DIG Pool 3: Art & Writing: Between Critical and Creative
Marie-France Rafael
3 CreditsMFA-MFA-Po00.20H.003
DIG Pool 7: Art & History: Artonomy - The History and Theory of Autonomy in the Arts (gLV)
Jörg Scheller
3 CreditsMFA-MFA-Po00.20H.007
DIG Pool 9: Art & Media: Time-Based Strategies: I repeat, I won’t leave!
Yvonne Wilhelm
3 CreditsMFA-MFA-Po00.20H.009
DIG Practice 1: Performing Digitality and the Realm of the Virtual in Contemporary Art
Marie-France Rafael, Doireann O'Malley, Nina Kerschbaumer
21 CreditsMFA-MFA-Pr00.20H.001
DIG Practice 2: A World of Many Worlds - Approaching the Planetary (Teil l)
Christian Hübler, Yvonne Wilhelm, Nina Kerschbaumer
21 CreditsMFA-MFA-Pr00.20H.002
HYB Pool 8: Art & (Re-)presentation: From Portfolio to Communication
Gabriele Garavaglia
3 CreditsMFA-MFA-Po00.20H.008
HYB Praxis 4: Das Unheimliche
Una Alja Szeemann, Laura Arici, Rabea Ridlhammer
21 CreditsMFA-MFA-Pr00.20H.004
LOC Pool 4: Art & Performance: Let's Take Back Our Space
Alexandra Bachzetsis
3 CreditsMFA-MFA-Po00.20H.004
Master-Symposium: Speculative Futures: Are We Burning Our Past?
Marie-France Rafael, Rabea Ridlhammer
3 CreditsMFA-MFA-Sy03.20H.001
Pool 1: Art & Politics: Negotiating Civil Rights? October School 2020 (gLV)
Christoph Schenker, Franz Krähenbühl
3 CreditsMFA-MFA-Po00.20H.001
Practice 3: Terracotta Universe City (hybrid: online and physical course)
Dominique Lämmli, Nils Röller, Pascal Sidler
21 CreditsMFA-MFA-Pr00.20H.003
Practice 5: Doing the Unexpected
Swetlana Heger-Davis, Olaf Breuning, Pascal Sidler
21 CreditsMFA-MFA-Pr00.20H.005
HYB Pool 8: Art & (Re-)presentation: From Portfolio to Communication
Mediality and architecture of the portfolio as a powerful tool of communication,
(re-)presentation and (self-)reflection in artistic practice.
(re-)presentation and (self-)reflection in artistic practice.
Nummer und Typ | MFA-MFA-Po00.20H.008 / Moduldurchführung |
---|---|
Modul | Pool: |
Veranstalter | Departement Fine Arts |
Leitung | Gabriele Garavaglia |
Anzahl Teilnehmende | maximal 16 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English Drafts of a portfolio and statement. Recommended for graduating students |
Lehrform | Seminar, theoretical and practical workshop, group and individual tutorials |
Zielgruppen | MA Fine Arts students Open for exchange students |
Lernziele / Kompetenzen | Understanding of the work identifying the best way to convey it Construction of an effective portfolio as a third point of view on the artistic production Ability to present and discuss your own artistic research |
Inhalte | Starting from a theoretical investigation, on modes of distribution and dispersion in the field of art, we discuss and understand strategies, techniques, tools, giving indications to assemble a compelling dossier, for different levels of artistic experience, aims, biographies, by diving into a workshop-like environment. We will look at how to speak about and how to argue about the (art-)work. To to better understand the portfolio and the discourse around it, this lab integrates several visitors: experienced art professionals such as curators and cultural actors, designers and gallerists. It furthermore provides an encounter with works by relevant contemporary artists. Gabriele Garavaglia studied architecture in London and Milan. He attended the Fine Art Master program at ECAL in Lausanne. During the last years Gabriele has been presenting his work internationally, receiving the Swiss Art Awards 2019. His artistic production focuses on new performativity, living images and hyper contexts. |
Bibliographie / Literatur | Lutz Bacher: SNOW, JRP | Ringier (March 31, 2014) |
Leistungsnachweis / Testatanforderung | Mandatory attendance (80%); active participation |
Termine | Time: 10:00 - 18:00 o'clock CW 02: 11 / 12 / 13 / 14 / 15 January |
Bewertungsform | bestanden / nicht bestanden |