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Bruno Meyssat
2 CreditsMTH-MTH-WPM-02.20F.016
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Philippe Gladieux
2 CreditsMTH-MTH-WPM-02.20F.017
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Vertreter der vorgestellten Projekte
2 CreditsMTH-MTH-WPM-02.20F.011
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Maike Lex, Caroline Ringeisen, Alessandra von Aesch, Brigitte Kasslatter und den Produzierenden der Theaterproduktionen «Aouuuh», «Wo ist Walter – Die Stadt und ich», «Inuk»
1 CreditMTH-MTH-WPM-01.20F.002
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Barbara Stocker, Geschäftsleitung Theater Tuchlaube Aarau
2 CreditsMTH-MTH-WPM-02.20F.002
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Wolfram Heberle (Studiengangsleiter BA und MA HKB), Christian Lüdi (Input Social Media)
2 CreditsMTH-MTH-WPM-02.20F.019
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Verschiedene
2 CreditsMTH-MTH-WPM-02.20F.009
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Alessandro Sciarroni
2 CreditsMTH-MTH-WPM-02.20F.015
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Laura Moeckli (Musik HKB)
Weitere Dozierende: Tom Arthurs (Jazz), Immanuel Brockhaus (Pop), Xavier Dayer (Komponist und SUISA-Präsi-dent), Mira Kandathil (Theater), Christoph Roeber (Literatur)
2 CreditsMTH-MTH-WPM-02.20F.014
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M.A. Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-WPM-02.20F.008
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Barbara Balba Weber (Musikvermittlerin und Forscherin HKB), Nadine Schneider (Heilpädagogin und Leiterin Enjalumja), Denis Huna (Geiger und Leiter Tabula Musica
2 CreditsMTH-MTH-WPM-02.20F.013
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Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.20F.003
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Alexander Giesche, Regula Schröter
4 CreditsMTH-MTH-WPM-04.20F.004
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Leitung: Fabiana Senkpiel (wiss. Mitarbeiterin Institut Praktiken und Theorien der Ku¨nste)
1 CreditMTH-MTH-WPM-01.20F.004
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Verantwortung: Yvonne Schmidt (wissenschaftliche Mitarbeiterin Forschung) und Gäste
2 CreditsMTH-MTH-WPM-02.20F.012
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Leitung: Florian Reichert, Sibylle Heim und Mentorierende (nach Absprache)
5 CreditsMTH-MTH-WPM-05.20F.001
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Lucie Tuma
2 CreditsMTH-MTH-WPM-02.20F.004
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Rabih Mroué
2 CreditsMTH-MTH-WPM-02.20F.005
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Andrew Sempere
2 CreditsMTH-MTH-WPM-02.20F.006
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Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HKB)
Wird auch angeboten für
Nummer und Typ | MTH-MTH-WPM-02.20F.005 / Moduldurchführung |
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Modul | Master-Campus-Theater-CH 02 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Rabih Mroué |
Ort | HKB Bern, Zikadenweg 35 |
Anzahl Teilnehmende | 5 - 14 |
ECTS | 2 Credits |
Zielgruppen | Alle |
Inhalte | Working on stories, narratives, daily life experiences and “body language” manifestations in order to see the possibilities to create alternative strategies in doing theatre and art. Strategies that could play on the notions of truth and untruth, reality and fiction, strategies that try to blur the traces, passing from one side to the other without borders, reversing the signs, stirring up the norms and shaking up certainty, discovering the role of politics in order to create a new ‘unreal’ reality or a virtual one. In this workshop, Rabih Mroué will present some of the concepts on which he has worked and introducing some artworks in order to open up discussions with the participants on how we could deal with topics such as memory, disappearance, voids, absence, rumours and war in relation to the idea of documents... The workshop will take the form of an open dialogue with participants from different art disciplines. |
Termine | 06.-09.04.2020 |
Dauer | 10:15-17:15 Uhr |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Englisch |
Bemerkung | Rabih Mroué, who was born in Beirut and currently lives in Berlin, is a theatre director, actor, visual artist and playwright. He is a contributing editor to The Drama Review /TDR (New York). He is also a co-founder of the Beirut Art Center (BAC). From 2012 to 2015, he was a fellow at The International Research Center: Interweaving Performance Cultures/ FU/Berlin. He is an associated theatre director at Munich Kammerspiele. His works include: Borborygmus (2019), Kill the Audience (2018), Sand in the eyes (2017), Rima Kamel (2017), Ode to Joy (2015), Riding on a cloud, (2013), 33 RPM and a Few Seconds (2012), The Pixelated revolution (2012), The Inhabitants of Images (2008), Who’s Afraid of Representation (2005) and others. |
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