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Kurt Widorski
3 CreditsDMU-WKMA-2102.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.002
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.21F.002
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Andreas Brenner
2 CreditsDMU-WKAN-1200.21F.005
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Lars Mlekusch
2 CreditsDMU-WKAN-1200.21F.004
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Martina Schucan
2 CreditsDMU-WKAN-1200.21F.002
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Burkhard Kinzler
2 CreditsDMU-WKAN-1200.21F.001
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Diverse Dozierende
2 CreditsMKT-VKO-SEAK-KE08-4.21F.001
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.21F.001
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Christoph Merki
2 CreditsDMU-WKMA-2006.21F.001
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Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.21F.001
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Dieter Ringli
2 CreditsDMU-WKMA-2004.21F.001
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Flurina Gradin,
Referate verschiedener Fachexpert*innen
1 CreditBDE-BDE-T-HV-4000.21F.001
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Dr. Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-4024.21F.001
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Prof. Dr. Nils Röller
2 CreditsBDE-BDE-T-WP-AK-2020.21F.001
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Dr. Paola De Martin
2 CreditsBDE-BDE-T-WP-2019.21F.001
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Corina Zuberbühler,
Stefano Vannotti
1 CreditBDE-BDE-T-HV-2000.21F.001
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Laura von Niederhäusern
together with the members of the practice-based PhD group:
Viviana Gonzalez, Bernhard Herbordt & Melanie Mohren, Sasha Huber, Eirini Sourgiadaki
3 CreditsMFA-MFA-Po00.21F.004
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Leitung: Stefan Bircher*
1 CreditBDE-VCA-V-4104-2.21F.001
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Jörg Scheller
6 CreditsBFA-BFA-Th.21F.005
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Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.21F.001
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Dr. Azadeh Sharifi
3 CreditsMTH-MTH-PM-03.21F.001
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Prof. Michael Simon, Tania El Khoury, Rabih Mroué
4 CreditsMTH-MTH-PM-04.21F.001
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Mela Kocher
1 CreditMDE-MDE-WP-DM-PC-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-1001.21F.001
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Björn Franke
1 CreditMDE-MDE-WP-DM-PB-3000.21F.001
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Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2-4p.BFI.21F.001
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Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.21F.002
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Peter Purtschert
1 CreditBFI-FIPD-THp-01.MFI.21F.005
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Christian Iseli, Marcus Maeder, Felix Stalder, Maike Thies, Hannah Walter
1 CreditBFI-FIPD-THp-01.21F.006
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Benjamin Heisenberg
1 CreditBFI-FIPD-THp-01.MFI.21F.004
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Domenico Ferrari
2 CreditsDMU-WKMT-6002.21F.002
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Andrea Zimmermann
2 Creditsbae-bae-vt210-01.21F.001
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Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.21F.008
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Bruno Karrer
1 CreditDMU-WKAN-1207.21F.001
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André Desponds / Christian Jelicic
1 CreditDMU-WKMP-4206.21F.001
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Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.21F.001
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Sabine Harbeke (SH), Erik Altorfer (EA)
3 CreditsBTH-BTH-L-0023.21F.016_VRE
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Prof. Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.21F.001
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Christopher Kriese, Benjamin Burger
4 CreditsMTH-MTH-PM-04.21F.003
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Andreas Bürgisser (ABü)
4 CreditsBTH-VTP-L-5130.21F.001
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Christian Iseli
and crew members of the Immersive Arts Space (www.immersive-arts.ch/info/
1 CreditBFI-FIPD-MEp-01.21F.006
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Leitung: Sabine Gisiger, Dozenten: Christian Iseli, Maurizius Stärkle Drux, Manu Gerber und Gäste
Gäste u.a.: Midge Costin, Andreas Wagenknecht, Jerry Rothwell, Nainita Desai, Roman Hodler, Oscar von Hoogevest
1 CreditDDK-MFI-BFI-01.0.21F.003
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Michael Schaerer und Christian Iseli mit Gästen
0.5 CreditsDDK-MFI-BFI.21F.001
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Moritz Müllenbach Stv. von Natalia Ursina Sidler
2 CreditsMMP-VSMU-SSII-KK15-2.21F.001
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Jonas Labhart
1 CreditDMU-WKMA-2116.21F.001
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Angelika Eva Moths
3 CreditsMKT-VTH-KE06.21F.001
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Sigrid Adorf
2 Creditsmae-vkp-206.21F.001
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Conradin Wolf
2 Creditsmae-vkp-206.21F.002
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Thomas Schärer, Christina Horisberger
1 Creditbae-bae-dt620-12.21F.001
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Andrea Zimmermann
2 Creditsbae-bae-vt630-01.21F.001
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Margaretha Jüngling, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.002
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Soenke Gau, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1040.21F.004
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Irene Vögeli, Tina Omayemi Reden
2 CreditsMTR-MTR-1040.21F.007
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Patrick Müller, Mélia Roger, Cedric Maridet
2 CreditsMTR-MTR-1040.21F.008
