? While that’s an entirely valid strategy in the age of pandemics, to take a break and breather, I have another proposal: We shall empower ourselves with all the different tools and strategies to conquer the art world, to either become part of the influential elite, or to use our new-found powers to subvert and disrupt the network from within. The institutional theory of art by George Dickie teaches us that Art is defined as “art is whatever the art world says is art”. Meaning two things, 1) if the art world determines what is art and what isn’t art, it also determines what is good, relevant art and what is bad art, and 2) in that hierarchal power structure, the higher up you are in the hierarchy the more influence and power you have to determine what is relevant and good. The Art World power-structure is rigid, yet, given the current distribution of influence and agency, the path towards the attack vector on its fundamental value production is obvious — develop strategies and tools for targeting the top of the power-pyramid, and position and contextualise your work for maximum network transmission. The Nobody Likes the Art World, or: How I Learned to Stop Worrying and Love myself. Workshop is a challenge to increase your production and develop tools and strategies for positioning and contextualising your works and artistic practice. Each day will start with a short lecture to introduce a technique or a tool that can be used for either production or positioning. Followed by a related assignment that must be completed the same day to then be presented in a group critique session. About the lecturer: Jonas Lund (1984, Sweden) creates paintings, sculpture, photography, websites and performances that critically reflect on contemporary networked systems and power structures of control. His artistic practice involves creating systems and setting up parameters that oftentimes require engagement from the viewer. This results in performative artworks where tasks are executed according to algorithms or a set of rules. Through his works, Lund investigates the latest issues generated by the increasing digitalisation of contemporary society like authorship, participation and distribution of agency. At the same time, he questions the mechanisms of the art world; he challenges the production process, authoritative power and art market practices. Lund earned an MA at Piet Zwart Institute, Rotterdam (2013) and a BFA at Gerrit Rietveld Academy, Amsterdam (2009). He has had solo exhibitions at The Photographers’ Gallery (2019), Whitechapel Art Gallery, London (2016), Steve Turner, Los Angeles (2016, 2015, 2014), Växjö Konsthall Sweden (2016), Showroom MAMA, Rotterdam (2013), New Museum, New York (2012), and has had work included in numerous group exhibitions including Centre Pompidou, Paris, Schinkel Pavillon, Berlin, ZKM, Karlsruhe, Steirischer Herbst, Graz, Vienna Biennale 2019, Schirn Kunsthalle, Frankfurt, Kindl – Centre for Contemporary Art, Berlin, and the Stedelijk Museum, Amsterdam. His work has been written about in Artforum, Frieze, Kunstforum, The New Yorker, The Guardian, Metropolis M, Artslant, Rhizome, Huffington Post, Furtherfield, Wired and more. https://jonaslund.com/ |
Bibliographie / Literatur | Will be handed out during the course. |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 10:00 - 18:00 o'clock CW 20: 17 / 18 / 19 / 20 / 21 May |
Bewertungsform | bestanden / nicht bestanden |
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