Abgesagt wegen COVID-19 / HETSR / "ILLIS: CE QUI EST A EUX" Bruno Meyssat
2 CreditsMTH-MTH-WPM-02.20F.016
Abgesagt wegen COVID-19 / HETSR / "La lumière en soi" Philippe Gladieux
2 CreditsMTH-MTH-WPM-02.20F.017
Abgesagt wegen COVID-19 / HKB / "«Vom Elfenbeinturm zum Marktplatz» – Research Festival Bern: Die Plattform für angewandte Kunstforschung" Vertreter der vorgestellten Projekte
2 CreditsMTH-MTH-WPM-02.20F.011
Abgesagt wegen COVID-19 / HKB / "Künstlerische Ansätze und Produktionsweisen bei Produktionen für Junges Publikum" Maike Lex, Caroline Ringeisen, Alessandra von Aesch, Brigitte Kasslatter und den Produzierenden der Theaterproduktionen «Aouuuh», «Wo ist Walter – Die Stadt und ich», «Inuk»
1 CreditMTH-MTH-WPM-01.20F.002
ATD / "Grundlagen des Projektmanagement im Kunstbereich" Barbara Stocker, Geschäftsleitung Theater Tuchlaube Aarau
2 CreditsMTH-MTH-WPM-02.20F.002
Digital wegen COVID-19 / HKB / "Crashkurs Project Management" Wolfram Heberle (Studiengangsleiter BA und MA HKB), Christian Lüdi (Input Social Media)
2 CreditsMTH-MTH-WPM-02.20F.019
Digital wegen COVID-19 / HKB / "Show your class. Klasse und soziale Herkunft im freien Theater" Verschiedene
2 CreditsMTH-MTH-WPM-02.20F.009
HETSR / "The gesture through repetition and physical exhaustion" Alessandro Sciarroni
2 CreditsMTH-MTH-WPM-02.20F.015
HKB / "Autorschaft—Autorität?" Laura Moeckli (Musik HKB)
Weitere Dozierende: Tom Arthurs (Jazz), Immanuel Brockhaus (Pop), Xavier Dayer (Komponist und SUISA-Präsi-dent), Mira Kandathil (Theater), Christoph Roeber (Literatur)
2 CreditsMTH-MTH-WPM-02.20F.014
HKB / "Backstage: Meet the artists" M.A. Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-WPM-02.20F.008
HKB / "Barrierefreiheit im Kulturbetrieb" Barbara Balba Weber (Musikvermittlerin und Forscherin HKB), Nadine Schneider (Heilpädagogin und Leiterin Enjalumja), Denis Huna (Geiger und Leiter Tabula Musica
2 CreditsMTH-MTH-WPM-02.20F.013
HKB / "Forschungs-Mittwoch" Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.20F.003
HKB / "In every sense. With every sense." Alexander Giesche, Regula Schröter
4 CreditsMTH-MTH-WPM-04.20F.004
HKB / "Kolloquium Institut Praktiken und Theorien der Künste (ehemals FSP Intermedialität)" Leitung: Fabiana Senkpiel (wiss. Mitarbeiterin Institut Praktiken und Theorien der Ku¨nste)
1 CreditMTH-MTH-WPM-01.20F.004
HKB / "Kunst und Klimawandel" Verantwortung: Yvonne Schmidt (wissenschaftliche Mitarbeiterin Forschung) und Gäste
2 CreditsMTH-MTH-WPM-02.20F.012
HKB / "Lab" Leitung: Florian Reichert, Sibylle Heim und Mentorierende (nach Absprache)
5 CreditsMTH-MTH-WPM-05.20F.001
HKB / "THE MAKING OF PROCESSES: TECHNIQUE – PRACTICE – FORMAT" Lucie Tuma
2 CreditsMTH-MTH-WPM-02.20F.004
Verschoben wegen COVID-19 / HKB / "I’m here but you can’t see me" Rabih Mroué
2 CreditsMTH-MTH-WPM-02.20F.005
Verschoben wegen COVID-19 / HKB / "New Technologies for Stage Production" Andrew Sempere
2 CreditsMTH-MTH-WPM-02.20F.006
HETSR / "The gesture through repetition and physical exhaustion" 
Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (HETSR)
Wird auch angeboten für
| Nummer und Typ | MTH-MTH-WPM-02.20F.015 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 02 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Alessandro Sciarroni |
| Ort | La Manufacture, Lausanne / Salle 70 |
| Anzahl Teilnehmende | 5 - 11 |
| ECTS | 2 Credits |
| Zielgruppen | All |
| Inhalte | “My interest in repetition is anthropological in nature…I would say biological. As child I would spend hours staring at the movement of ants on my balcony: they would walk in a straight line and they would all move towards the same direction. I would ask myself “how do they do it?” “Why do they act this way and how do they know to walk in the same direction?” Today I have the same feeling when I happen to watch a group of people performing a practice based on a skill, on a virtuosity that is foreign to me (such as a folk dance, juggling, certain types of sports….). When I witness these actions, the farther these are from me, the more I discover in them something that speaks to me… I identify with some of the details. (…) There was a moment during the 1970s connected to the phenomenon of the Body Art (of which I am a great fan), followed by a second wave in the 1990s, during which it was important to perform the artist’s discomfort in regards to the contemporary. These actions – often very extreme, aggressive, at times painful – sometimes wanted to hit the spectator, wake him up. Today we are living different times with different needs. I feel I want to encourage the spectator to leave his house and I want to think that the theatre, the location of the performance is a space of encounter. One of the characteristics of the performers I work with is the interest in the pursuit of pleasure. Repetition, the effort, even if at first it may seem absurd, needs to be accompanied by a desire to last in time, by a desire to take care of the practice. In my works, you can often see the performers smiling on stage and it’s not a theatrical smile, or a choreographed one, it’s a way of collecting energy and moving forward. The body under stress in my case creates an empathy with the spectator, a proximity, an accessibility, rendering the virtuosity at the same time vulnerable and pleasant.” |
| Termine | Du 17 au 21 février 2020 |
| Dauer | 11h-13h & 14h-17h |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
