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Kurt Widorski
3 CreditsDMU-WKMA-2102.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.002
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.002
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Andreas Brenner
2 CreditsDMU-WKAN-1200.21F.005
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Lars Mlekusch
2 CreditsDMU-WKAN-1200.21F.004
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Martina Schucan
2 CreditsDMU-WKAN-1200.21F.002
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Burkhard Kinzler
2 CreditsDMU-WKAN-1200.21F.001
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Diverse Dozierende
2 CreditsMKT-VKO-SEAK-KE08-4.21F.001
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.21F.001
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Christoph Merki
2 CreditsDMU-WKMA-2006.21F.001
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Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.21F.001
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Dieter Ringli
2 CreditsDMU-WKMA-2004.21F.001
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Flurina Gradin,
Referate verschiedener Fachexpert*innen
1 CreditBDE-BDE-T-HV-4000.21F.001
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Dr. Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-4024.21F.001
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Prof. Dr. Nils Röller
2 CreditsBDE-BDE-T-WP-AK-2020.21F.001
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Dr. Paola De Martin
2 CreditsBDE-BDE-T-WP-2019.21F.001
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Corina Zuberbühler,
Stefano Vannotti
1 CreditBDE-BDE-T-HV-2000.21F.001
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Laura von Niederhäusern
together with the members of the practice-based PhD group:
Viviana Gonzalez, Bernhard Herbordt & Melanie Mohren, Sasha Huber, Eirini Sourgiadaki
3 CreditsMFA-MFA-Po00.21F.004
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Leitung: Stefan Bircher*
1 CreditBDE-VCA-V-4104-2.21F.001
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Jörg Scheller
6 CreditsBFA-BFA-Th.21F.005
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Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.21F.001
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Dr. Azadeh Sharifi
3 CreditsMTH-MTH-PM-03.21F.001
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Prof. Michael Simon, Tania El Khoury, Rabih Mroué
4 CreditsMTH-MTH-PM-04.21F.001
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Mela Kocher
1 CreditMDE-MDE-WP-DM-PC-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-3000.21F.001
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Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2-4p.BFI.21F.001
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Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.21F.002
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Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.21F.005
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Christian Iseli, Marcus Maeder, Felix Stalder, Maike Thies, Hannah Walter
1 CreditBFI-FIPD-THp-01.21F.006
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Benjamin Heisenberg
1 CreditBFI-FIPD-THp-01.MFI.21F.004
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Domenico Ferrari
2 CreditsDMU-WKMT-6002.21F.002
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Andrea Zimmermann
2 Creditsbae-bae-vt210-01.21F.001
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Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.21F.008
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Bruno Karrer
1 CreditDMU-WKAN-1207.21F.001
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André Desponds / Christian Jelicic
1 CreditDMU-WKMP-4206.21F.001
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Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.21F.001
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Sabine Harbeke (SH), Erik Altorfer (EA)
3 CreditsBTH-BTH-L-0023.21F.016_VRE
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Prof. Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.21F.001
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Christopher Kriese, Benjamin Burger
4 CreditsMTH-MTH-PM-04.21F.003
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Andreas Bürgisser (ABü)
4 CreditsBTH-VTP-L-5130.21F.001
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Christian Iseli
and crew members of the Immersive Arts Space (www.immersive-arts.ch/info/
1 CreditBFI-FIPD-MEp-01.21F.006
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Leitung: Sabine Gisiger, Dozenten: Christian Iseli, Maurizius Stärkle Drux, Manu Gerber und Gäste
Gäste u.a.: Midge Costin, Andreas Wagenknecht, Jerry Rothwell, Nainita Desai, Roman Hodler, Oscar von Hoogevest
1 CreditDDK-MFI-BFI-01.0.21F.003
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Michael Schaerer und Christian Iseli mit Gästen
0.5 CreditsDDK-MFI-BFI.21F.001
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Moritz Müllenbach Stv. von Natalia Ursina Sidler
2 CreditsMMP-VSMU-SSII-KK15-2.21F.001
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Jonas Labhart
1 CreditDMU-WKMA-2116.21F.001
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Angelika Eva Moths
3 CreditsMKT-VTH-KE06.21F.001
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Sigrid Adorf
2 Creditsmae-vkp-206.21F.001
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Conradin Wolf
2 Creditsmae-vkp-206.21F.002
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Thomas Schärer, Christina Horisberger
1 Creditbae-bae-dt620-12.21F.001
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Andrea Zimmermann
2 Creditsbae-bae-vt630-01.21F.001
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Margaretha Jüngling, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.002
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Soenke Gau, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.004
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Irene Vögeli, Tina Omayemi Reden
2 CreditsMTR-MTR-1040.21F.007
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Patrick Müller, Mélia Roger, Cedric Maridet
2 CreditsMTR-MTR-1040.21F.008
