Akrobatik 1_COVID-19: neu nur VTP/VRE/VDR/VBN - TRAINING // COVID-19: spez. Schutzkonzept Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.20H.001_(MTH/BTH)
Bewegung A1_COVID-19: neu nur VSC - TRAINING // COVID-19: spez. Schutzkonzept Lukas Schmocker (LS)
1 CreditFTH-BTH-VSC-L-6121.20H.003_(MTH/BTH)
CNX / Akrobatik 2_COVID-19: neu nur VTP/VRE/VDR - TRAINING // COVID-19: spez. Schutzkonzept Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.20H.002_(MTH/BTH)
CNX / Akrobatik 3 - TRAINING // COVID-19: spez. Schutzkonzept Amir Modaï (AM)
1 CreditFTH-BTH-VSC-L-607.20H.003_(MTH/BTH)
CNX / Radical_Connector - Nonlinear dance practice für all bodies - TRAINING // COVID-19: spez. Schutzkonzept Marisa Godoy (MGo)
1 CreditFTH-BTH-BTH-L-636.20H.023_(MTH/BTH)
Das metrische Wir. Über die Quantifizierung des Sozialen_Kolloquium für Fortgeschrittene - TRAINING Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.20H.006_(MTH/BTH)
Die Rolle der Moderation - TRAINING // COVID-19: spez. Schutzkonzept Dagmar Walser (DaWa)
1 CreditFTH-BTH-BTH-L-636.20H.002_(MTH/BTH)
DIG / Artikulation & Geläufigkeit_Grundstufe - TRAINING // COVID-19: spez. Schutzkonzept Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.20H.001_(MTH/BTH)
DIG / Family matters - TRAINING Sabine Harbeke (SH), Réjane Dreifuss (RD)
1 CreditFTH-BTH-BTH-L-636.20H.005_(MTH/BTH)
DIG / Grosse Anfänge - TRAINING Prof.Dr. Jochen Kiefer (JK)
1 CreditFTH-BTH-VDR-L-301.20H.001_(MTH/BTH)
DIG / Intercultural Spaces: INVENTING NEW SPECIES AND SPACES FOR A SUSTAINABLE FUTURE (gLV) David Weber-Krebs, Prof. Michael Simon
4 CreditsMTH-MTH-PM-04.20H.002
DIG / KASA-Training B_für Fortgeschrittene - TRAINING // COVID-19: spez. Schutzkonzept Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.20H.002_(MTH/BTH)
DIG / Planung mit CAD 1, LINES MATTER - TRAINING Peter Meier (PM)
1 CreditFTH-BTH-BTH-L-636.20H.016_(MTH/BTH)
DIG / Sprechtraining "Resonanz"_Fortgeschrittene - TRAINING // COVID-19: spez. Schutzkonzept Oliver Mannel (OM)
1 CreditFTH-BTH-VSC-L-616.20H.012_(MTH/BTH)
DIG / Theater für/mit junge_n Menschen - TRAINING Deborah Imhof (DeIm)
1 CreditFTH-BTH-BTH-L-636.20H.001_(MTH/BTH)
DIG / Von der Idee zur Bühne - Vorbereitung auf das MA Diplomprojekt Manuel Fabritz, Pica Cubello
2 CreditsMTH-MTH-PM-02.20H.003
DIG / Yoga 1 - TRAINING // COVID-19: spez. Schutzkonzept Andres Gensheimer (AGe)
1 CreditFTH-BTH-VSC-L-777.20H.010_(MTH/BTH)
DIG / Yoga 2 - TRAINING // COVID-19: spez. Schutzkonzept Andres Gensheimer (AGe)
1 CreditFTH-BTH-VRE-L-411.20H.001_(MTH/BTH)
DIG / Zeitung lesen mit Gästen - TRAINING Sabine Harbeke (SH), Gäste
1 CreditFTH-BTH-VRE-L-4000.20H.001_(MTH/BTH)
HYB / Bühne A 2.0 - Freiräume Alle Kursbeteiligten, Begleitung: Christopher Kriese
2 CreditsMTH-MTH-WM-02.20H.001
HYB / Wissenschaftliches Schreiben/Squeeze it out - TRAINING Maren Rieger (MaRi)
1 CreditFTH-BTH-BTH-L-636.20H.017_(MTH/BTH)
KASA-Training A_COVID-19: neu nur VSC - TRAINING // COVID-19: spez. Schutzkonzept Matthias Walter (MaWa)
1 CreditFTH-BTH-VSC-L-608.20H.001_(MTH/BTH)
Lesen_COVID-19: neu nur VSC - TRAINING // COVID-19: spez. Schutzkonzept Prof. Tillmann Braun (TB)
1 CreditFTH-BTH-VSC-L-6020.20H.001_(MTH/BTH)
LOC / Bewegung B1_COVID-19: neu nur VSC - TRAINING // COVID-19: spez. Schutzkonzept Efrat Stempler (ESt)
1 CreditFTH-BTH-VSC-L-6131.20H.002_(MTH/BTH)
Meditation und Präsenz_COVID-19: neu nur VTP/VRE/VDR/VBN - TRAINING Christopher Kriese (CKri), Katharina Cromme (KC)
