CNX / ATD / Object Theatre Workshop Ariel Doron, Puppenspieler, Regisseur und Performer
4 CreditsMTH-MTH-WPM-04.20H.001
CNX / ATD / Practical and theoretical introduction to the Master Studies at the ATD Pavel Stourac, Direktor des Continuo Theaters (Tschechien), Corinna Vitale, Choreographin und Bewegungs-trainerin, Prof. Dr. Richard Weihe
8 CreditsMTH-MTH-WPM-08.20H.001
CNX / ATD / Towards a Carnivalesque body: from the research to the research Raul Vargas, Performer und Regisseur
4 CreditsMTH-MTH-WPM-04.20H.002
CNX / HETSR / Double space / Double screen : creation workshop Responsible: Robert Cantarella
Teacher: Laurent Berger
3 CreditsMTH-MTH-WPM-03.20H.006
CNX / HKB / Workshop mit Florentina Holzinger Florentina Holzinger (Performerin)
3 CreditsMTH-MTH-WPM-03.20H.002
DIG / HKB / Forschungstoolbox zum Jahresthema: From Down till Dusk: (Artistic) Practice and Theory in the Darkness Verantwortlich: Y-Institut
Coordination and instruction: Hanna B. Hölling (Dozentin Konservierung und Restaurierung HKB) and Johannes M. Hedinger (Künstler, Kurator, Zürich)
2 CreditsMTH-MTH-WPM-02.20H.012
DIG / HKB / Lab Leitung: Florian Reichert,
Sibylle Heim und Mentorierende (nach Absprache)
5 CreditsMTH-MTH-WPM-05.20H.001
HETSR / An Exercise of the Gaze Responsible: Robert Cantarella
T
eacher: LBéatrice Houplain and Denis Fruchaud
3 CreditsMTH-MTH-WPM-03.20H.004
HETSR / Epidemic crises of representations Responsible: Robert Cantarella
Teachers: Joëlle Gayot, Patrick Boucheron, Iris Brey, Thomas Schlesser, Olivier Neveux, Noëlle Renaude
6 CreditsMTH-MTH-WPM-06.20H.001
HETSR / Is Freedom Prohibited? Responsible: Robert Cantarella
Teacher: Yves-Noël Genod
1 CreditMTH-MTH-WPM-01.20H.004
HETSR / LIVING DEAD THEATRE Responsible: Robert Cantarella
Teachers: François-Xavier Rouyer and Hervé Coqueret
3 CreditsMTH-MTH-WPM-03.20H.005
HETSR / MONTAGE AND STAGING: THE JUMP CUT Responsible: Robert Cantarella
Teachers: Nina Negri and Clémentine Colpin
2 CreditsMTH-MTH-WPM-02.20H.015
HKB / Die Neue Normalität – oder gibt es Geometrie im Getriebe?
Kick-Off Woche für ein Theaterprojekt mit Ed Hauswirth und Regula Schröter im FS21 Ed Hauswirth, Regula Schröter
2 CreditsMTH-MTH-WPM-02.20H.001
HKB / Forschung im Kontext künstlerischer Praxis Verantwortlich: Y-Institut
Leitung: Minou Afzali (Forschungsdozentin HKB), Regina Dürig (Dozentin Literarisches Schreiben HKB) mit Gästen
2 CreditsMTH-MTH-WPM-02.20H.010
HKB / Forschungs-Mittwoch Verantwortlich: Y-Institut
Leitung : Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.20H.002
HKB / Forschungstoolbox zum Jahresthema: Künstlerischer Austausch mit alten Menschen Verantwortlich: Y-Institut
Leitung: Barbara Balba Weber (Musikvermittlerin HKB), Gäste
2 CreditsMTH-MTH-WPM-02.20H.011
HKB / Forschungstoolbox zum Jahresthema: ÜberSetzen. Linguistisches, intermediales, vermittlerisches Tun in den performativen Künsten Verantwortlich: Y-Institut
Dozierende: Leo Dick (Musik), Laura Moeckli (Musik), Heike Fiedler (Literatur), Christoph Roeber (Literatur), Manuel Bärtsch (Musik), Hanna Hölling (Kunst) Leitung: Leo Dick (Musiktheater), Laura Möckli (Forschung) u. Gäste
2 CreditsMTH-MTH-WPM-02.20H.009
HKB / Fragezeichen. Was ist eine gute Frage? Verantwortlich: Y-Institut
Leitung: Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-WPM-02.20H.013
HKB / Kolloquium Institut Praktiken und Theorien der Künste Verantwortlich: Institut Praktiken und Theorien der Künste
Leitung: Fabiana Senkpiel (wiss. Mitarbeiterin Institut Praktiken und Theorien der Ku¨nste)
