Abgesagt wegen COVID-19 / HETSR / "ILLIS: CE QUI EST A EUX" Bruno Meyssat
2 CreditsMTH-MTH-WPM-02.20F.016
Abgesagt wegen COVID-19 / HETSR / "La lumière en soi" Philippe Gladieux
2 CreditsMTH-MTH-WPM-02.20F.017
Abgesagt wegen COVID-19 / HKB / "«Vom Elfenbeinturm zum Marktplatz» – Research Festival Bern: Die Plattform für angewandte Kunstforschung" Vertreter der vorgestellten Projekte
2 CreditsMTH-MTH-WPM-02.20F.011
Abgesagt wegen COVID-19 / HKB / "Künstlerische Ansätze und Produktionsweisen bei Produktionen für Junges Publikum" Maike Lex, Caroline Ringeisen, Alessandra von Aesch, Brigitte Kasslatter und den Produzierenden der Theaterproduktionen «Aouuuh», «Wo ist Walter – Die Stadt und ich», «Inuk»
1 CreditMTH-MTH-WPM-01.20F.002
ATD / "Grundlagen des Projektmanagement im Kunstbereich" Barbara Stocker, Geschäftsleitung Theater Tuchlaube Aarau
2 CreditsMTH-MTH-WPM-02.20F.002
Digital wegen COVID-19 / HKB / "Crashkurs Project Management" Wolfram Heberle (Studiengangsleiter BA und MA HKB), Christian Lüdi (Input Social Media)
2 CreditsMTH-MTH-WPM-02.20F.019
Digital wegen COVID-19 / HKB / "Show your class. Klasse und soziale Herkunft im freien Theater" Verschiedene
2 CreditsMTH-MTH-WPM-02.20F.009
HETSR / "The gesture through repetition and physical exhaustion" Alessandro Sciarroni
2 CreditsMTH-MTH-WPM-02.20F.015
HKB / "Autorschaft—Autorität?" Laura Moeckli (Musik HKB)
Weitere Dozierende: Tom Arthurs (Jazz), Immanuel Brockhaus (Pop), Xavier Dayer (Komponist und SUISA-Präsi-dent), Mira Kandathil (Theater), Christoph Roeber (Literatur)
2 CreditsMTH-MTH-WPM-02.20F.014
HKB / "Backstage: Meet the artists" M.A. Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-WPM-02.20F.008
HKB / "Barrierefreiheit im Kulturbetrieb" Barbara Balba Weber (Musikvermittlerin und Forscherin HKB), Nadine Schneider (Heilpädagogin und Leiterin Enjalumja), Denis Huna (Geiger und Leiter Tabula Musica
2 CreditsMTH-MTH-WPM-02.20F.013
HKB / "Forschungs-Mittwoch" Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.20F.003
HKB / "In every sense. With every sense." Alexander Giesche, Regula Schröter
4 CreditsMTH-MTH-WPM-04.20F.004
HKB / "Kolloquium Institut Praktiken und Theorien der Künste (ehemals FSP Intermedialität)" Leitung: Fabiana Senkpiel (wiss. Mitarbeiterin Institut Praktiken und Theorien der Ku¨nste)
1 CreditMTH-MTH-WPM-01.20F.004
HKB / "Kunst und Klimawandel" Verantwortung: Yvonne Schmidt (wissenschaftliche Mitarbeiterin Forschung) und Gäste
2 CreditsMTH-MTH-WPM-02.20F.012
HKB / "Lab" Leitung: Florian Reichert, Sibylle Heim und Mentorierende (nach Absprache)
5 CreditsMTH-MTH-WPM-05.20F.001
HKB / "THE MAKING OF PROCESSES: TECHNIQUE – PRACTICE – FORMAT" Lucie Tuma
2 CreditsMTH-MTH-WPM-02.20F.004
Verschoben wegen COVID-19 / HKB / "I’m here but you can’t see me" Rabih Mroué
2 CreditsMTH-MTH-WPM-02.20F.005
Verschoben wegen COVID-19 / HKB / "New Technologies for Stage Production" Andrew Sempere
2 CreditsMTH-MTH-WPM-02.20F.006
Digital wegen COVID-19 / HKB / "Working collectively" 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HKB)
Wird auch angeboten für
| Nummer und Typ | MTH-MTH-WPM-02.20F.007 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 02 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Kai van Eikels |
| Ort | HKB Bern, Zikadenweg 35 |
| Anzahl Teilnehmende | 5 - 15 |
| ECTS | 2 Credits |
| Zielgruppen | Alle |
| Inhalte | What does the word “collective” promise in respect to work inside and outside the art world? And which effects do these promises have on reality when people who are working together try to make them come true, let themselves be inspired or irritated by them, experience them as empowering or as frustrating, insurmountable obstacles? Departing from these questions, the 4-days seminar will combine theoretical explorations, discussions and practical experiments in order to investigate possibilities and problems of democratic, or even anarchic, producing. We will familiarise ourselves with different concepts of collectivity – from strong-bonded group work based on friendship, love or shared existential conditions, through various forms of dividing-up and reassembling labour, to loose, swarm-like collective dynamics that operate without an image of the collective as a whole and do not attempt to integrate all parts. We will analyse examples of collective projects and also draw on our own experience to determine appropriate criteria for evaluating, critiquing, and managing collective work: How do ethical-political values and aesthetic values relate to each other? Does collectively produced art require another concept of aesthetics – a concept that stimulates visitors to approach art with different expectations, different habits of perceiving and judging work? Will collective production work at all with formats such as exhibitions and performances, which notoriously address people as ‘the audience,’ or would a co-productive format like the workshop not be more congenial to its means and ends? And, last but not least – how to reconcile one’s own expectations of collectivity with the demands from art institutions and funding programmes? |
| Termine | 28.04.-01.05.2020 |
| Dauer | 10.15h - 17.15h |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
| Bemerkung | Kai van Eikels combines philosophy, cultural studies, art theory, theatre and performance studies in his work. Some of his research topics are: collectivity and politics of participation; time and matter in performance; art and labour; series and seriality in different artistic disciplines; the workshop as an artistic-political format; aesthetics and politics of cuteness. He is currently teaching at Ruhr Universität Bochum. His publications include: Die Kunst des Kollektiven. Performance zwischen Theater, Politik und Sozio-Ökonomie (2013); Art works. Ästhetik des Postfordismus (with Netzwerk Kunst & Arbeit, 2016); Szenen des Virtuosen (with Gabriele Brandstetter and Bettina Brandl-Risi, 2017); Synchronisierung: vereinzelt reagierend politisch (forthcoming). Articles and essays online: https://rub.academia.edu/KaivanEikels Theory blog: https://kunstdeskollektiven.wordpress.com. |