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Thomas Peter
1.5 CreditsDMU-WKMT-6101.21F.001
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Lucie Tuma
2 CreditsMTH-MTH-PM-02.21F.008
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Peter Färber
1 CreditDMU-WKFK-8002.21F.001
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Andreas Zihler
1.5 CreditsMMP-VIV-PK05.21F.002
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Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.21F.003
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.001
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.002
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Renate Lerch, Regula Brassel, Laura Zarotti und Gäste
1 Creditbae-bae-vt401-03.21F.001
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Esther Mathis, Hannah Walter, Julia Weber, Michael Günzburger, Nadine Städler, Tanja Schwarz
1 CreditMTR-MTR-1019.21F.001
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Katja Gläss, Emmanuel Michaud, Patrick Müller, Eirini Sourgiadaki
1 CreditMTR-MTR-1019.21F.002
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Ulrich Görlich, Jana Thierfelder, Boris Previsic
1 CreditMTR-MTR-1019.21F.003
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Patrick Müller, Katja Gläss, Hannah Walter
2 CreditsMTR-MTR-1002.21F.001
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Katja Gläss, Eva Mackensen, Irene Vögeli, Nina Willimann
2 CreditsMTR-MTR-1002.21F.002
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Antoine Chessex und Soenke Gau
2 CreditsMTR-MTR-1002.21F.004
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Delphine Chapuis Schmitz, Patrick Müller, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.005
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Jules Sturm, Lauren Henderson, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.006
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Charlotte Hug
1 CreditDMU-WKFK-8008.21F.005
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Leitung: Sabine Gisiger, Dozentinnen: Sylke René Meyer
0 CreditsDDK-MFI-BFI-SD-MC.0.21F.004
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Christoph Merki
1.5 CreditsDMU-WKFK-8003.21F.002
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Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.21F.001
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Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.21F.002
DIG Pool 5: Art & Face (gLV) ![Favorit entfernen](/app/img/structure/fav-full6.png)
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„The Face As Battlefield“
About the manifold dramas and crises of the human face and its representation
In this seminar we want to focus on the human face as a field of conflicts. We will discuss aesthetical, social and biopolitical aspects.
About the manifold dramas and crises of the human face and its representation
In this seminar we want to focus on the human face as a field of conflicts. We will discuss aesthetical, social and biopolitical aspects.
Wird auch angeboten für
Nummer und Typ | MFA-MFA-Po00.21F.005 / Moduldurchführung |
---|---|
Modul | Pool: |
Veranstalter | Departement Fine Arts |
Leitung | Yvonne Wilhelm |
Anzahl Teilnehmende | maximal 10 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Seminar, group and individual tutorials |
Zielgruppen | MA Fine Arts students Open for exchange students Interested students of other study programmes can register from 3rd to 21st February 2021 by email to: studium.dfa@zhdk.ch. You will be informed at the end of calendar week 8 about a possible participation. |
Lernziele / Kompetenzen | In the pool seminar, students will examine the aesthetic fields of conflict raised by the topic of the human face in art and how the discussion is affected by cultural, social and biopolitical implications. The aim is to give participants a better understanding of the materialities and representational techniques that determine and shape their artistic practice. In the course of the block week, they will learn to critically reflect on their more recent works in the interplay between issues of content and aesthetics. |
Inhalte | Especially in art, as can be seen for example in the increased presence of figurative (portrait) painting in exhibitions and discourses, the face is a place where imaginations of beauty, character and identity are negotiated. Slight shifts in facial symmetry or skin colour and quality provoke frivolous statements about the status as a human being, mental and moral state, cultural or ethnic affiliation, age or gender of the person being depicted. In this way, social inclusion/exclusion processes are produced, which are supported by manipulation of the face, by veiling, masking/unmasking and technological reconstruction. Artists such as Kader Attia, Ellen Gallagher, Kate Cooper or Orlan work in long-term projects on the topos face and its relationship to social and individual identity politics.The aesthetic regimes of looking into the face are also addressed from a postcolonial perspective, such as Troubling Vision, New Black Figuratives, Phenomenologies of Whiteness, etc. And given the current crises, there will certainly be many stimulating and unexpected joint updates from all seminar participants. About the lecturer: Yvonne Wilhelm is an artist (part of the artist duo knowbotiq) and professor, teaching at the ZHdK MFA, who has been experimenting with forms and medialities of social imaginaries, visual regimes, and epistemic disobedience, with a certain focus on queer-feminist and post-/decolonial aspects. Her practical focus is on post-digital time-based formats, installative-performative settings, and research-led art. |
Bibliographie / Literatur | This course will be accompanied by materials such as Laura Mulvey's Visual Pleasure, Les Yeux Sans Visage by George Franju, Franz Fanon's Black Skin, White Masks, excerpts from Michael Taussig's Defacément, Lisa Nakamura's Thoughts on Cybertypes and W.J.T. Mitchell's Seeing Through Race. |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
Termine | Time: 10:00 - 18:00 o'clock CW 16: 19 / 20 / 21 / 22 / 23 April |
Bewertungsform | bestanden / nicht bestanden |
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