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Ariel Doron, Puppenspieler, Regisseur und Performer
4 CreditsMTH-MTH-WPM-04.20H.001
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Pavel Stourac, Direktor des Continuo Theaters (Tschechien), Corinna Vitale, Choreographin und Bewegungs-trainerin, Prof. Dr. Richard Weihe
8 CreditsMTH-MTH-WPM-08.20H.001
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Raul Vargas, Performer und Regisseur
4 CreditsMTH-MTH-WPM-04.20H.002
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Responsible: Robert Cantarella
Teacher: Laurent Berger
3 CreditsMTH-MTH-WPM-03.20H.006
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Florentina Holzinger (Performerin)
3 CreditsMTH-MTH-WPM-03.20H.002
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Verantwortlich: Y-Institut
Coordination and instruction: Hanna B. Hölling (Dozentin Konservierung und Restaurierung HKB) and Johannes M. Hedinger (Künstler, Kurator, Zürich)
2 CreditsMTH-MTH-WPM-02.20H.012
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Leitung: Florian Reichert,
Sibylle Heim und Mentorierende (nach Absprache)
5 CreditsMTH-MTH-WPM-05.20H.001
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Responsible: Robert Cantarella
T
eacher: LBéatrice Houplain and Denis Fruchaud
3 CreditsMTH-MTH-WPM-03.20H.004
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Responsible: Robert Cantarella
Teachers: Joëlle Gayot, Patrick Boucheron, Iris Brey, Thomas Schlesser, Olivier Neveux, Noëlle Renaude
6 CreditsMTH-MTH-WPM-06.20H.001
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Responsible: Robert Cantarella
Teacher: Yves-Noël Genod
1 CreditMTH-MTH-WPM-01.20H.004
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Responsible: Robert Cantarella
Teachers: François-Xavier Rouyer and Hervé Coqueret
3 CreditsMTH-MTH-WPM-03.20H.005
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Responsible: Robert Cantarella
Teachers: Nina Negri and Clémentine Colpin
2 CreditsMTH-MTH-WPM-02.20H.015
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Ed Hauswirth, Regula Schröter
2 CreditsMTH-MTH-WPM-02.20H.001
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Verantwortlich: Y-Institut
Leitung: Minou Afzali (Forschungsdozentin HKB), Regina Dürig (Dozentin Literarisches Schreiben HKB) mit Gästen
2 CreditsMTH-MTH-WPM-02.20H.010
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Verantwortlich: Y-Institut
Leitung : Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.20H.002
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Verantwortlich: Y-Institut
Leitung: Barbara Balba Weber (Musikvermittlerin HKB), Gäste
2 CreditsMTH-MTH-WPM-02.20H.011
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Verantwortlich: Y-Institut
Dozierende: Leo Dick (Musik), Laura Moeckli (Musik), Heike Fiedler (Literatur), Christoph Roeber (Literatur), Manuel Bärtsch (Musik), Hanna Hölling (Kunst) Leitung: Leo Dick (Musiktheater), Laura Möckli (Forschung) u. Gäste
2 CreditsMTH-MTH-WPM-02.20H.009
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Verantwortlich: Y-Institut
Leitung: Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-WPM-02.20H.013
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Verantwortlich: Institut Praktiken und Theorien der Künste
Leitung: Fabiana Senkpiel (wiss. Mitarbeiterin Institut Praktiken und Theorien der Ku¨nste)
1 CreditMTH-MTH-WPM-01.20H.003
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Philipp Ehmann
2 CreditsMTH-MTH-WPM-02.20H.003
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Responsible: Robert Cantarella
Teacher: Jérôme Junod
2 CreditsMTH-MTH-WPM-02.20H.014
HETSR / Is Freedom Prohibited? ![Favorit entfernen](/app/img/structure/fav-full6.png)
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Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HETSR)
Wird auch angeboten für
Nummer und Typ | MTH-MTH-WPM-01.20H.004 / Moduldurchführung |
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Modul | Master-Campus-Theater-CH 01 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Responsible: Robert Cantarella Teacher: Yves-Noël Genod |
Ort | La Manufacture, Studio V or VI, Lausanne |
Anzahl Teilnehmende | 1 |
ECTS | 1 Credit |
Zielgruppen | Alle |
Inhalte | If students could play ball: not run, as they say, around the pool or chat around a table – which would, anyway, be very pleasant, the era delivering more questions than it provides answers – or wait, suspicious, for an “education” that I would unfortunately be unable to deliver, but instead do without all that, consider the thing as definitely acquired: learn nothing, then, that we don’t already know, nothing else, as the child Ernesto said, who no longer wanted to go to school because he was taught “things I don’t know”, but live, live in the sense of diving right into it, feet or head first, into the oceanic river; resuscitate immediately (before death), rather than before or after; impersonate God (or Buddha). Pablo Picasso famously said: “I do not seek, I find”. An assertion which recalls one by Gérard Depardieu: “I do not act, I live”. Stop pretending. Life is only encounters. In a staging by Claude Régy, Ivanov, jaded, shouted: “It all feels like a novel!” And Sacha, the lover, replied: “Life, that is the same”. “We are things to be shaken up, darling...” What does one call being free (on a stage or in front of a camera)? Does “discovering” have anything to do with this freedom? What is freedom? Doesn’t it have other names? (“I write your name...”) What is breathing, living, being? What matters, what doesn’t? Metamorphosis? Transition? The transition from one moment to another? What is easy or difficult? What is immersing oneself? What is knowledge and what is ignorance? Presence, absence? What is the “aesthetic of disappearance”? For what profit? What is getting lost? Winning? Losing? Do angels...? Ghosts…? Remembering getting lost. Remember being dead. Sincerity? Lies? Theatre? What is appearing, then? From this whole disaster? What is after the battle? The real? After the real? What is the heart? Is it possible to speak from the heart? Do we have a heart? Who has a heart? Yes, no. What is the truth, what is the truth that is not? Do you have a heart? You, me or you? You? YNG |
Termine | February 10 to 12, 2021 |
Dauer | 9:00-13:00 / 14:00-18:00 |
Bewertungsform | bestanden / nicht bestanden |
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