1 CreditMTH-MTH-WPM-01.20H.003
HKB / SPIEL MICH! - spielerische Theaterformen als zeitgenössische multimediale Performance Philipp Ehmann
2 CreditsMTH-MTH-WPM-02.20H.003
LOC / HETSR / Scenic Score: Analysis and Elaboration Responsible: Robert Cantarella
Teacher: Jérôme Junod
2 CreditsMTH-MTH-WPM-02.20H.014
HKB / My documents 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HKB)
Wird auch angeboten für
| Nummer und Typ | MTH-MTH-WPM-03.20H.003 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 03 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Lola Arias |
| Zeit | |
| Ort | HKB, Zikadenweg 35, Bern |
| Anzahl Teilnehmende | 5 - 12 |
| ECTS | 3 Credits |
| Zielgruppen | Alle |
| Inhalte | Lola Arias will work with the students on the format of MY DOCUMENTS. My Documents is a lecture performance cycle where artists from different backgrounds present personal research, a radical experience, a story that secretly obsesses them. My Documents has a minimal format: the artist on stage with his documents. A way of bringing to light the kind of research that often gets lost in a nameless folder in a computer. About the genre: The genre of lecture performance was created in the 1960s by Joseph Beuys and Robert Smithson, as a way of turning a speech into a work of art. In recent years, the format has proliferated in theatre, dance and the visual arts, becoming one of the variants of conceptual theatre. Artists such as Rabih Mroué, Tim Etchells and Jérôme Bel have reinvented the genre, making these non-academic lectures a way to present and talk about research and experiences. The cycle seeks to delve into the genre in search of a contagion among conceptual art, research, and theatre. A space where speeches, formats and audiences can come together from different disciplines. |
| Termine | 13.-16.01. und 18.-21.01.2021 |
| Dauer | Erster Tag: 14:00-20:00 Uhr Alle anderen Tage: 10:30-17:30 Uhr Präsentation: Do, 21.01.2021 – 20:00 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
| Bemerkung | Lola Arias is a writer, theatre and film director and performer. She collaborates with people from different backgrounds (war veterans, former communists, Bulgarian children, etc.) in theatre, literature, music, film and art projects. Her productions play with the overlap between reality and fiction. Since 2007, she has developed her work in the field of documentary theatre. Her last theatre plays are Minefield (2016), which brings together British and Argentinian veterans of the Falkland / Malvinas war to share their experience of the conflict and life since, and Atlas des Kommunismus (2016), which puts together stories of women between the ages of 8 and 84 with GDR backgrounds (Maxim Gorki Theater, Berlin). Her feature film Theatre of War (2018), starring the same protagonists as her theatre project Minefield, was selected for the 68th Forum of the Berlinale Film Festival. Together with Ulises Conti, she composes and plays music and released the albums Love is a Sniper (2007) and Those Who Do Not Sleep (2011), and together with Stefan Kaegi, she developed the projects Chácara Paraíso (2007), Airport Kids (2008) and Ciudades Paralelas (2010), a Festival of urban interventions in Berlin, Buenos Aires, Warsaw, Zurich and other cities. She has published poetry, fiction and plays: Love is a sniper (2007, Entropía), The Postnuclear Ones (2011, Emecé), My Life After and Other Plays (2016, Penguin Random House) and a bilingual edition of her play Minefield (2017, Oberon Books). |