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Thomas Peter
1.5 CreditsDMU-WKMT-6101.21F.001
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Lucie Tuma
2 CreditsMTH-MTH-PM-02.21F.008
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Peter Färber
1 CreditDMU-WKFK-8002.21F.001
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Andreas Zihler
1.5 CreditsMMP-VIV-PK05.21F.002
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Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.21F.003
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.001
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.21F.002
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Renate Lerch, Regula Brassel, Laura Zarotti und Gäste
1 Creditbae-bae-vt401-03.21F.001
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Esther Mathis, Hannah Walter, Julia Weber, Michael Günzburger, Nadine Städler, Tanja Schwarz
1 CreditMTR-MTR-1019.21F.001
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Katja Gläss, Emmanuel Michaud, Patrick Müller, Eirini Sourgiadaki
1 CreditMTR-MTR-1019.21F.002
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Ulrich Görlich, Jana Thierfelder, Boris Previsic
1 CreditMTR-MTR-1019.21F.003
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Patrick Müller, Katja Gläss, Hannah Walter
2 CreditsMTR-MTR-1002.21F.001
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Katja Gläss, Eva Mackensen, Irene Vögeli, Nina Willimann
2 CreditsMTR-MTR-1002.21F.002
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Antoine Chessex und Soenke Gau
2 CreditsMTR-MTR-1002.21F.004
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Delphine Chapuis Schmitz, Patrick Müller, Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.005
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Jules Sturm, Lauren Henderson, Irene Vögeli
2 CreditsMTR-MTR-1002.21F.006
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Charlotte Hug
1 CreditDMU-WKFK-8008.21F.005
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Leitung: Sabine Gisiger, Dozentinnen: Sylke René Meyer
0 CreditsDDK-MFI-BFI-SD-MC.0.21F.004
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Christoph Merki
1.5 CreditsDMU-WKFK-8003.21F.002
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Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.21F.001
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Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.21F.002
Seminar 3: The Nomadic Ears (gLV) ![Favorit entfernen](/app/img/structure/fav-full6.png)
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Sound Studies, Auditory Cultures & Transdisciplinary Sonic Methodologies
Wird auch angeboten für
Nummer und Typ | MTR-MTR-1002.21F.003 / Moduldurchführung |
---|---|
Modul | Seminar |
Veranstalter | Departement Kulturanalysen und Vermittlung |
Leitung | Antoine Chessex |
Zeit | Fr 26. Februar 2021 bis Fr 9. April 2021 / 13:30–16:45 Uhr |
Ort | Atelier Transdisziplinarität ZT 7.F03 |
Anzahl Teilnehmende | maximal 25 |
ECTS | 2 Credits |
Voraussetzungen | Studium MA Transdisziplinarität Für Studierende anderer Studiengänge der ZHdK, im Rahmen der Geöffneten Lehrveranstaltungen: Einschreibung über ClickEnroll https://intern.zhdk.ch/?clickenroll |
Lehrform | Seminar with close-readings, close-listenings, presentations, and discussions |
Zielgruppen | Wahlpflicht für Studierende MA Transdisziplinarität. Geöffnete Lehrveranstaltung für alle Master-Studierenden der ZHdK. |
Inhalte | The seminar proposes to engage with sound and listening as transversal practices being heterogeneous, uncertain, wandering and permanently transforming. By investigating different sonic methodologies to think sound and listening from the intertwined fields of sound studies, sounding arts and auditory cultures, the aim of the seminar is to investigate two specific strands: Firstly, the course will focus on trying to reflect the emergence of an essentialist und universalizing modernist listening subject that possibly resulted in producing listening regimes and auditory mythologies establishing normative canons throughout past and present histories. Secondly, and as an attempt to propose alternative sonic narratives, the seminar will engage with attentive listening as a manifold practice to investigate the affective qualities that the encounter with sound might produce. By exploring different concepts around the Nomadic Ears, the participants will attempt to develop transdisciplinary auditory approaches as many experiments to listen otherwise. A particular emphasis of the course will focus the relations between sound and listening to historical, technological, ecological and socio-political contexts. The course will be structured in a double articulation: By engaging in close-reading of current literature by sound scholars and artists, the participants will investigate different actual discourses and positions within the sound studies field. Among other papers, a specific object of examination will be the recently published “Bloomsbury Handbook of Sonic Methodologies” reflecting multiple perspectives on sound and listening from a broad range of disciplines. In yet another articulation of the course, and echoing discussions around sonic theoretical concepts, the participants will practice active listening to different adventurous artworks like sound art, field recordings and experimental music. A selection of guests from both scientific and artistic international communities will round-up the possibility to approach the seminar as a collective platform for exchanges and discussions about current adventurous sonic research and practices. Throughout the whole seminar, the participants will conceptualize sound as an embodied affective presence that permits the emergence of (un)heard human and non-human voices. Like an infinite and permanently modulating reverberation, the nomadic ears echo the noises and silences of past, present and future sonic histories. |
Bibliographie / Literatur | Will be given during the first session of the seminar |
Leistungsnachweis / Testatanforderung | Active participation, 80% presence |
Termine | Friday afternoon 26.02 / 05.03 / 12.03 / 19.03 / 26.03 / 09.04 from 13:30 to 16:45 |
Dauer | 6 Halbtage im 1. Quartal |
Bewertungsform | bestanden / nicht bestanden |
Bemerkung | The course will be held in English. |
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