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Léontine Meijer-van Mensch
2 Creditsmae-vcs-302.20H.001
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Kurt Widorski
3 CreditsDMU-WKMA-2102.20H.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-1.20H.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.20H.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-1.20H.003
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Dieter Mersch, Katerina Krtilova, Ines Kleesattel, Dominique Raemy und Gäste
2 Creditsmae-mtr-102.20H.004
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Katerina Krtilova, Dieter Mersch
2 Creditsmae-mtr-102.20H.001
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Ines Kleesattel, Sigrid Adorf
2 Creditsmae-mtr-102.20H.002
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Michael Egger
2 CreditsMKT-VKO-SEAK-KE08-3.20H.001
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Markus Utz, Leitung / Ernst Buscagne, Chormiteinstudierung
1 CreditBMU-PKLA-MOMP-19.20H.001
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Christoph Merki
2 CreditsDMU-WKMA-2006.20H.001
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Anna-Brigitte Schlittler, Christina Horisberger
2 Creditsbae-bae-dt100-01.20H.001
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Flurina Gradin
,
Referate verschiedener Expertinnen und Experten
1 CreditBDE-BDE-T-HV-5000.20H.001
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Andreas Moor
Nico Lypitkas
Assistenz: Gina Schuler
1 CreditBDE-VCA-V-3009-1.20H.001
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Renate Menzi,
Mitwirkende aus den Fachrichtungen
1 CreditBDE-BDE-T-HV-1000.20H.001
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Peter Purtschert
2 CreditsBDE-BDE-T-WP-3012.20H.001
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Dr. Mela Kocher
Anna Lisa Martin
2 CreditsBDE-BDE-T-WP-AK-5013.01.20H.001
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Jörg Scheller
3 CreditsMFA-MFA-Po00.20H.007
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Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.20H.001
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Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.20H.001
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Dr. Björn Franke
1 CreditMDE-MDE-WP-DM-PB-2001.20H.001
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Bostjan Ivanjsic
2 CreditsMDA-MDA-1200.20H.003
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Bostjan Ivanjsic
2 CreditsMDA-MDA-1200.20H.004
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Bernadette Kolonko
1 CreditBFI-BFI-THp-01.20H.002
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Till Brockmann
1 CreditBFI-FIPD-THp-01.MFI.20H.004
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Domenico Ferrari
1 CreditDMU-WKMT-6006.20H.001
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Dennis Bäsecke-Beltrametti
1 CreditDMU-WKFK-8008.20H.007
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Bruno Karrer
1 CreditDMU-WKAN-1207.20H.001
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André Desponds / Christian Jelicic
1 CreditDMU-WKMP-4206.20H.001
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Andreas Brenner (Vertretung Wegmann Anne-Sophie)
2.5 CreditsBMU-PKLA-MOMA-03-3.20H.001
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Steffen A. Schmidt (Dr. phil. habil.)
2 CreditsMKT-MKT-KE18.20H.001
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Martin Zimper; Hans Knobloch, Gina Schuler; Gastvortragende aus dem Bereich Podcast.
2 CreditsBDE-VCA-V-3060-1.20H.001
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Markus Gerber (MaGe), Christopher Kriese (ChKri)
3 CreditsBTH-BTH-L-0023.20H.001
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Moritz Müllenbach, Stv. Natalia Ursina Sidler
0 CreditsMMP-VSMU-SSII-KK15-1.20H.001
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Basil Rogger, Irene Vögeli, Njomza Dragusha, Fabian Gutscher
2 CreditsMTR-MTR-1040.20H.002
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Kaspar König, Patrick Müller, Irene Vögeli sowie Silke Lange (Central Saint Martins University of the Arts, London) und Mark Ingham (London College of Communication)
2 CreditsMTR-MTR-1040.20H.004
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Katja Gläss, Emmanuel Michaud, Patrick Müller, Eirini Sourgiadaki
2 CreditsMTR-MTR-1040.20H.005
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Basil Rogger, Patrick Müller, Irene Vögeli
2 CreditsMTR-MTR-1040.20H.006
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Irène Hediger, Katerina Krtilova, Dieter Mersch, Patrick Müller, Mario Schulze, Jana Thierfelder, Irene Vögeli, Sarine Waltenspül
2 CreditsMTR-MTR-1040.20H.007
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Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-BFI-VDF-00.5.20H.002
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.20H.001
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M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.20H.002
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Miriam Compagnoni
Gastreferentin: Zoi Dellios
2 Creditsbae-bae-vt100-01.20H.001
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Christoph Schenker, Franz Krähenbühl
3 CreditsMFA-MFA-Po00.20H.001
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Chantal Küng, Janina Krepart
2 Creditsmae-mae-107.20H.002
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Antoine Chessex und Mélia Roger
1 CreditMTR-MTR-1009C.20H.001
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Njomza Dragusha, Fabian Gutscher, Basil Rogger, Irene Vögeli
1 CreditMTR-MTR-1009C.20H.002
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Katja Gläss, Emmanuel Michaud, Patrick Müller, Eirini Sourgiadaki
1 CreditMTR-MTR-1009C.20H.003
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Ulrich Görlich, Ralf Stutzki, Jana Thierfelder
1 CreditMTR-MTR-1009C.20H.004
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Peter Truniger, Andrea Zimmermann, Judith Tonner
