CNX / ATD / Object Theatre Workshop Ariel Doron, Puppenspieler, Regisseur und Performer
4 CreditsMTH-MTH-WPM-04.20H.001
CNX / HETSR / Double space / Double screen : creation workshop Responsible: Robert Cantarella
Teacher: Laurent Berger
3 CreditsMTH-MTH-WPM-03.20H.006
HETSR / An Exercise of the Gaze Responsible: Robert Cantarella
T
eacher: LBéatrice Houplain and Denis Fruchaud
3 CreditsMTH-MTH-WPM-03.20H.004
HETSR / Epidemic crises of representations Responsible: Robert Cantarella
Teachers: Joëlle Gayot, Patrick Boucheron, Iris Brey, Thomas Schlesser, Olivier Neveux, Noëlle Renaude
6 CreditsMTH-MTH-WPM-06.20H.001
HETSR / Is Freedom Prohibited? Responsible: Robert Cantarella
Teacher: Yves-Noël Genod
1 CreditMTH-MTH-WPM-01.20H.004
HETSR / LIVING DEAD THEATRE Responsible: Robert Cantarella
Teachers: François-Xavier Rouyer and Hervé Coqueret
3 CreditsMTH-MTH-WPM-03.20H.005
HETSR / MONTAGE AND STAGING: THE JUMP CUT Responsible: Robert Cantarella
Teachers: Nina Negri and Clémentine Colpin
2 CreditsMTH-MTH-WPM-02.20H.015
LOC / HETSR / Scenic Score: Analysis and Elaboration Responsible: Robert Cantarella
Teacher: Jérôme Junod
2 CreditsMTH-MTH-WPM-02.20H.014
HETSR / Is Freedom Prohibited? 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HETSR)
Wird auch angeboten für
| Nummer und Typ | MTH-MTH-WPM-01.20H.004 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 01 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Responsible: Robert Cantarella Teacher: Yves-Noël Genod |
| Ort | La Manufacture, Studio V or VI, Lausanne |
| Anzahl Teilnehmende | 1 |
| ECTS | 1 Credit |
| Zielgruppen | Alle |
| Inhalte | If students could play ball: not run, as they say, around the pool or chat around a table – which would, anyway, be very pleasant, the era delivering more questions than it provides answers – or wait, suspicious, for an “education” that I would unfortunately be unable to deliver, but instead do without all that, consider the thing as definitely acquired: learn nothing, then, that we don’t already know, nothing else, as the child Ernesto said, who no longer wanted to go to school because he was taught “things I don’t know”, but live, live in the sense of diving right into it, feet or head first, into the oceanic river; resuscitate immediately (before death), rather than before or after; impersonate God (or Buddha). Pablo Picasso famously said: “I do not seek, I find”. An assertion which recalls one by Gérard Depardieu: “I do not act, I live”. Stop pretending. Life is only encounters. In a staging by Claude Régy, Ivanov, jaded, shouted: “It all feels like a novel!” And Sacha, the lover, replied: “Life, that is the same”. “We are things to be shaken up, darling...” What does one call being free (on a stage or in front of a camera)? Does “discovering” have anything to do with this freedom? What is freedom? Doesn’t it have other names? (“I write your name...”) What is breathing, living, being? What matters, what doesn’t? Metamorphosis? Transition? The transition from one moment to another? What is easy or difficult? What is immersing oneself? What is knowledge and what is ignorance? Presence, absence? What is the “aesthetic of disappearance”? For what profit? What is getting lost? Winning? Losing? Do angels...? Ghosts…? Remembering getting lost. Remember being dead. Sincerity? Lies? Theatre? What is appearing, then? From this whole disaster? What is after the battle? The real? After the real? What is the heart? Is it possible to speak from the heart? Do we have a heart? Who has a heart? Yes, no. What is the truth, what is the truth that is not? Do you have a heart? You, me or you? You? YNG |
| Termine | February 10 to 12, 2021 |
| Dauer | 9:00-13:00 / 14:00-18:00 |
| Bewertungsform | bestanden / nicht bestanden |