1 CreditFTH-BTH-VRE-L-406.20H.001_(MTH/BTH)
Reenacting Performances_COVID-19: neu nur VTP/VRE/VDR/VBN - TRAINING // COVID-19: spez. Schutzkonzept Frederic Lilje (FL)
1 CreditFTH-BTH-BTH-L-636.20H.021_(MTH/BTH)
Textanalyse: Vom Roman zum Theatertext - TRAINING Monika Gysel (MoGy)
1 CreditFTH-BTH-VRE-L-412.20H.001_(MTH/BTH)
CNX / Radical_Connector - Nonlinear dance practice für all bodies - TRAINING // COVID-19: spez. Schutzkonzept 
Blockstruktur: 2
Wird auch angeboten für
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Bisheriges Studienmodell 
Theater Bachelor Theater Theaterpädagogik Level 2 (2./3./4. Semester) Level 2
(weniger) Theater Bachelor Theater Theaterpädagogik Level 2 (2./3./4. Semester) Level 2| Nummer und Typ | FTH-BTH-BTH-L-636.20H.023_(MTH/BTH) / Moduldurchführung |
|---|---|
| Modul | Modulvorlage TRAINING |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Marisa Godoy (MGo) |
| Zeit | |
| Anzahl Teilnehmende | 5 - 15 |
| ECTS | 1 Credit |
| Lehrform | Tanztraining |
| Zielgruppen | L2 VSC / L2 VTP / L2 VRE / L2 VDR L3 VSC / L3 VTP / L3 VRE / L3 VDR Wahlmöglichkeit: L2 VBN + Master alle Vertiefungen (total 3 Plätze) |
| Lernziele / Kompetenzen | This practice aims to develop particular modes of being, thinking and moving – such as enhanced perception of self, other and environment whilst engaging in action – that are essential and indispensable to performative practice. Amongst the competencies it aims to facilitate are a wider range of creativity through engagement with generative modes of working; refined decision-making capacities appropriate to the task at hand; a finer sense of relationalitiy; improved responsiveness in improvisatory tasks. Within this framework, various aspects of movement training such as motor control, proprioception and stamina are practiced on an open-end basis. No previous knowledge of dance techniques required. |
| Inhalte | RADICAL_CONNECTOR is a nonlinear approach to movement in that it explores an infinite number of temporary solutions to given movement proposals. Grounded on the notion of the indivisibility of the human organism and its submersion in the environment it is part of, the practice is based on the simple act of noticing networks of connections within self, and between self, other and surrounding, whilst acting/moving. It stems from dance practice coupled with an emerging theoretical underpinning that draws on embodiment, somatic principles and meditation practice. The interconnections, and consequent communication processes within the body, and of the body with its environment take place by means of uninterrupted exchange through biological as well as sensorimotor perceptions. As we engage with the proposals, we learn by dealing with movements as they arise, and through discovering what it is that is important, challenging, efficient, dangerous, pleasant or relevant at a given moment – attending to the multidimensional web of internal and external cues that we continuously refer to in order to navigate the world. |
| Bibliographie / Literatur | NN |
| Leistungsnachweis / Testatanforderung | gem. Angaben der/des Modulverantwortlichen |
| Termine | Raum: 1 grosser Proberaum (bevorzugt Tanzstudio oder Bühne B) |
| Dauer | Anzahl Wochen: 6 (HS: Wo:44-49) / Modus: 2x1,5h/Wo_Mo/Mi, jeweils 8.30-10.00h Selbststudiumszeit pro Semester: ca. |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | The course will be conducted in English and German |
