Contemporary dance class Denise Lampart, Marco Volta, Patricia Rotondaro, Bosshard Michaela and guests
2 CreditsMDA-MDA-1100.20F.009
Dance Coaching as a link between choreographer and dancer Elna Matamoros
2 CreditsMDA-MDA-1200.20F.003
Deconstructing Didactics: Integrating methods for transmission Jason A. Jacobs
2 CreditsMDA-MDA.1200.20F.004
Master Project Friederike Lampert, Jochen Roller, Andreas Zihler, Mark Wuest, Denise Lampart
18 CreditsMDA-MDA-1300.20F.004
Master Thesis Friederike Lampert, Jochen Roller, Steffen Schmidt, Mark Wuest
12 CreditsMDA-MDA-1200.20F.012
Expanded Choreography 
Expanded Choreography
Wird auch angeboten für
| Nummer und Typ | MDA-MDA-1100.20F.003 / Moduldurchführung |
|---|---|
| Modul | Praxismodul - 2 Credits |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Jochen Roller |
| Zeit | Mo 6. April 2020 bis Do 9. April 2020 / 14–19 Uhr |
| Anzahl Teilnehmende | 2 - 16 |
| ECTS | 2 Credits |
| Lehrform | Practice Module (Artistic Working Methods, Elective Practice) |
| Zielgruppen | Master Dance, Mandatory for Choreograhy 1st year students |
| Inhalte | Expanded Choreography (replacement course for „Choreography Practice“ with Guido Markowitz) 6.-9.4.2020, dance studios TONI-Areal The term „expanded choreography“ describes a concept of choreography in which the action ofchoreographing is disconnected from the use of human bodies. This means, in this course wepractice the motion of objects instead of the motion of dancers. However, the use ofchoreography remains the same: Generating movement material, developing movementphrases, composing a dance piece structure and arranging light, sound and stage effects. Aftera brief introduction to important works of „expanded choreography“ through video analysis,each choreographer develops individually over the week a short dance piece with objects.During this process, we will discuss the philosophy of „speculative realism“ (Graham Harman)in which objects can be released from their subordination to how they are usually used byhumans. This will give everyday objects a completely new meaning and turn them into amazingperformers of unknown movement qualities. The whole artistic process emphasizes then thepotential of choreography as a cultural technique - just as any dance with human dancers. „Objects lie on a table.We live beside them and look at them and then they are on the table then.Objects on a table and the explanation.“(„Objects lie on a table“, a play by Gertrude Stein 1922) |
| Leistungsnachweis / Testatanforderung | Attendance, active participation. |
| Termine | 6. – 9. April, 14 – 19 (! From Monday to Thursday!) |
| Dauer | 14-19 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
| Bemerkung | Anmeldung für MA Dance Studierenden über Clickenroll |
