CNX / ATD / Object Theatre Workshop Ariel Doron, Puppenspieler, Regisseur und Performer
4 CreditsMTH-MTH-WPM-04.20H.001
CNX / ATD / Practical and theoretical introduction to the Master Studies at the ATD Pavel Stourac, Direktor des Continuo Theaters (Tschechien), Corinna Vitale, Choreographin und Bewegungs-trainerin, Prof. Dr. Richard Weihe
8 CreditsMTH-MTH-WPM-08.20H.001
CNX / ATD / Towards a Carnivalesque body: from the research to the research Raul Vargas, Performer und Regisseur
4 CreditsMTH-MTH-WPM-04.20H.002
CNX / HETSR / Double space / Double screen : creation workshop Responsible: Robert Cantarella
Teacher: Laurent Berger
3 CreditsMTH-MTH-WPM-03.20H.006
CNX / HKB / Workshop mit Florentina Holzinger Florentina Holzinger (Performerin)
3 CreditsMTH-MTH-WPM-03.20H.002
DIG / HKB / Forschungstoolbox zum Jahresthema: From Down till Dusk: (Artistic) Practice and Theory in the Darkness Verantwortlich: Y-Institut
Coordination and instruction: Hanna B. Hölling (Dozentin Konservierung und Restaurierung HKB) and Johannes M. Hedinger (Künstler, Kurator, Zürich)
2 CreditsMTH-MTH-WPM-02.20H.012
DIG / HKB / Lab Leitung: Florian Reichert,
Sibylle Heim und Mentorierende (nach Absprache)
5 CreditsMTH-MTH-WPM-05.20H.001
HETSR / An Exercise of the Gaze Responsible: Robert Cantarella
T
eacher: LBéatrice Houplain and Denis Fruchaud
3 CreditsMTH-MTH-WPM-03.20H.004
HETSR / Epidemic crises of representations Responsible: Robert Cantarella
Teachers: Joëlle Gayot, Patrick Boucheron, Iris Brey, Thomas Schlesser, Olivier Neveux, Noëlle Renaude
6 CreditsMTH-MTH-WPM-06.20H.001
HETSR / Is Freedom Prohibited? Responsible: Robert Cantarella
Teacher: Yves-Noël Genod
1 CreditMTH-MTH-WPM-01.20H.004
HETSR / LIVING DEAD THEATRE Responsible: Robert Cantarella
Teachers: François-Xavier Rouyer and Hervé Coqueret
3 CreditsMTH-MTH-WPM-03.20H.005
HETSR / MONTAGE AND STAGING: THE JUMP CUT Responsible: Robert Cantarella
Teachers: Nina Negri and Clémentine Colpin
2 CreditsMTH-MTH-WPM-02.20H.015
HKB / Die Neue Normalität – oder gibt es Geometrie im Getriebe?
Kick-Off Woche für ein Theaterprojekt mit Ed Hauswirth und Regula Schröter im FS21 Ed Hauswirth, Regula Schröter
2 CreditsMTH-MTH-WPM-02.20H.001
HKB / Forschung im Kontext künstlerischer Praxis Verantwortlich: Y-Institut
Leitung: Minou Afzali (Forschungsdozentin HKB), Regina Dürig (Dozentin Literarisches Schreiben HKB) mit Gästen
2 CreditsMTH-MTH-WPM-02.20H.010
HKB / Forschungs-Mittwoch Verantwortlich: Y-Institut
Leitung : Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.20H.002
HKB / Forschungstoolbox zum Jahresthema: Künstlerischer Austausch mit alten Menschen Verantwortlich: Y-Institut
Leitung: Barbara Balba Weber (Musikvermittlerin HKB), Gäste
2 CreditsMTH-MTH-WPM-02.20H.011
HKB / Forschungstoolbox zum Jahresthema: ÜberSetzen. Linguistisches, intermediales, vermittlerisches Tun in den performativen Künsten Verantwortlich: Y-Institut
Dozierende: Leo Dick (Musik), Laura Moeckli (Musik), Heike Fiedler (Literatur), Christoph Roeber (Literatur), Manuel Bärtsch (Musik), Hanna Hölling (Kunst) Leitung: Leo Dick (Musiktheater), Laura Möckli (Forschung) u. Gäste
2 CreditsMTH-MTH-WPM-02.20H.009
HKB / Fragezeichen. Was ist eine gute Frage? Verantwortlich: Y-Institut
Leitung: Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-WPM-02.20H.013
HKB / Kolloquium Institut Praktiken und Theorien der Künste Verantwortlich: Institut Praktiken und Theorien der Künste
Leitung: Fabiana Senkpiel (wiss. Mitarbeiterin Institut Praktiken und Theorien der Ku¨nste)
1 CreditMTH-MTH-WPM-01.20H.003
HKB / SPIEL MICH! - spielerische Theaterformen als zeitgenössische multimediale Performance Philipp Ehmann
2 CreditsMTH-MTH-WPM-02.20H.003
LOC / HETSR / Scenic Score: Analysis and Elaboration Responsible: Robert Cantarella
Teacher: Jérôme Junod
2 CreditsMTH-MTH-WPM-02.20H.014
CNX / ATD / Towards a Carnivalesque body: from the research to the research 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (ATD)
Wird auch angeboten für
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Bisheriges Studienmodell 
Theater Master Theater Partnerschulen ATD, Accademia Teatro Dimitri Verscio
(weniger) Theater Master Theater Partnerschulen ATD, Accademia Teatro Dimitri Verscio| Nummer und Typ | MTH-MTH-WPM-04.20H.002 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 04 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Raul Vargas, Performer und Regisseur |
| Zeit | |
| Ort | ATD, Verscio |
| Anzahl Teilnehmende | 5 - 12 |
| ECTS | 4 Credits |
| Zielgruppen | Alle |
| Lernziele / Kompetenzen | To assume one’s body as a main source of information/inspiration, as a living cultural archive. To explore, recognise and breakdown the conventions, norms, forms and boundaries of our creative work. We will play with transforming, dealing, shaping the bodies energy and its relation(ship) with the surrounds. Probably, we will learn something here. |
| Inhalte | The laws, prohibitions, restrictions that determine the established structure and organisation of official culture and normal life are interrupted during carnival time. It is during carnival when the body takes agency and re-dimensions itself in its more primitive forms, giving space to all its physiological, emotional and discursive needs. In this context and by extrapolating the elements that constitute the carnivalesque in our artistic practice, this workshop proposes a range of experiences, through exercises, discussions and explorations; to identify, enact and deepen the potentials of our movement, the unfinished and permanent (de)construction of the body, a body that is continuously engaged in the act of becoming. We will work on different task-specific exercises inspired by the notion of the carnivalesque and grotesque, such as the erotic, laughter, the decomposition of the harmony, religion, penance, the profane and sacred, among others, while dealing with objects, texts, movement and writing. As a transversal activity, the participants are invited to create specific events (fixed or improvised). By event, we mean an artistic piece or product, a ritual, a cultural manifestation, an installation, an expression, a demonstration, etc. We will free up space for arbitrariness, intuition, uncertainty, causality, energy conservation and metamorphosis and open up a discussion around composition and dramaturgy. While people generally have in mind that carnival today an institutionalised activity, we will also reflect on the notion of the carnivalesque as a 21st century counter-cultural manifestations, to examine if there is still space or a need for subversion and if performing art could fulfil this function. |
| Termine | 25.01.-05.02.2021 |
| Dauer | ganztags |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