2 Creditsbae-bae-vt302-04.20H.002
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Mischa Senn, Cornelia Bichsel
2 Creditsbae-bae-kp610-05.20H-001
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Antoine Chessex, Soenke Gau
2 CreditsMTR-MTR-1002.20H.003
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Patrick Müller, Irene Vögeli, Jana Thierfelder und Gäste
2 CreditsMTR-MTR-1002.20H.004
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Jules Sturm, Irene Vögeli, Hannah Walter
2 CreditsMTR-MTR-1002.20H.007
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Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.20H.001
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Charlotte Hug
1 CreditDMU-WKFK-8008.20H.003
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Prof.Dr. Jochen Kiefer (JK)
3 CreditsBTH-VDR-L-388.20H.001
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Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.20H.002
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Johannes Schild
3 CreditsBMU-PKLA-MOMA-05.20H.002
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André Fischer
3 CreditsBMU-PKLA-MOMA-05.20H.005
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Daniella Gerszt
3 CreditsBMU-PKLA-MOMA-05.20H.008
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Andreas Brenner
3 CreditsBMU-PKLA-MOMA-05.20H.010
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Burkhard Kinzler
3 CreditsBMU-PKLA-MOMA-05.20H.009
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Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.20H.007
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Kaspar Ewald
3 CreditsBMU-PKLA-MOMA-05.20H.003
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Mathias Steinauer
3 CreditsBMU-PKLA-MOMA-05.20H.004
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Martin Neukom
3 CreditsBMU-PKLA-MOMA-05.20H.001
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Felix Profos
3 CreditsBMU-PKLA-MOMA-05.20H.011
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Gerald Raunig
3 CreditsBFA-BFA-Th.20H.013
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Tobias Jundt
1 CreditBMU-PJAPO-MOIP-02.20H.001
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Christian Strinning (Vertretung Wegmann Anne-Sophie)
2.5 CreditsBMU-PKLA-MOMA-01-3.20H.005
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Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.20H.001
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Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.20H.002
DIG Pool 5: Art & Production: The Object As Is (gLV) ![Favorit entfernen](/app/img/structure/fav-full6.png)
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![](/typo3conf/ext/hmtfw/Resources/Public/Themes/portal/data/images/buttons/pdf.gif)
Looking at the past century of the readymade as a new and broad artistic medium, we
will investigate how artists have used, and we can use, unaltered objects as symbols, codings and societal witnesses.
will investigate how artists have used, and we can use, unaltered objects as symbols, codings and societal witnesses.
Wird auch angeboten für
Nummer und Typ | MFA-MFA-Po00.20H.005 / Moduldurchführung |
---|---|
Modul | Pool: |
Veranstalter | Departement Fine Arts |
Leitung | Mitchell Anderson |
Anzahl Teilnehmende | maximal 16 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Workshop, excursion, individual and group tutorials |
Zielgruppen | MA Fine Arts students Open for exchange students Interested students of other study programmes can contact studium.dfa@zhdk.ch and will be informed at the end of calendar week 36 about a possible participation. ATTENTION: The module is fully booked! |
Lernziele / Kompetenzen | Strategies of object creation based on recent art history Critical thinking of concept and content versus physical form and labor Ability to initiate and defend artistic concept in group critique |
Inhalte | When Marcel Duchamp coined the term readymade in 1917 he opened up a new medium in art that proved to be broader and deeper than just a urinal exhibited on its side. From his initial explorations through Fluxus and early conceptual art; to the minimal conceptualism of the 80s and 90s, artists have experimented with the display of unaltered objects as works in their own right. We will explore these artworks and their ideas, as well as contemporary practitioners who have turned to this strategy of art making over the past decade. We will question the ability of items already existing in the world to convey stories, examine how presentation and description can define a work and discuss where visual judgement lies within these practices. A majority of artists who have gained attention for executing work in this way represent minority positions in the art world and we will assess how an object may be formed conceptually to hold a kind of witness to a wide range of real world social issues. We will experiment together with objects in a workshop presentation, investigating the limits of how one can allow or force objects to give narrative or form to a viewing audience without any physical labor of alteration. About the teacher: Mitchell Anderson is an artist interested in the narrative possibilities of existing objects and images. Recent solo exhibitions include Fondazione Converso, Milan (2019); Galerie Maria Bernheim, Zurich (2018) and FriArt/ Kunsthalle Fribourg (2017). Since 2014 he has run the artist space Plymouth Rock in Zurich. He is a frequent contributor of criticismand essays to a variety of international arts publications such as Artforum and frieze. |
Leistungsnachweis / Testatanforderung | Interest in engaging in group discussions and questioning past and current artistic practices. Mandatory attendance (80%); active participation |
Termine | Time: 10:00 - 18:00 o'clock CW 46: 09 / 10 / 11 / 12 / 13 November |
Bewertungsform | bestanden / nicht bestanden |
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