Ästhetische Kulturen – Frühlingsakademie: "Theorieexperimente" Sigrid Adorf, Ines Kleesattel, Léonie Süess
2 Creditsmae-mtr-102.20F.004
Ästhetische Kulturen – Seminar 2: Thinking-with. Theory as Political Poetics Ines Kleesattel
2 Creditsmae-mtr-102.20F.002
Diplomkolloquien Patrick Müller, Irene Vögeli, Basil Rogger, Katja Gläss, Jana Thierfelder, Hannah Walter sowie externe Expert*innen
1 CreditMTR-MTR-4008.20F.001
Kolloquium "Zulassung zum Diplom 1" (Einschreibungen vom FS2020) Patrick Müller, Irene Vögeli, Basil Rogger, Katja Gläss, Jana Thierfelder, Hannah Walter und externe Expert*innen
1 CreditMTR-MTR-2005a.20F.002
Kolloquium Präsentation der Mastervorhaben 2. Semester Patrick Müller, Basil Rogger, Irene Vögeli, Katja Gläss, Jana Thierfelder, externe Expert*innen
1 CreditMTR-MTR-2005.20F.001
LAB 2: Vortragsreihe "Transdisziplinarität in und mit den Künsten" – Lecture Series "Transdisciplinarity in and with the Arts" (glV) Patrick Müller, Basil Rogger, Irene Vögeli
1 CreditMTR-MTR-1040C.20F.001
LAB 4: Commons/Allmende (gLV) Basil Rogger
Njomza Dragusha
Irene Vögeli
2 CreditsMTR-MTR-1040.20F.004
LAB 5: Boundary Work: Glossar transdisziplinärer Verfahren Basil Rogger, Patrick Müller, Katja Gläss, Jana Thierfelder, Irene Vögeli,
2 CreditsMTR-MTR-1040.20F.005
LAB 6: Publikations-Lab (gLV) Basil Rogger, Patrick Müller, Irene Vögeli
2 CreditsMTR-MTR-1040.20F.006
LAB 7: "Stop, Collaborate and Listen!" – Sonic Adventures in Identity (gLV) Rada Leu, Peter Tränkle, Claudio Bucher
2 CreditsMTR-MTR-1040.20F.008
Pool II: vpu: Trading Identities. Zollfreilager im kritischen Dialog mit dem Theater-Spektakel (gLV) Ruedi Widmer
4 Creditsmae-mtr-201.20F.001
Positionen und Diskurse in Kultur und Gesellschaft: Sønke Gau, Basil Rogger
2 Creditsmae-mtr-200.20F.001
Projektwoche 1: Windtunnel_within/verse (gLV) Eirini Sourgiadaki, Fabian Gutscher
1 CreditMTR-MTR-1019.20F.001
Seminar 1: Kolloquien zur Transdisziplinarität in und mit den Künsten — Colloquia Transdisciplinarity in and with the arts (gLV) Patrick Müller, Basil Rogger, Irene Vögeli
2 CreditsMTR-MTR-1002.20F.001
Seminar 2: Übersetzen als Kulturtechnik – Translating as cultural technique (gLV) Delphine Chapuis Schmitz, Katja Gläss, Irene Vögeli
2 CreditsMTR-MTR-1002.20F.002
Seminar 3: Trading Identities. Belonging and belongings in global culture(s) (gLV) Barbara Naegelin
Basil Rogger
2 CreditsMTR-MTR-1002.20F.003
Seminar 4: Paradoxien der Partizipation (gLV) Patrick Müller, Soenke Gau
2 CreditsMTR-MTR-1002.20F.004
Seminar 5: Das Wissen der Künste Vol. II: Situiertheit (gLV) Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1002.20F.005
Switch on the light and listen - Improvisations- & Kreations-Labor (gLV) Natalia Ursina Sidler, Charlotte Hug
1 CreditDMU-WKFK-8008.20F.005
Seminar 6: Thinking Sonic Worlds (gLV) 
Wird auch angeboten für
| Nummer und Typ | MTR-MTR-1002.20F.006 / Moduldurchführung |
|---|---|
| Modul | Seminar |
| Veranstalter | Departement Kulturanalysen und Vermittlung |
| Leitung | Antoine Chessex, Patrick Müller |
| Zeit | Fr 17. April 2020 bis Fr 29. Mai 2020 / 13:30–16:45 Uhr 2. Quartal wöchentlich |
| Ort | Atelier Transdisziplinarität ZT 7.F03 |
| Anzahl Teilnehmende | maximal 30 |
| ECTS | 2 Credits |
| Voraussetzungen | Studium MA Transdisziplinarität Für Studierende anderer Studiengänge der ZHdK, im Rahmen der Geöffneten Lehrveranstaltungen: Einschreibung über ClickEnroll https://intern.zhdk.ch/?clickenroll |
| Zielgruppen | Wahlpflicht für Studierende MA Transdisziplinarität Geöffnete Lehrveranstaltung für alle Master-Studierenden der ZHdK |
| Inhalte | The course concretizes the continuation of the exploration of sound studies from the manifold perspectives of transdisciplinarity as initiated during the past semesters. By acknowledging the fact that listening is neither neutral, nor purely physiological but mostly oriented, situated and constructed, the course explores sonic materialism from specific historical, technological, cultural, social and ecological perspectives while addressing issues around these fields of research. Departing from a position reducing sound as an immaterial outside, sonic materialism aims to consider sound as a producer of intensities and becoming, thus attempting to escape solely dualist perceptions like representation/signification, nature/culture or human/non-human. The course aims to implement a critical approach to sound and listening helping the reflection of non-linear sonic histories that are saturated with frictions. Presented as a complementary alternative to visual studies of media and society, the goal of the course is to help implement the subjective ear as a major instrument for the production of artistic and scientific knowledges. Moreover, the course aims to imagine and experiment different languages to address sound and listening while thinking sonic worlds transversally in the present time outside of a specialized musical grammar. By engaging with current literature within sound studies, the seminar will permit to reflect varied sensible ways to listen to sonic worlds nowadays and will try to approach sound and listening as a multiple (inter)relational practice. Furthermore, by investigating actual discourses and positions to be found within adventurous sonic practices like sound art, field recordings, acoustic ecology, speculative sonic fiction, soundscapes and noise, the students will benefit from an insight into current sonic arts. The course is opened to non-musicians and to anyone interested to reflect sound and listening from a transversal perspective. |
| Leistungsnachweis / Testatanforderung | Aktive Mitarbeit, 80% Anwesenheit |
| Termine | Freitagnachmittag jeweils 13:30 bis 16:45 Uhr am 17.4. / 24.4. / 8.5. / 15.5. / 22.5. / 29.5. |
| Dauer | 6 Halbtage im 2. Quartal |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | Language of instruction is English. |
